A Tantalizingly Good Adirondack Thriller...

...But don't take my word for it. That's what Publisher's Weekly calls my newest stand alone psychological action thriller, The Girl Who Wasn't There (Oceanview). I often write about the dangers of the seemingly safe and sedate suburbs (check out Orchard Grove), but I'm also fascinated by thrillers set in the woods or, as in this case, The Adirondack Mountains.

Here's the set up:

Sidney O'Keefe just wants to spend a peaceful weekend alone with his wife and daughter in the vacation paradise of Lake Placid, New York—now that he's been paroled after a ten year stretch in a maximum-security prison. But any illusion of a peaceful future is destroyed when his eleven-year-old daughter, Chloe, suddenly disappears from the iconic beach scene, leaving Sidney and his wife, Penny, stricken with fear and panic. When it's determined that his old crime boss, Mickey Rabuffo, might be behind the abduction, it becomes apparent that the past has not only come back to haunt Sidney, but it's come back to kill the entire family. With the village police assuming that Sidney, an ex-con with a history of prison violence, is responsible for his daughter's disappearance, Sidney is left with no choice—he needs to take the law into his own hands—not only to expose the truth about what's developing into a conspiracy of Biblical proportions, but also to render his own particular brand of rough justice.

I wrote a lot of this book on site, at the Golden Arrow Hotel in Lake Placid where much of it is set. I think that adds to its intensity, if I don't say so myself. I hope you think so too.


The Girl Who Wasn't There is now available in eBook for 1.99 for a very limited time.

Get it at Amazon

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 WWW.VINCENTZANDRI.COM

Don't Force It, Damnit!: Choosing an Indie Publisher III (and Advice for Writers)

Mailer, the overnight sensation...

It's guaranteed to happen once a year. Some unknown author emerges from out of the dark shadows of obscurity and publishes a book that goes through the freakin' roof. The book's sales not only blow away even the most major of commercial authors (think James Patterson and Stephen King here), they could arguably outdo the Gross National Product of some small nation-states.

You, as an author, find yourself shaking your head in dismay. Not only have you never heard of this now overnight-famous author, you have been writing for years and years, published several books, and your annual sales don't even come close to this writer's weekly revenue. You look up his or her bio, and you become even more distraught. The author, the bio claims, has worked as a cook, or a video store clerk, or was on welfare until his book was published and every single reader in the world dropped what they were doing and when out to buy it. Or so it seems.

But wait, where have you gone wrong? You've done everything the right way. You started out by working at the local newspaper, then published short stories in the best literary journals, made your way through writing school, nailed a big contract, began establishing a career of steady sales, fans, and contracts. You've nailed all the Amazon lists and some of the traditional lists as well. You make a nice income and have a nice life. You've done everything right. Shouldn't you be the one with the huge blockbuster that blows the doors (or covers) off all other books published that year?

The novel that sealed the young author's fate.

If only logic had something...anything at all...to do with the publishing business. 

So what are your options? Sit down and read these books? Try and uncover their magic? Maybe you can somehow write a book just like them. Maybe you don't know it yet, but you're the author of the next A Million Little Pieces, 50 Shades of Gray, or Harry Potter. So you set your sights on writing something with a plot and characters that don't necessarily interest you, but you're sure contains the perfect recipe for the next bestseller.

Big mistake.

Back in 1998, an agent in NYC suggested I write a novel with a black man as the detective protagonist because that was the "in thing." I didn't do it. What do I know about writing from a black man's perspective? Why should it interest me? Besides, James Patterson was already doing it, and I would just seem like a copy cat. Fact is, many of these huge bestsellers are often, one-shot, one-hit-wonders. Tremendous pressure is placed on the author to duplicate not only the book, but also the sales. Usually, both fail to meet the grade established by the initial blockbuster success. Norman Mailer, who nailed one of these hits right out of the gate, witnessed the near dismantling of his career with two follow-up books that stunk up the joint, even if they were brilliantly written.

Many of the big one-time hits, however, aren't very well written. They create a hysteria not because of their value as a piece of literature, but simply because they have touched a trendy nerve. Again, referring to Mailer, he once said of these books, "The popularity of bad writing is analogous to the enjoyment of fast food." This is not to say all of these books are bad (after all, in the final analysis, even filet mignon ends up in the same porcelain God as the Big Mac). Some are brilliantly written and will stand the test of time (think Wool by Hugh Howey and Grisham's The Firm). Inevitably, the value of these novels is up to you, the reader.

But as a writer, what should you do in order to become a mega-famous, overnight sensational bestseller? As you mature, and practice your craft, you will come to realize that writing only about the things that interest you is the best and most trusted method of staying the often agonizing course of a full novel, which can take upwards of up to a year to write. In other words, don't force it, or else you'll end up like a rabid dog always chasing its tail (or in this case, tale...forgive me). Attempting to figure out why one book sells better than others is not only an inexact science, it is an absurd science devoid of logic, but chuck full of emotion. We all want to have that one book that sells a thousand or more copies per day for weeks or months. I've had the good luck of nailing a couple of these, but for every bestselling book I write, I have two or three that I can't even get my mother to buy.

The next time a relative unknown author scores a million seller right off the bat, remember, that author could have written a hundred novels before nailing his first huge success. Or, it could be his first and sadly, his only success. This is a business that just can't be controlled or trusted. The only thing you can trust is yourself to write a well as you can, as steadily as possible, and to practice the nail biting discipline day in and day out that's required of the next huge overnight sensational bestseller.

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Scary "Full Moonlight" Halloween Sale!

