Showing posts with label Amazon Kindle Bestseller. Show all posts
Showing posts with label Amazon Kindle Bestseller. Show all posts

Wednesday, November 20, 2013

Where the Home Is




People ask me...and ask me often I might add...if I have a home.

An editor for a magazine I work for referred to me in a nice way as a vagabond, and a fellow author posted in Facebook just the other day , "Does Vince even have a home?" My sig other got a little frustrated with me about month or so ago when she shook her head saying, "I feel like I'm living with a nomad."

I assure you I'm neither a vagabond, nor a nomad, and I do have a home, even if the home I live in is not my own. This goes for both my studio and said sig other's place of residence. I will admit, having been on the road for months and months over the past five years has begun to make me feel like I don't have one place in the world that I can call my own, so much as places I can return to, to sleep, to wash my clothes, and to be cared for by others while I care for them. But always in the back and fore of my mind are thoughts and dreams of where I might escape to next.

Italy has been a great place to escape to. Florence in particular. It's a good place to write and a good place to think. Its cobblestones seem to resonate with the inspiration that so motivated DaVinci, Machiavelli, Dante, and yeah, Zandri. I wrote Blue Moonlight here which takes place in part in Florence. There isn't a time I don't walk past the Duomo in Piazza Dell Duomo and picture Dick Moonlight being chased by two Russian mobsters on top of the dome, a la Alfred Hitchock. For me, this is more than a place for escape, it is romance and intrigue. A place where, in the fall as the rains come and darkness settles in early, men don their leather coats, scarves and black watch caps, while the women put on their black leggings, short wool skirts, and tall black leather boots. 

Other places have been good for escape and writing. Paris is one of them. I even wrote well in Cairo, but always there was this sense that the barrel of an AK was staring me down. There is West Africa, and Moscow, and Athens, and even Lima. I've written in many places, but none of them I refer to as home. I will always consider them escapes regardless of the reason I go there.

In January I will return the US and my day will be the same as it is here in Florence. The only difference will be that at the beginning and end of the working day I won't hear the bells ringing from the Cathedral, nor will I make out the click-clack of the women's high heels pacing past my open French windows, nor will the street lamps shine down on the damp glazed stone in a way you never get sick of looking at. The voices will not speak Italian and the smells of olive oil and garlic cooking will not fill my head and make my mouth water. But when I look up on a clear night and see the same moon that we all see the world over wherever we lay our heads, I will know that I am never far from anywhere I call home.




Sunday, April 21, 2013

Your Eggs in a Basket



The dynamic literary duo, Hemingway and Gellhorn, each maintained a steady mix of both fiction and journalism. Why shouldn't you?




Writing is a business.
Think of yourself as (Name Here) Inc.
Which means, change the title of this blog to, Your Eggs in BasketS...Plural.

It's a tired cliche..."Don't put all your eggs into one basket." But you know what gets even more tired? Being broke all the time.

If you want to be a successful writer...a writer who actually makes a good living, eats, travels, enjoys life...then learn to write not only in many different styles and even genres, but don't give up the journalism either. When one thing isn't doing it for you or your wallet, something else will. By splitting up your time between several forms of fiction, be it novels, novellas, film scripts, novel adaptations, etc., along with several forms of journalism, photo-journalism, pro blogging, etc., can you ensure yourself steady and meaningful work.

Take it from one who knoweth. Back in the late 1990s, when I landed my first big book contract, I chucked journalism like a bad habit. When the book deal went south a couple of years later due to a corporate merger, I was left with zero means for earning an income. I had to pretty much beg news media outlets to give me another chance. Which they eventually did. Now, I have several new book contracts, but I still maintain my journalism chops. Never again will I be caught with my pants down around my ankles or my baskets empty of eggs.
 




 

Sunday, August 5, 2012

Survivor Man




This blog was originally featured this week at bestselling crime author, C.J. West's Suspense. Creativity. Action.



The year was 2005 and I was at my wick’s end.
What had started out as a stellar literary career of writing crime novels for a Random House imprint to the tune of 200K a pop in advance money, went south due to a corporate merger. I had published two books that were going nowhere and, at the same time, gotten involved in a ghost writing project that, while sending me around the world on a fact finding mission on the client’s dime, nearly drove me towards a nervous breakdown when it came time for the actual writing. Imagine writing for someone who is constantly telling you, “You can’t write that piece of dialogue. My friend George Bush won’t like it.” That’s the kind of vice tightening madness I was up against.

I was broke from a protracted divorce, without a home I could call my own, no money in the bank, considerable debt, no book contracts, no work, nothing. I had recently remarried and it was not going well. Instead of being a good and decent husband, I spent most of my nights staying up until the wee hours, stressing, plotting, but mostly just feeling sorry for myself. Things got so bad, my wife asked me to move out. I loved her more than any woman in the world. And because I loved her, I did what she asked of me. I moved out.

A couple of months later I woke on a cold Christmas morning. The kids were already up, but I decided I didn’t want to have a Christmas that year. So I stayed in bed until everyone had opened their gifts. When I finally emerged from my bedroom sometime that late afternoon, I went immediately to the refrigerator and cracked open a beer. I also lit up a cigarette. I stood there at the sink, staring at the beer and the blue smoke rising up from the cigarette. I knew I had reached a pivotal moment in my life. I could either slide down that slippery slope towards certain protracted death. Or, I could somehow make the effort to get my life back together.  
I’m not sure what came over me at that very moment in time, but I put out the cigarette and dumped the beer. I apologized to my family over missing Christmas and then I put on my running clothes and went for a long jog on that cold December afternoon.

The next day I went back to work. Since it was going to be a while until I could manage another book contract, I went back to the beginning, so to speak. I went back to the same kind of freelance journalism and freelance writing that had originally sustained me back when I was just starting out. It took some time, but I eventually scored gigs with some global publications. I worked so hard at it day in and day out, that within the year I was working for RT, Russia’s English speaking 24 hour global satellite news network. I found myself writing news pieces, professional blogs and photographing in places like West Africa, Moscow, Italy, Paris and other destinations. I also secured some much needed bread and butter work with some trade journals that specialized in architecture, building, and design. Suddenly, I was paying my rent and putting some money away. I’d even managed to pay up most of my debt. Not bad considering when I moved out of my house my wife loaned me fifty bucks in order to start a checking account.

I wasn’t only writing journalism at the time. I was also stealing an hour or so a day to work on the new novel that would become Moonlight Falls. To my surprise, an agent willingly took it on, and while I was still more or less blackballed by the majors for having not earned out my original $250K advance, she secured a contract with a small publisher. I couldn’t have been happier. I was not only back as a professional writer and journalist, I had a new book coming out.

I was so encouraged by my humble but serious success that I started taking even more time out to write fiction. That next year I wrote The Remains, The Concrete Pearl, and then Moonlight Rises. Those got picked up by one of the hottest indie publishers in the business. In the meantime, my agent managed to re-acquire the rights to my Random House books, The Innocent and Godchild. My new publisher agreed to republish them also. By the fourth year of my career rebuilding and re-commitment to excellence, I had sold more than one-hundred thousand copies of The Innocent and nearly the same for Godchild. The Remains would go on to sell at least as many. Almost all of these sales were e-book sales, which meant the books would never go out of print. In the end, I sold so many books I would have earned out my Random House advance.

Enter year six. With my new sales record and the income that was coming in along with it, I found myself with a new agent. That agent was able to repackage Vincent Zandri and acquire an eight book, “very nice deal” with arguably the hottest and potentially most powerful new major publisher on the block: Thomas & Mercer of Amazon Publishing. I had come full circle.