FULL MOONLIGHT

I sometimes like to think that if Stephen King were to write about a detective with a piece of .22 caliber bullet lodged in his brain making his sudden and unexpected death from stroke not only a real possibility but a distinct reality, he'd have come up with the Dick Moonlight series. The Moonlights have gained in popularity over the years and maintain a quasi-cult following.   

Years ago I was (and still am) a big X-Files fan, and I even wrote an X-Files novel for Amazon Publishing this past April (I wrote it in three brain bursting weeks!!). Although I've been paid handsomely for the project, Fox Studios is blocking the publication of the novel for now due to some licensing issues. However, in the X-Files, anything-can-happen vein, I also wrote Full Moonlight, a novella that could easily pass as one of those creepy stand-alone episodes that Fox Mulder and Dana Scully would often find themselves enveloped in, thanks to the inventive mind of series creator/producer, Chris Carter, and series lead actor/writer/director, David Duchovony.

So, in the spirit of Halloween (which is my son Jack's birthday by the way), I give you Full Moonlight for just a buck. You can read it under a full moon, or you can read it in bed, under the covers on your Kindle. But just remember that it's make believe, or else you might have a difficult time falling asleep.

Happy Halloween all!!!

Buy Full Moonlight. Get real freakin' scared!!!

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Turning a Bad Thing into Gold

I'm by no means a Midas type of guy. Meaning, not everything I touch or write, for that matter, turns into gold. But I have become a survivor. Case and point: Eight years ago this week, my second wife and I split up. I packed up my stuff along with my then thirteen and nine year old son's stuff, and moved from a huge four bedroom, three bath house to a two bedroom, one bath apartment. My youngest son was forced to leave his school and his friends while my oldest son became quite angry and at the same time, withdrawn over what to him, seemed like yet another life rejection. Both boys also had to leave behind their little sister. 

But here's the hard truth of the matter: I had no one to blame other than myself. I'd become a frustrated and unhappy young man. Having achieved some major success just a few years before in the form of quarter million dollar two book deal with Delacorte Press, I felt that I was entitled to more success. When that deal eventually went sour due to the publisher's corporate problems and I was left high and dry, I fell into a tailspin of despair that made life with Vince pretty unlivable.

Still recovering from the ill effects of a very expensive first divorce, my finances were in a shambles, my debt was enormous, and I had no real cash coming in. To make matters worse, I had no publisher and even my then agent was no longer returning my calls. That Christmas morning I was so depressed, I woke up, went straight for the refrigerator and cracked open a beer. I had reached rock bottom. As I stood there with the beer in hand and a tear running down my cheek, I knew I had two choices. I could either keep sliding south, which of course means six feet under. Or I could pull up my bootstraps and start climbing out of the hole I'd dug for myself. Luckily I tossed out the beer and got digging.

It was around this time I started writing THE REMAINS, a story about twin girls who were abducted back in the 1970s when they were only twelve by a madman who lived in a house in the woods behind their home. In part, the story was based upon my breakup with my second wife and I was able to utilize some of our relationship as the basis for the main characters. In this case, my protagonist, the artist and art teacher Rebecca, still maintains a friendly if not loving relationship with her ex, Michael. Michael is a writer who, having once before hit it very big, fell into a trap of partying like a rock star until one day he woke up in a hospital only to realize that everything he worked so hard for had turned to shit. And like me, he had only himself to blame.

Michael still loves Rebecca and since she is his muse, he insists on writing inside her apartment. When Rebecca begins to receive strange paintings with messages hidden inside them from an autistic savant who is her student, she comes to realize the paintings are warnings. The man who abducted her all those years ago has been released from prison and he's out to finish the job he started with she and her twin sister all those years ago. Only this time, he plans on doing it right. That said, Michael and Rebecca team up not only to solve the mystery, but also to rekindle their love.

Just the other day it dawned on me that if I hadn't broken up with my second wife whom I loved very much, I might never have written THE REMAINS. In fact, I'm quite sure I would not have written the story at all. if I hadn't reached rock bottom and survived it all, I never would have written the character of Michael. Nor would I have nailed the desperate-need-to-survive-at-all-costs that Rebecca experiences when she's being hunted down in the woods by the same man who abducted her many year ago. In a word, I had taken a very bad thing like a breakup, and turned it into gold.

Last month, THE REMAINS sold over 30,000 copies in paper, ebook, and audio. It reached the Top 10 in the UK and the US. It was also, or so my agent tells me, Thomas & Mercer's No. 1 seller for the month of September. Not bad considering the hundreds of books they publish. But the point here is not how well something sells. The point is that I was able to turn a bad situation entirely onto its back, and write something that I am entirely proud of. Something that can stand up in both the literary and suspense genres (since September 1, the book has earned more than forty new 4 and 5 star reviews). 

Today, I'm sitting at my writing desk in my studio and reflecting on all that has changed in the eight years since my wife and I split up. I've published hundreds of articles and photographs for some major news outlets like RT and magazines like Living Ready. I've traveled to from Moscow to the Amazon Basin, and from Shanghai to West Africa. I enjoy extended one and two month writing retreats in Italy. I've written more than half a dozen new short stories and two novellas. More importantly, I've written thirteen new books and have recently completed the first draft of my seventeenth. My debt is gone, and I even have enough money to invest. I don't enjoy the benefits of one publisher. But several.

A number of years ago a prominent local bookseller looked me in the eye and said, "You will never score another major book deal again." Since then I've published (and re-published) seven novels with perhaps the hottest major publisher in the business today. I will be publishing more with them to be sure.

I love proving naysayers wrong. But more than that, I love proving myself wrong. Eight years ago I felt like there was nothing to live for anymore if I couldn't be a working writer, and do so on my own terms. What I had to grow up and realize is that this is a business full of ups and downs and the work ethic must be adhered to like a priest and his daily Our Fathers. But if there is one thing I've learned more than anything else, it's this: Happiness is a choice. It's not something that arrives and departs like the cavalry. Happy people seem to attract other happy people. They also attract success. They are healthy and hopeful. Their dreams are vivid and real. Conversely, the miserable attract misery. They are physically and mentally incapacitated and they are the perpetually plagued. Avoid them at all costs.

Just like Rebecca and Michael from THE REMAINS, my ex and I are giving our relationship another try. Why shouldn't we? We've both changed and managed to ride out our separate storms. We've grown up in the process and learned a whole lot about life. We're survivors.

Want to read THE REMAINS?

Get it at http://www.amazon.com/The-Remains-ebook/dp/B0073I2QHM%3FSubscriptionId%3D1QZMGW0RRJC2PX87HDR2%26tag%3Dsalranexp-20%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3DB0073I2QHMERE!

  

WWW.VINCENTZANDRI.COM

Don't Promote

Yes, Burger King is into the "hard sell..." Not a good idea for authors...But you gotta love the "super seven incher" ad copy...

Things change at lightening speed in this business. Which means, what was hot and happening and the absolutely only alternative yesterday is today, cold and old and as outdated as your great grandmother's underwear.

Three years ago when I first started working with indie publishers you didn't go a day without posting something about your books on Facebook, Twitter, and even Myspace. Of course, you had to watch what you posted since you couldn't directly ask someone to buy your book. You needed to utilize a more indirect approach. For instance, you might post something on Facebook about "Identical Twins" and their uncanny ability to know what one another are thinking at any given time, which on the surface seems like the kind of interesting topic that might pull you away from your accounts payable reports at work. But within the piece itself would be a quick mention of my novel, The Remains. Of course, The Remains is about a set of identical twins who communicate even after one of them has died.

Oops, I did it again...I just promoted The Remains.

But not so fast. The point here is that even that kind of off-handed, soft, and gentle promo is not as effective as it used to be. Which is why I rarely do it anymore. Instead I just might post a piece on Twins and let it go at that.

But then how do I get the word out about new books?

I still use all the social media tools, but instead of shotgunning dozens of notices over dozens of engines, I elect instead to send out a mention of the new book on Facebook and Twitter on its release day. I'll also set up a Facebook event page in order to invite certain people who might be interested in reading it. Lastly I'll utilize a guaranteed reader's list of email addresses (which have been obtained with permission from the people who own them) by sending out a direct mailing.

All in all, even this softer approach won't light the book on fire, but it will serve to slowly get the wheels turning. You don't want to see a huge surge in sales on Day 1 only to see your book fall to the back of the algorithm line on Day 2. Better to see your book slowly begin to make its rise to the top over a period of weeks or even months (It took The Innocent nine months to reach the Amazon Overall Top 100...The same for Godchild, The Remains, The Concrete Pearl, and others...).

Things like virtual blog tours, the occasional free special, and blogging, remain important tools. So does careful pricing, as well as a great cover, and a great product description. But nothing sells like writing more books. The author who can put out great work speedily and consistently will find that he or she is writing faster than publishers can keep up. Even indie publishers. I suppose that's when authors begin to contemplate self-publishing (No, despite the rumor, I have yet to self-publish...Surprise, surprise...But I will one day).

Amazon's algorithms have changed. Books that surge to the top are almost automatically now pushed to the back of the line. Better to focus on slow, steady growth than a fast shotgun approach. Don't think sprint, think slow jog. Think organic growth. But don't think for too long, because a week from now, the blog you just read will be old, and dumb, and useless. Like the Beatles once sang, "Tomorrow Never Knows..."

WWW.VINCENTZANDRI.COM

 

THE GUILTY is Born (or Jack Marconi is Back!)

  Jack is Back!

Years ago when I was writing The Innocent and Godchild for a major publisher (back then The Innocent was called As Catch Can, which never really rolled off the tongue the right way for me), I had assumed I'd be writing about Jack Marconi, former maximum security prison warden turned private detective, for the rest of my days. I was only thirty at the time.

But then my publishing deal started going south when the imprint I was with was handed its walking papers and the office was swallowed up by another imprint that didn't want to back Jack in the first place. In fact, although they honored my contract and even paid me my full advance, which was quite hefty, Jack was relegated to the broom closet. In the words of my then editor, "I'm think Marconi is done for a while." RIP, that is.

But then something miraculous happened. About three years ago my agent (now retired, but what a wonderful woman God bless her), was able to wrangle the rights back from said major pub for both Marconi books (You see, even though the publisher wasn't going to publish anymore Jack, they still insisted on holding onto the rights for the first two Marconi's for years...). How she did it, I'm still not sure. But the novels were promptly republished by StoneGate Ink. In just a single six week period, The Innocent went on to sell more than 100,000 copies while earning more then 60 four and five star reviews. I entered into the Top Ten overall Kindles on Amazon and I was blowing even the top New York Times Bestsellers out of the water. Godchild fared almost as well selling tens of thousands of copies. In the end, I'm sure said major publisher was punching itself in the head thinking, "Why oh why did I let those rights go?" Or perhaps, they should have said, "Why oh why didn't I back Jack?" Or maybe they said, "Who gives a rat's ass?"