It took six full years to overcome the hump, or slump if you will, that began with a simple corporate restructuring. No matter what you call it, it still resulted in my having been served a crap sandwich. But there’s a major lesson to be learned here. As bad and personally directed as it all seemed at the time, my situation wasn’t unique. This business is fraught with disappointments and stumbling blocks too numerous to mention here. It’s not a matter of avoiding them since you can’t possibly avoid them all, but a matter of positioning yourself so that you can deal with them without having to take too many steps backwards.

Sure I have the major deal again but unlike the last time, I have set myself up so that I am never without a writing income, should one of my sources go south. How can you do the same?

--Don’t put all of your eggs in one basket. If you’re a journalist and/or freelance writer, try and maintain a client or two, even if your books are making you a nice living. The money will be welcome, and it will keep your journalism skills sharp.
--Don’t rely on one method of publishing. Acquire major, traditionally-based independent, and self publishing contracts. This is an ever changing business and what seems like an awesome major contract today can become a real dog tomorrow.
--Ally yourself with a very good agent. He or she will secure you work should you need it. And of course, they will sell your movie, TV, and foreign rights.
--Take care of yourself. I still like to drink beer and wine, but I never again touched another cigarette after that one dreadful Christmas day nearly seven years ago now. I run and lift on a daily basis and I love to cook good food.
--Travel. See the world and write about it. This will re-energize the batteries and give you a global perspective, the least of which is this: the world and the universe does not revolve around you.
--If you’re in bad relationship that prohibits your making a success of yourself as a writer, get out of it. My second wife saw the destructiveness of our relationship and she made the difficult decision to end it while we still had love for one another and even a friendship. Today, I have my life back together and we are once more a couple. But this relationship is so different from what we had before, that she seems like an entirely new woman to me. And as for me, I’m an entirely new man. I’ve learned from my mistakes and turned a disaster into a success. More importantly, I’ve grown up. And in doing so, I survived the slump. 


Tuesday, July 24, 2012

The Red Pill



Swallow the red pill and discover how deep the rabbit hole goes.




It's the moment I've been waiting for, for nearly ten years now.
The moment 5 of my my in-print books and 3 brand new books get republished with a really big house that knows how to sell books (and that's saying it rather lightly). It's the moment I've worked for since my split with Random House. The moment I've honed and sharpened in my mind with each book I wrote and each publication that rose up the charts with some really great small presses and indie publishers like my brothers and sisters at StoneHouse/StoneGate Ink.

I've put up with empty bank accounts, broken relationships, too many sleepless nights, ugly book signings, and at times a hopelessness and an anxiety so profound it was crippling. But then I've also had the great fortune of having enjoyed a creative well that is at present 7 years deep and doesn't show any signs of drying up.

I've enjoyed some nice relationships, met a bunch of new friends, traveled to some distant and exotic lands both as a journalist and novelist, and even been blessed with being reunited with the same woman who inspired me all those years ago. I've seen my bank account refill and I've watched my books go from selling hundreds per year to selling hundreds of thousands.

Next year at this time, I will have sold more than a million copies of my in-print hard-boiled novels. That to me is mind boggling, but a reality nonetheless. A new kind of surreality.

So life has changed for me. And now, in this hinterland between past and future, I await a brand new life filled with publishing possibilities and creative works I never would have dreamed up a dozen years ago when I signed my first major contract. I no longer think on a local level. I think globally and I write for a global audience. My books will never go out of print. The antiquated system of returns means nothing to me now that my novels are being published not only in paper, but ebook and audio.

It's a new world I'm about to enter into. I've swallowed the red pill, and I'm passing through a new doorway that will show me where the rabbit hole goes. 

Listen up on September 4th 2012 when the long pause becomes the big bang!

 

Sunday, July 15, 2012

Obsession


"Wendy, I'm home..."


A gifted writer who attended my panel discussion on "balancing life with work" at this weekend's ITW-sponsored Thrillerfest in NYC made a startling admission. As a collaborator/writer for one of the most popular authors in the world, she's been finding herself working seven days a week, taking time out only to eat and, in her words, "catch some MSNBC." An attractive 60-something woman with lush graying hair, her knees trembled as she spoke. I took her admission of obsession as a serious cry for help.

Let's face it, the writing game can become an obsession if you allow it to be. We all suffer from it at one time or another. Some authors have even turned their obsession into some memorable fiction.
Stephen King comes immediately to mind. Remember Jack Nicholson's portrayal of Jack Torrence in The Shining?

"All work and no play makes Jack a dull boy." 

Ernest Hemingway admitted his obsession also in one of his many letters to his then editor, Charlie Scribner, Jr.

I've also found myself becoming so obsessed with writing novels and stories that I will write myself into an exhausted state. I neglect my friends, family, and my reading. In a word, I neglect life.

My advice to this woman and others like her: If you write full-time, it's best to treat it like a job.
--work only Monday through Friday if possible.
--work 9-5
--take plenty of time out for breaks and exercise.
--take days off to go hiking; to hit a movie; to do nothing
--don't work on holidays
--don't work on the weekends unless striving to make a deadline
--breathe
--eat
--drink
--travel

...The point is to have a life. And while we're gifted and lucky for being able to write full-time, it doesn't mean we must beat ourselves up by spending every waking hour with fingers glued to the keyboard. There's no reason to feel guilty about your place in life, no matter how fortunate.

How are you balancing your work with your life?



Tuesday, July 10, 2012

Sleeping "in" the Job: How I Create a Story

That ain't me catching flies...


I work a lot.
I write nearly everyday.
When I'm not writing, I'm still writing.
Sort of.
Often times, people lie in bed and worry about stuff: The dwindling bank account...Paying off the student loans...Is the wife cheating on me?...My boss sucks...Looks like I'll never make it Spain in this lifetime...That sort of thing.
But when I lie in bed, or close my eyes some place else like a on transatlantic flight somewhere, I think about stories. Plots and characters and story lines. If I hit upon something that really excites me, I feel a physical twinge in my body, much like a short, sharp electric sharp (I'm not making this up). I open my eyes, feel a smile form on my lips. I've created a new novel in my head. I've written without having typed or penned a single word.
How do you write when you aren't writing?
 
To Pre-Order the brand new Zandri Novels, MURDER BY MOONLIGHT AND BLUE MOONLIGHT go here: WWW.VINCENTZANDRI.COM

Wednesday, July 4, 2012

Your Worst Nightmare




What's your worst nightmare?
Is it being all alone, hopelessly lost in a dark and cold place?
Maybe it's snakes crawling all over you?
Maybe it's being hunted down by a psychotic killer in the deep woods. A devil. A demon.
Or perhaps, just perhaps, you are afraid of the demons that reside inside your head.

If you are afraid of all these things, then you know exactly what it is to be Jude Parish,
former violent crimes detective turned bestselling true crime author.

Jude is being hunted by a video game designer who is also a serial killer.
And before the hunter finishes the violent game of cat and mouse he starts with the entire Parish family in the deep, unrelenting Adirondack woods of Lake George, New York, he will catch their screams.

SCREAM CATCHER: The New Psychological Suspense Thriller from the No. 1 International Bestselling Amazon Kindle Author, Vincent Zandri.  

Praise for SCREAM CATCHER: 


"Vincent Zandri and Scream Catcher are Champions!!!! CMash  |  4 reviewers made a similar statement  "The writing is excellent with vivid descriptive writing that will make you feel the powerful emotions of the story. M. Vasquez  |  3 reviewers made a similar statement  "Suspense lovers, I highly recommend this book! ReviewsByMolly  |  4 reviewers made a similar statement
 
CATCH THE EXCITING VIDEO TRAILER: http://www.youtube.com/watch?v=tix2CNcaxIo
 
 





Thursday, June 7, 2012

How My Books Are Born


"Awww, I've got so many stories to tell..."


A prominent lit blogger has asked me to pen a guest blog that details the-story-behind-the-story so to speak of all my books. Talk about an intimidating task, and considering this is a blog and not paid journalism, I'm more inclined to lean towards brevity and my humble wits than get into something that could arguably take a few days and cover an expanse of at least twenty thousand words.