Now The Innocent and Godchild have been bought out by Thomas & Mercer of Amazon Publishing and continue to be the gifts that keep on giving. Jack just won't quit. Which means, I've given the tough guy a new case. As always, it's loosely based on a true events.

Here's the tagline: Sometimes the recipe for true love can turn out to be the perfect poison.

Jack Marconi is back. In The Guilty, Jack finds himself investigating a local restaurateur who’s not only obsessed with the sexy, dark romance novel, Fifty Shades of Grey, he’s accused of attempting to murder his school teacher girlfriend. As the now brain-damaged young woman begins recalling events of that fateful winter night when she was allegedly pushed down the stairs of a West Albany mansion, she becomes the target of the angry foodie/sex-obsessed boyfriend once again. Only this time, he’s cooking up a plot to keep her silenced forever.

As you can see, I became a little intrigued with this popularity not only of the dark romance Fifty Shades of Grey but also with the the explosion of vampire, zombie, and fantasy lit. I wondered what it would be like if someone were to begin living the fantasy for real and if it could result in murder?

Jack Marconi is also pondering that very question in THE GUILTY.

Yup, Jack is Back, and he's as bad ass as always. You just can't keep him down. Like great poetry his message (and his actions) resonate.

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Show Up for Work

There is a delicate balance between the conscious you and the unconscious you. You don't live with the unconscious so much as you develop a relationship with it, much like you would a wife or husband. A relationship built on trust. In a good marriage, you trust one another. Whereas a bad marriage is full of distrust and disharmony. I'm not the first one to figure this out. Norman Mailer did before me. So have other very productive authors like Stephen King and Hemingway, for instance. Freud figured it out while on a coke jag.

If you tell yourself you are going to be writing tomorrow morning, make sure you show up at your writing desk. Doesn't matter what might get in the way, be it hangover (again, these are Mailer's words), sickness, injury, Apocalypse, whatever. If, before bed, you promise yourself you're going to be working come morning, your unconscious will go to work on the book you are writing while you are sleeping. When you wake up and begin the process of putting words on a page, the product you produce will not have come entirely from the conscious you, but the unconscious you who has been working all night. This is why three hours of writing can whiz by in what appears to be a matter of minutes. Often we're not even aware of what we've written until we go back and read the pages.

Once more taking Mailer's cue, if you can train yourself to be true to your unconscious and show up for work day after day, then be sure to be honest with it when you need to take a day off. Tell yourself, "Tomorrow I'm not going to work. Tomorrow I'm going to have fun." Your unconscious mind will, in turn, take the night off and in the morning you won't be plagued with story ideas and plot points banging around the inside of your skull like a dozen bees that can't get out.

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The Interstate of Life

We have a finite set of miles allotted to us. What are you doing with yours?

Do you find yourself lying in bed some mornings wondering where you took the wrong turn in life?
Maybe it was right after college when instead of taking  left off the interstate of a life towards something that would make you happy but not a lot of money, you instead took a right onto the entrance-ramp of security and financial responsibility. I took that right, right out of college. I had a little help in the matter in that I had been groomed from birth for the family business. "Groomed" is putting it kindly.

But soon after entering into the business, I rejected it. It didn't feel right. I was a young man who felt uncomfortable in his own skin. It was like having been thrust into an arranged marriage and being repulsed by your new partner. I wanted to be a writer. That was the life I wanted to live. People thought I was crazy. My family thought I had lost it. They all said, "You have this great business. One day it will be all yours." Then they said, "You can write on the side."

I didn't want to write on the side. Writing on the side was for hacks and pretenders. I knew that if I didn't give it my all, I would one day become the fat, middle-aged man with high blood pressure, a house in the burbs that needs a new roof, and more debt than I could possibly pay off. If I were going to become a writer, I wanted to do it the way the greats did it. Like Hemingway and Mailer and Gellhorn. I wanted to write about everything and see the world doing it.

I rejected the family business and I rejected the suburbs and I rejected anything that even speaks of normalcy and safety and what's expected of me. Does it make me selfish? Maybe. Writing is a selfish pursuit. It requires alone time and it requires space and it requires stimulation that cannot be had by sitting on the couch in front of the television anymore than it can be had by doing it "on the side."

Today....at this very moment in time, I'm not fat, I'm not unhealthy, and I don't have insurmountable debt keeping me up at night. But I don't own a business, nor do I have a country club membership, nor do I own a house, nor am I rich. Not even close. But damn, I'm happy as hell. Happy that after taking a right hand turn off the interstate of life, I pulled a U-turn and pursued the other route. It's made me who I am right now and who I will become many miles from now.

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Don't Read Your Reviews

Papa poised to kick a critic's ass...

There's a great scene in the recently broadcast HBO movie, Hemingway and Gellhorn in which a drunk Papa spots a book reviewer from across a crowded bar, and taunts the man into a fist fight.
"Hey you...Critic!" Hemingway belligerently shouts at the smartly dressed man. "Critic, come here!"
The critic in question is supposed to be Max Eastman who, in the early 1930s accused the macho Hemingway of being a sissy with no real hair on his chest. Whether Eastman was trying to be literal or just tooling with Hemingway is still up for conjecture eighty years after the fact. But I can bet that if the great Papa were still alive today, the nasty review would still be fresh in his mind and just as hurtful. So it went in make-believe-movie land that, when confronted face to face with his less than favorable reviewer, Papa not only tore his shirt open to reveal real chest hair, but he attempted to knock Eastman's teeth down his throat (In real life this altercation occurred in NYC in Max Perkin's Scribner's office. Eastman and Hemingway wrestled around a bit with the critic supposedly gaining the upper hand in the fight, prompting Papa to start laughing and suggesting they share a drink.).

The point here is not critics or macho stances or even boys being boys. The point is that, man or woman, we all loath reviews. Rather, we loath the bad ones. But as writers in the digital age, we not only have to sweat out the professional reviews, we now are forced to put up with the amateur reviewers. I recall a lecture given once by John Irving when I attended the Breadloaf Writer's Conference back in 1991 in which he explicitly stated that he would not review a single book by an author without having read his entire library first. That's the kind of care a professional reviewer puts into his reviews.

Today however, we place a whole lot of importance on reviews that come from amateurs who know as much about writing a proper review as they might flying a 747. That said however, their reviews are not taken lightly. They are considered a crucial component in the sales, or lack their of, of any given author's books. In other words, the more bad reviews an author receives the better the likelihood that his sales will stink up the joint. The converse is also true.

As authors, we don't have a whole lot of power when it comes to who reviews our work, be it other jealous authors cowardly hiding behind a clock of anonymity, or a spiteful ex-boyfriend/girlfriend, or simply someone who doesn't know their ass from a hole in the ground. But then, in many ways, it's a Godsend that so many non-professionals will take the time to lend their opinion about our novels and therefore help spread the good word.

Thank you!

But all too often, these same reviewers will go out of their way to say nasty things about a book, and this mean-spiritedness translates into one star reviews that inevitably hurt authors who are trying to make a living.

Imagine if you a will a world in which the reviewer must state his or her occupation and we, the writer, in turn, get to observe their performance for the day and write our own review.

1 Star ...  "This Lawyer Really Sucks"

"When I sat down in court to observe this lawyer in action today, I expected great things. After all, everyone is talking about how great he is. But his opening argument bored the hell out of me. It was full of cliches and the whole thing was slow moving. I won't be attending anymore opening arguments by this lawyer." 

Ok, you get the point.

So, what to do then in a world in which the amateur rules?
Don't read the reviews. Good or bad, just don't read them. Instead spend your time writing the best books you can. Then, in the end, you will know that no matter what anyone says, your book is as good as your could make it. A book that will stand the test of time. A book that will put hair on your chest.

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The Narcissist

Norman Mailer, a self proclaimed novelist/narcissist.

We create and carry on conversations with ourselves. We live as much on the interior as we do the exterior. Perhaps more so. We make sure to catch passing glances at ourselves every time we walk by mirrors not because we think our hair might be out of place, or something might be smeared on our lips, but because we are the most important person in the room. 

We wake up and we prop ourselves up for the day's work head, convincing ourselves that we are the best at what we do. No one can beat us. We are brilliant and the world is ours for the conquering. We might have spent the night besides someone else. A precious loved one perhaps. But we have most definitely slept with ourselves and we will face the day with ourselves.

We Google ourselves.
We check our Amazon rankings obsessively.
We check to see if our name pops up in the news.
We imagine that our marketing peeps think only of us.
We send proposals and stories to editors and agents, and wonder why they don't get back to us 
     within the hour.
We cheer ourselves when the work is going well and beat the shit out of ourselves when it is going
     terribly.
We measure our life, deadline to deadline.
We break hearts because it's the romantic thing to do.
We drive by a car wreck and see a story in it.
We drink too much, eat too much, exercise too much, nap too much, sleep too little, worry a lot,
     ignore problems, and put off the bills.
We dream of escape while escaping, envision dirty sex while making love, feel pain when
     laughing, keep to ourselves when socializing in our favorite bar, make ourselves the center of
     attention at a dinner party thrown in someone else's honor....

We are narcissists and novelists and our world revolves around us. Notice I'm writing from the "We" POV. Whoever said there is no "I" in "We" ain't never been to a writer's conference. There is no bigger collection of "I's" in the world than a writer's conference. Still we feel compelled to attend. After all it will help propel the career forward...My career.

So, novelist, what will you do with yourself today?

WWW.VINCENTZANDRI.COM

To Purchase MURDER BY MOONLIGHT, click HERE

   

The "Romeo Killer" Murder(s) by Moonlight...

I don't always make stuff up.
Sometimes, I borrow from what's happened, or happening all around me. When I sat down to write Murder by Moonlight a year and a half ago, I already knew that I wanted to base the newest in the Dick Moonlight detective series on a tragic axe murder, and attempted murder, that had occurred fairly recently in a sleepy little white-bread suburb outside of Albany, New York called...get this...Bethlehem.

The axe murderer in question, an attractive, well educated young man by the name of Chris Porco, had already been tried and imprisoned. Despite repeated appeals he remains incarcerated, and it's more than likely that a max security prison will be his home long after his good looks abandon him and his prison Bic pen tattoos have faded to faint blue.

Basing a fictional story on a real event is just that. You borrow from what's already been reported (in this case, some great work  by local Albany journalists Steve Ferrance of YNN News Network and Brendon Lyons of The Times Union), and then you add your imagination to it. The real stuff...the stuff that is already out there readily available in the public domain...provides the base or seed of the story. You, as a novelist, provide the soil, the sun, and the water. You grow it into something that it already is, but also into something much more than it is--a fictional work that is greater than the sum of its true parts.

You following me here?

This weekend the Lifetime Channel (I know, gag!) will present a Docu-Drama (I use capital letters because the word looks so much more...well...dramatic), called, "Romeo Killer: The Chris Porco Story." Like I did with Murder by Moonlight, the writers of this television motion picture borrowed from documented reportage and then added a little artistic license to the equation. A lot of artistic license from what I'm told.