So the question looms large. How are my books born?

My first novel, Permanence, a literary romantic/suspense/thriller (did you get all that?) is a fictional recounting of my my honeymoon to Italy and something I overheard about a psychiatrist who entered into what would be a fatal love affair with a disturbed client. "Wow, I gotta write that one," I remember telling myself as I wiped the peach fuzz from my chin. It was the spark that lit the fire. I was a young literary neophyte and convinced I would set the world on fire with my words.

Course, it took a while for the fire to start. But it's still burning and I'm still stoking it with my follow-up novels like The Innocent, Godchild, The Remains, The Concrete Pearl, Moonlight Falls, Moonlight Rises and the whole kit and kaboodle Moonlight Collection. More traditional gumshoe novels with quirky and sometimes brooding protagonists...anti-heroes...who on occasion find themselves doing some pretty bad things in order to do what's right and to uncover the truth behind a series of lies and injustices. Characters inspired by the authors who came before, like Robert B. Parker, Jim Crumley, James Patterson, Michael Connelly, Harlan Coben and others.

The Innocent is derived from the real-life story of a prison escape that occurred at Green Haven Prison and also the Attica uprisings of the early 1970s. The Moonlight stories, however, are mostly made up. The product of my vivid imagination and love of over-the-top plot lines. They are inspired by Charlie Huston, one of the contemporary noir greats. Also, Boston Terrain, another contemporary great.

I'm currently working on two more novels. Moonlight Sonata...again, entirely made up...and Aziz, a fiction based upon a truth I overheard about an American officer who becomes a casualty in Afghanistan after ordering an airstrike on a Tajik village. Now in Venice with his fiancee nursing his wounds, which also include unexplained bouts of temporary or hysterical blindness, he finds himself in the desperate position of having to find and rescue his future bride when she goes suddenly missing.

I guess Aziz means I'm back to combining the literary with the thriller and romantic suspense genres. Which means I've come full circle. But then, that's what writers do. Invent and reinvent and steal from what's happening in the world around us. Capturing a portrait of the truth and reinventing it for the page like Monet reinvented a garden scene for the canvass, and in doing so making it more real than than God intended.












 

Tuesday, June 5, 2012

Fictional Lives



Admit it, you've always wanted to create a fictional life for yourself. It's why we become writers. Or, one of the reasons anyway. So we can make shit up and live in a world outside of the two slices of white bread we've been handed.

So here's your chance to really get creative.

Don't just invent one and two dimensional characters to conveniently fit your story. Create real, three dimensional people who have real lives. Before you write the first word or sentence of your new book, take one full day and create character bios. When was your character born? How much did he or she weigh? Where did he go to grammar school? High School? Who did he take to the senior prom? How many times was he beaten to a bloody pulp up in Juvy? That sort of thing.

You might not use a one-tenth of the information your create in the lives of your characters for your novel, but just knowing who they are, inside and out, will create a richer, more complex, more entertaining novel.

So tell me, who are you going to invent today?  




Friday, May 18, 2012

My Guest: Amazon Kindle Bestseller Allan Leverone



The Bestselling Novel



I first came upon the name Allan Leverone about a year and a half ago. He had a new airport style thriller coming out called Final Vector which was being published by Medallion and he asked if I might read it and give him a blurb. I get quite a few requests to blurb books and I can't do them all, sadly. But Vector intrigued me because I travel and fly a lot, and when those massive highly combustible fuel-filled tin cans with engines attached start bottle-necking up on the runway in Philly or maybe Frankfurt, I often find myself gazing out the porthole window and asking the question, how is it these plane don't all collide and blow up even before getting into the air? The answer is Allan Leverone. He's not only an international bestseller with new books like The Lonely Mile and Paskaganekee, he's an air traffic controller. While we all want more books to be written by Allan, let's just hope he's not writing or editing on the job. Speaking of editing, here's Al's post. It's about editing sober or sober editing. This is more than just a simple play on words. Oh and here's Al's website if you'd like to check out more about his life and times and more importantly, his books: http://www.allanleverone.com/






Editing sober
By Allan Leverone

“Write drunk; edit sober.”