But the problem now is that Mr. Porco has gotten wind of the film and is trying to have it canned, claiming it "is an unlawful use of his name for trade purposes because he said it's a largely fictional and unauthorized account of his story. (You can read the whole Times Union story here)."

Hey Chris, aren't you like, an axe murderer? Aren't your God given rights not exactly what they used to be?

This isn't the first time I've been made aware of the convicted killer's, let's call them, media complaints.  Just yesterday, Murder by Moonlight, came up in an NPR roundtable program in which the topic of discussion went something like this: Does a convicted murderer and all around psychopath like Porco bear the constitutional right to stop a movie or book based upon his crimes in a court of law?

Well, that court has spoken and so far its Porco 0 - Writers/Media 1.
 And that's a good thing.

I can't think of many fiction writers who don't borrow from reality one way or another, My novels The Innocent (As Catch Can), The Concrete Pearl, and even The Remains all borrow from some actual events that have occurred at one time or another. Michael Connelly (a former newspaper reporter), often hangs out with the cops in order to steal a story or two from the real world. Hemingway used to risk his life in battle in order to harpoon a good and clean and true story. Dan Brown messed with Jesus for God's sakes. Martha Gellhorn reported and, on occasion, turned the reportage into short stories and novels that would never sell. Even Albany's William Kennedy has derived a nice livelihood and achieved the pinnacle of literary greatness writing about scumbags like Legs Diamond. Somehow, I doubt that old Legs' extended family has, ummmm, a leg to stand on should they consider suing Mr. Kennedy. 

I think I'll watch "Romeo Killer" this weekend. It looks like a sappy adaptation of a true life event, and no doubt the writers will tug at the heartstrings of its predominately female audience while scaring their panties off (imagine being attacked with an axe while sleeping in your bed at night?). If nothing else, it will be interesting to see what it is real and what is fabricated. 

Tugging at viewers heartstrings while scaring their panties off...Come to think of it, that's precisely what I've tried to do in Murder by Moonlight.

 _ _ _

To grab a copy of the Amazon No. 1 Bestselling Hard-Boiled Crime novel, MURDER BY MOONLIGHT, go to... 

WWW.VINCENTZANDRI.COM

Should You Go to Writing School?

I get asked this question a lot for obvious reasons. I went to writing school and I’m not afraid to advertise that fact. I’m proud of what I accomplished there back in the mid to late 1990s. The work was hard, but enjoyable since writing and reading were also a hobby at the time, and the students, for the most part, were good, decent people.

Of course, there were some assholes who couldn’t wait to shit on your work as soon as you walked through the workshop door. But many of these same people are history now, not having published a word once they were given their diplomas. Most likely they now sell insurance or have drunk themselves to death. One can only hope.

But at the time, writing school was a necessary evil for me. I had no idea I would actually write for a living. I thought I would live the cush life of the writing professor. You know, write a novel every five years or so, publish it with a small publisher, bang the crap out of my pretty young adoring female students. Seemed like a nice life to me. But in order to live that life, I first needed my MFA.
These days, for the most part, MFA programs are a scam and a sham. They have sprung up all over the place simply because of the demand. People feel like writers when they are enrolled in a writing program. Problem is, after dropping 30 or 40K it’s more than likely they will never see their work published commercially. They might venture to self-publish, now that DIYing it is hot shit. But the work will probably be mediocre and not attract an audience the way a work published by a major publisher could (or a hotshot indie publisher/small press).

But writing school was a good time. I drank like crazy, spent days and nights on speed, fucked like a rabbit, and yeah, got some writing done too. It was an escape, but not entirely. I was there to work hard and work hard I did. I was determined to be a success one day.
Was the experience worth the cost in the end? For me it was. My creative thesis turned into my first full-length power novel: The Innocent (or, As Catch Can). Mind you, the version I worked on at school was very different. The writing teacher who advised me during my last semester suggested all sorts of cuts and revisions, which I did to please him. But as soon as I got back to New York, I put the cuts back in and reversed the revisions. The book was originally bought by Delacorte Press only a year after graduation in a mid-six figure deal, and went on to sell hundreds of thousands of copies. It still sells at bestseller levels today now that it’s on its third publisher in 13 years. So much for writing school advice.

So, do you need to go to writing school?

The choice is entirely yours. You will meet some like-minded people who will be your friends for life, and you will meet some of the most crappy souled assholes in the world who want nothing more than to crush you and your talent. They are the jealous type. You will meet professors who are old and washed up and who will hit on you. But you will also meet some genuinely great teachers who embrace the fact that teaching writing is as much a spiritual calling as the writing itself.
I’ll say it again. The choice is yours. Do you want to be a serious writer who makes his or her living from words? If that’s the case, writing school can teach you a lot. It’s what you make of it. But if you just want a place to escape to in which you can play pretend writer, save your money and sell insurance.

WWW.VINCENTZANDRI.COM

Suddenly, The "Vox" Is Back in Action!!!

"The novel loosely based on the Chris Porco axe murder in Bethlehem, NY"

Most of you know that the "Blogger" version of the wildly popular The Vincent Zandri Vox, has been out of commission for some time. It just disappeared one day, like some of my wives. But now, again, like some of my wives, it has now miraculously, re-appeared.

Like they say, God and Google, work in mysterious ways.

Just a quick update, MURDER BY MOONLIGHT, my newest Moonlight to date is out and about and scoring big in Europe. I'd like to see it score here in the US as well, so please buy a copy for your Kindle or E-Pad or whatever...Or grab a paper copy. Thomas & Mercer has put together a beautiful book. Now this novel is a bit more graphic and scary than some of my others, so be prepared. But it has huge twist at the end that will leave your pits a-sweating...

Cheers and happy reading!!!

WWW.VINCENTZANDRI.COM

The Dick Moonlight Series in its Proper Order

The newest Moonlights have now been released by Thomas & Mercer of Amazon Publishing, the most powerful publishing house in the universe...The Dick Moolights have been coming at you at a pretty hot and heavy rate lately. That's a lot of dick (Ha!). And understandably, a lot of fans, or would be fans (fingers crossed), are asking me to place them in order so that they might start from the beginning of this very remarkable and uniquely Zandri series (I'm shaking my head and rolling my eyes for you...).

So here goes:
1. Moonlight Falls
2. Moonlight Mafia
3. Moonlight Rises
4. Blue Moonlight
5. Murder By Moonlight (Coming December 18, 2012)
6. Moonlight Sonata (Coming Spring 2013) 
BONUS MATERIAL: Moonlight Falls (UNCUT EDITION)

So that's the run down peeps....Also, check out the new covers on Moonlight Falls Uncut and Moonlight Mafia which have been updated by StoneGate Ink in order to reflect the fine art the team at Thomas & Mercer did on all the other Moonlight novels.


Happy reading...and to order your Dick Moonlights....Go to:

WWW.VINCENTZANDRI.COM

Release Me...Let Me Go!

I had six books released five days ago.
I'm still trying to wrap that number around my finger...get a grip on it.

Two of those titles are brand new releases...Well, scratch that. One of them, Blue Moonlight, is brand new. The other, The Concrete Pearl, is almost brand new, having been published originally about a year ago with hot indie publisher, StoneGate Ink....

The other books are as follows (click on the website link below if you want buy some):

The Remains

The Innocent

Godchild

Moonlight Rises....

All of the books are doing great right out of the gate and I'm not surprised. My new publisher is Thomas & Mercer of Amazon Publishing. While my agent could have accepted similar deals in terms of advance money from other, more traditional publishers, I would not even entertain the thought of it. I've been published by the traditional majors in the past and trust me when I say you are pretty much on your own when publication date arrives. They put your out to sea in a rubber raft. If you happen to make it to dry land unscathed, they gladly take credit for putting you on the right course. If you drift in circles and die from starvation, then well, it's your own damned fault. 

Not so with Amazon Publishing. Just yesterday I received an email from my marketing staff, detailing (in bullet form) their initial marketing plan. That's right, "initial." In the words of one of my peeps at T&M, "We are on fire for you!" That's the kind of enthusiasm and support that takes my breath away. And the numbers show it. While "Pearl" is closing in on the top 500 in overall Kindle sales, "Blue" is edging its way towards the top 1000. And the others are holding their own nicely. Paper and European/Asian sales are also beginning to happen as well.   

When I think back to where I was just five years ago after having published two books under two Random House imprints and how dreadful an experience it was, I shake my head and shiver. It's a new world and the new publishing model is quickly dismantling an old system that worked for only a few, very wealthy people, while writers were considered a necessary evil.

I'm embracing it. Are you?

WWW.VINCENTZANDRI.COM

D is for Dumb Ass

"So you're a new writer huh? Wow, good fuckin' luck. You're gonna need it."

Sue Grafton is the latest in what's basically a handful of dinosaur writers who try to crap on indie and self-published authors. The famous "Alphabet"author believes that if you are self-publishing you are not willing to put in the hard work required to be published by one of the antiquated Big Six publishers. In other words, you're not willing to be a slave.

I've put in the hard work and earned hundreds of thousands in advances from the Big Six. I've also put in the hard work and earned hundreds of thousands in real sales from indie and small publishers. I've put in the hard work and just recently self-published my first book: Permanence, a literary thriller/novella that was first published traditionally by a small press back in 1995 and went nowhere fast. Now it's doing very well and sold more in the first week in e-book format than it did in its entirety as a small press offering.

I put in the hard work everyday. I write up to 2,500 words per day. It often leaves me exhausted. It gets in the way of my spending time with family and friends, and I am often alone. I work even when I travel. And I travel a lot. But I make sacrifices in order to put that word count out day in and day out. Its because of those sacrifices that I make sure never to attach myself to only one kind of publishing. Be with a major, an indie or via my own Bear Media label.

V is for Vincent but it's also for Victorious.
S is for Sue and for Simply so arrogant some poor young writer out there will no doubt listen to her garbage and end up never publishing a single book. Not because it isn't good but because Sue said no to publishing with anyone but the money changers on the hill in NYC.

Don't allow other authors, critics, editors, agents, or anyone else dissuade you from your dream. R is for Readers. Let the readers of the world decide if you have what it takes to be a great writer. They're your audience after all. You will live and die with them. Not with Sue Grafton.

WWW.VINCENTZANDRI.COM

The Red Pill

Swallow the red pill and discover how deep the rabbit hole goes.

It's the moment I've been waiting for, for nearly ten years now.
The moment 5 of my my in-print books and 3 brand new books get republished with a really big house that knows how to sell books (and that's saying it rather lightly). It's the moment I've worked for since my split with Random House. The moment I've honed and sharpened in my mind with each book I wrote and each publication that rose up the charts with some really great small presses and indie publishers like my brothers and sisters at StoneHouse/StoneGate Ink.