Those words are often attributed to Ernest Hemingway, and while there is some debate as to whether the man ever actually uttered them, it’s easy to believe the quote is something he might have said.

And if you’ve ever been drunk, you know you would have to be Ernest Hemingway to have a chance in hell of writing anything worth reading after downing more than a drink or two. Most people have enough trouble carrying on a conversation when drunk, never mind writing interesting prose.

Far be it from me to put words in Papa’s mouth (or the mouth of whoever actually said it), because his point may have been one hundred eighty degrees opposite mine, but in my opinion the quote makes a lot of sense, not because of the first half of the statement but because of the last.

“Edit sober.” Those two words conjure up an image of a solitary individual, maybe sitting at a desk in the middle of the night, ruthlessly marking up a manuscript in red pen, slashing unnecessary descriptors, tightening dialogue, cutting scenes, working tirelessly to make the manuscript as high-quality and readable as possible.

A good editor is like a good umpire in baseball or a good referee in football: the game depends upon them, but when the job is done well, they’re mostly invisible. They are critical, in other words. You don’t notice them until they’re not there, or until they do a lousy job.

The dawn of the ebook era, and more specifically the self-publishing era, has clarified that point in a way that nothing else could. It has become so easy for anyone with something to say to get his or her work in front of the eyes of the public, that what was taken for granted in the past as the only acceptable way to do business, has become an optional step for many authors.

And that’s a shame, because although I’ve only been writing fiction seriously for five-and-a-half years, I’ve been reading it for nearly half a century, and I’m here to tell you nothing turns me off quicker than a poorly-written or poorly-edited book.

I learned the value of professional editing when my first thriller, FINAL VECTOR, went through the process at Medallion Press. I believed I had submitted a tight, exciting, well-paced thriller, but after going through the editing process, the book came out the other side vastly improved, far superior to the work I had submitted. And as an added benefit, I learned a lot about the craft of writing and about how to improve as a writer.

Lots of self-published authors feel they don’t need professional editing, or that the costs of it outweigh the benefits. As a reader I’m disappointed in that attitude, but as an author I’m thankful for it.

You see, I’m considering dipping my toe into the waters of self-publishing now, after working with Medallion Press and StoneHouse Ink on my first three thrillers, and I intend to be around for the long haul. While I understand and accept the fact that my work won’t appeal to everyone, at the very least I know the average reader will not be turned off to one of my books because of a poorly presented product. I’m grateful to have the opportunity to get a leg up on all those authors who might have an interesting concept, but whose execution suffers.

Readers are like gold to an author. They’re hard to come by and critical to long-term success. Losing one single reader thanks to poor editing is a loss I can ill-afford. Editing matters.

I may not write drunk, but I’m thankful someone edits 

________________________________________________________________________________  MAKE YOUR PRE-ORDERS FOR THE THOMAS & MERCER EDITIONS OF INTERNATIONAL BESTSELLERS LIKE THE INNOCENT AND THE REMAINS AT WWW.VINCENTZANDRI.COM




Wednesday, February 22, 2012

Book Signings Bow Down to "Generosity Marketing"


"Free love is groovy again..."


Used to be that one of most effective ways to sell books was to hop in the car (or on a train, or a plane) and travel from one bookstore to the next, peddling your latest opus to whoever might take a chance on you and buy it. You began in your hometown, selling mostly to friends and family, and then you branched out to the surrounding communities and eventually the big cities.

If your book sales were growing steadily while you were "on tour" and if some pretty good (or even bad) reviews were being published at the same time, you might find yourself in the enviable position of having ten or twelve potential readers attending each of your signings on average. More often than not however, you might find yourself standing in an empty store to a befuddled bookstore owner who would swear, "Jeeze, I advertised in all the major papers. I can't imagine what happened." Then he or she will cut into your soul with a laser beamed gaze of disappointment so profound, it will leave you breathless and having to bend over in order to assume the full, hard, beefy responsibility of the no show.