I've put up with empty bank accounts, broken relationships, too many sleepless nights, ugly book signings, and at times a hopelessness and an anxiety so profound it was crippling. But then I've also had the great fortune of having enjoyed a creative well that is at present 7 years deep and doesn't show any signs of drying up.

I've enjoyed some nice relationships, met a bunch of new friends, traveled to some distant and exotic lands both as a journalist and novelist, and even been blessed with being reunited with the same woman who inspired me all those years ago. I've seen my bank account refill and I've watched my books go from selling hundreds per year to selling hundreds of thousands.

Next year at this time, I will have sold more than a million copies of my in-print hard-boiled novels. That to me is mind boggling, but a reality nonetheless. A new kind of surreality.

So life has changed for me. And now, in this hinterland between past and future, I await a brand new life filled with publishing possibilities and creative works I never would have dreamed up a dozen years ago when I signed my first major contract. I no longer think on a local level. I think globally and I write for a global audience. My books will never go out of print. The antiquated system of returns means nothing to me now that my novels are being published not only in paper, but ebook and audio.

It's a new world I'm about to enter into. I've swallowed the red pill, and I'm passing through a new doorway that will show me where the rabbit hole goes. 

Listen up on September 4th 2012 when the long pause becomes the big bang!

WWW.VINCENTZANDRI.COM 

 

Obsession

"Wendy, I'm home..."

A gifted writer who attended my panel discussion on "balancing life with work" at this weekend's ITW-sponsored Thrillerfest in NYC made a startling admission. As a collaborator/writer for one of the most popular authors in the world, she's been finding herself working seven days a week, taking time out only to eat and, in her words, "catch some MSNBC." An attractive 60-something woman with lush graying hair, her knees trembled as she spoke. I took her admission of obsession as a serious cry for help.

Let's face it, the writing game can become an obsession if you allow it to be. We all suffer from it at one time or another. Some authors have even turned their obsession into some memorable fiction.
Stephen King comes immediately to mind. Remember Jack Nicholson's portrayal of Jack Torrence in The Shining?

"All work and no play makes Jack a dull boy." 

Ernest Hemingway admitted his obsession also in one of his many letters to his then editor, Charlie Scribner, Jr.

I've also found myself becoming so obsessed with writing novels and stories that I will write myself into an exhausted state. I neglect my friends, family, and my reading. In a word, I neglect life.

My advice to this woman and others like her: If you write full-time, it's best to treat it like a job.
--work only Monday through Friday if possible.
--work 9-5
--take plenty of time out for breaks and exercise.
--take days off to go hiking; to hit a movie; to do nothing
--don't work on holidays
--don't work on the weekends unless striving to make a deadline
--breathe
--eat
--drink
--travel

...The point is to have a life. And while we're gifted and lucky for being able to write full-time, it doesn't mean we must beat ourselves up by spending every waking hour with fingers glued to the keyboard. There's no reason to feel guilty about your place in life, no matter how fortunate.

How are you balancing your work with your life?

 WWW.VINCENTZANDRI.COM

Sleeping "in" the Job: How I Create a Story

That ain't me catching flies...

I work a lot.
I write nearly everyday.
When I'm not writing, I'm still writing.
Sort of.
Often times, people lie in bed and worry about stuff: The dwindling bank account...Paying off the student loans...Is the wife cheating on me?...My boss sucks...Looks like I'll never make it Spain in this lifetime...That sort of thing.
But when I lie in bed, or close my eyes some place else like a on transatlantic flight somewhere, I think about stories. Plots and characters and story lines. If I hit upon something that really excites me, I feel a physical twinge in my body, much like a short, sharp electric sharp (I'm not making this up). I open my eyes, feel a smile form on my lips. I've created a new novel in my head. I've written without having typed or penned a single word.
How do you write when you aren't writing?
 
To Pre-Order the brand new Zandri Novels, MURDER BY MOONLIGHT AND BLUE MOONLIGHT go here: WWW.VINCENTZANDRI.COM

Your Worst Nightmare

What's your worst nightmare?
Is it being all alone, hopelessly lost in a dark and cold place?
Maybe it's snakes crawling all over you?
Maybe it's being hunted down by a psychotic killer in the deep woods. A devil. A demon.
Or perhaps, just perhaps, you are afraid of the demons that reside inside your head.

If you are afraid of all these things, then you know exactly what it is to be Jude Parish,
former violent crimes detective turned bestselling true crime author.

Jude is being hunted by a video game designer who is also a serial killer.
And before the hunter finishes the violent game of cat and mouse he starts with the entire Parish family in the deep, unrelenting Adirondack woods of Lake George, New York, he will catch their screams.

SCREAM CATCHER: The New Psychological Suspense Thriller from the No. 1 International Bestselling Amazon Kindle Author, Vincent Zandri.  

Praise for SCREAM CATCHER: 

"Vincent Zandri and Scream Catcher are Champions!!!! ” CMash  |  4 reviewers made a similar statement  "The writing is excellent with vivid descriptive writing that will make you feel the powerful emotions of the story. ” M. Vasquez  |  3 reviewers made a similar statement  "Suspense lovers, I highly recommend this book! ” ReviewsByMolly  |  4 reviewers made a similar statement

CATCH SCREAM CATCHER HERE: http://www.amazon.com/exec/obidos/ASIN/B005KAE4KW/ref=nosim/theplanningsh-20

 

CATCH THE EXCITING VIDEO TRAILER: http://www.youtube.com/watch?v=tix2CNcaxIo

 

 

WWW.VINCENTZANDRI.COM