"It's you fault no one showed, Chief. Your books suck!"

Ok, maybe I'm exaggerating a little here. But we all know how much I love book sigings. Not!
Well, I might like them if they were a cost effective way of selling a lot of books to my target audience. But then, you can't expect my target audience to gather in a single spot on a single day.

Or can you?

I just spent the past couple of weekends not with a half dozen potential Vincent Zandri readers, but tens of thousands of them. We all gathered in the same place, on the same days, at the same times, not in a gigantic bookstore, but in an online setting. As opposed to asking these peeps to buy my books as I would during a traditional book signing, my publisher decided to give them away for free. In what is now being coined as "generosity marketing," I was able to reach out to thousands of would-be fans, and in turn, perhaps they will read my work and be willing to spend some money on a few of my books that are not free, but reasonably priced.

The strategy worked. Unlike the traditional book signing in which you might be lucky to connect with a few people, I was able to connect with people from around the globe in a single online setting. When the freebie special was over, my novel, The Innocent, made it's third rise into the top 800 for overall Amazon Kindles in a year and a half (in March/April 2011 it occupied the Top 10 for 16 weeks). It's currently somewhere around the 800 range at four bucks. No book signing on earth could have produced those results.

The world of publishing and book selling is changing. Writers are in the business of producing great books. Publishers are in the business of getting those books out to readers as efficiently as possible. In today's digitally based marketplace, peddling your books from store to store is not only unnecessary, it can be construed as an expensive exercise in futility. Instead, offer up a freebie special. You can do it right from your own bedroom, or from cafe in Paris. You don't have to worry about no shows. The whole world will show up to join you. And what's amazing is that there's plenty of room for everyone.


Click here to grab a copy of the No. 1 Bestselling Mystery: THE INNOCENT

 
 

Sunday, February 19, 2012

REVIEW: Dying Memories by Dave Zeltserman





Dying Memories is coming alive for noir great, Zeltserman


Boston writer Dave Zeltserman might be considered one of the best noir authors to have emerged on the scene in the past twenty years, but only recently has this Shamus award winning author begun achieving bestselling status through such novels as Bad Memories and Outsourced. He’s even got not just one movie based upon his books heading into production, but two.  Yup, that’s right two. How many writers out there, even the perpetually bestselling ones, can boast that achievement? And not to get all Hollywood Reporter-like on you guys, but word up is that a major movie star is in line to direct one of these sure to be screen gems.

Mr. Z’s newest offering, Dying Memories, might also be worthy of the big screen. It will certainly be a bestseller. It’s a story that has appeal not to just noir and crime fans, but also to thriller fans the world over.  “Thriller” being the key common, there’s-something-here-for-everyone,  denominator here. The novel is about a young Boston newspaper reporter by the name Bill Conway who has, by no fault of his own making, gotten himself into a heap of trouble. The worst kind of trouble possible. He’s been accused of murdering an ex-girlfriend and her fiancĂ©. But not only does he retain no recollection of the event, he swears he’s become embroiled in a conspiracy that involves a major drug company, the police, and maybe even the U.S. government. And the crime reporter has the proof and the front-page cover story to prove it.

Sound like a plot worthy of The X-Files?
Maybe, but this book is a whole lot more than pile-driving plot. It is a study in fear and paranoia. It also bears a strikingly literary form and tone. 

I’ve read Dave Zeltserman’s “man out of prison” series and since then have become hooked on a writer whom I believe is a contemporary master of the noir genre. I don’t give that accolade out lightly since I’m still learning the craft myself. In fact, I give the title “master” only to the likes of a few: Charlie Huston, Boston Terran, Michael Connelly, Don Winslow and a maybe a handful of others among them. But I’ll say it again, the Boston native’s new offering  is more than just noir. It’s psychological suspense thriller in its purist paranoid Hitchcockian form. Another rave I’m not passing on lightly.   

The novel, which begins with a cold blooded murder that occurs in plain daylight in a popular Boston common, seems to innocently (if you’ll excuse the pun) start off as a police procedural, a form I most definitely would expect Zeltserman to attack with his usual skills. But quickly enough it becomes apparent that this novel is more than that as memory flashbacks to Conway’s troubled and abusive childhood become mixed with new memories created in real-time. Memories that might in fact be manufactured by some evil goons, one of whom in particular has pink skin and beady little eyes. The goons wear black, wield hypodermic needles and transport themselves in a white unmarked van.  In pure noir tradition, there’s also a beautiful woman involved who manages to attract the newspaper man into her life and bed. And you-guessed-it, he’s only just met her.

Dying Memories is so tight and tension-filled it just might qualify as “The-Book-to-Keep-You-Up-All-Night of the Week.” One thing is for sure, it will keep you guessing until the very end. Just as importantly (and this is where all Zeltserman fans luck out), it also represents a new thriller-based path the noir novelist is taking with his writing. No doubt my next review will be singing the praises of Dave Zeltserman, master of the psychological suspense thriller.

Monday, February 6, 2012

How To Win The Superbowl and Sell More Books

"The first ever, Tushdown! Or, the touchdown that wasn't supposed to happen."



If you're like me you like football. Good old, hard-hitting, American football. And if that's the case you probably caught the Superbowl last night. I'm a New Yorker so my favorite home team was playing in the game. The New York Football Giants. Having spent the weekend in New York with my new sig other and our daughter, I was particularly pumped up to catch the last big game of the season. With the New England Patriots and the dangerous quaterbacking of Tom Brady being our opponent, the game promised to be a high scoring scorcher.

It turned out to be anything but that.

Instead the game seemed at times, to be a like a carefully choreographed dance fueled more by what could happen than what would happen. Instead of the Giants utilizing their signature rough and tumble defense to maul Brady, they more or less stood back and allowed him to play his short game while at the same time, preventing him from making any big plays. Kind of the same strategy boxers use when they stand back against the ropes and allow their opponents to hit their arms and foreheads, but not give them the chance to land anything big.

The Patriots played the same kind of game. They allowed the Giants to complete short passes and runs, but prevented any real high scoring. It was a weird game in which the Giant's running back was told not to score. Huh? Time had run down to nearly the last minute and the Giant coaches, who no doubt consulted with their computers, decided that their odds of winning would be greater of they decided not to score a touchdown than if they scored and allowed Tom Brady to march back down the field with one minute on the clock. Instead, the odds would be better for the Giants if they stayed out of the end zone, allowed the clock to wind down to just a few seconds, then took their chances on a game winning field goal.

The Patriots were aware of this strategy also, and in turn ordered their defense to allow the Giants to score a touchdown...In the Superbowl...With one minute to go. What resulted was a Giant running back who bolted to the end-zone only to realize at the very last second that the Patriot defense wasn't trying to tackle him. He tried to pull back, but momentum forced him past the goal, tushy first.

It all turned out OK for the Giants, so I guess the Big Blue coaches, or their computers anyway, were right. But not right for the Patriots. Well, whether you're following me here or not, the whole thing just feels strange to me. It's not just football that's changing. Times are changing, and life as we knew it even five years ago is changing. Never before in my life have things seemed so different. I mean, sure, I wake up and write everyday like always, but it's the way I now conduct my life, my business, my relationships and my thoughts that seems so bassackwards, if you'll allow me to coin a phrase.

For instance: this past weekend, one of my indie publishers, StoneGate Ink, decided to run a promo of the special uncut edition of Moonlight Falls. In terms of changing times, this novel epitomizes the type of thing readers will see in the future in that's its a novel that features additional never before seen chapters and points of view than its originally published form. It's really quite the reading experience. But here's the thing, instead of lowering the price for consumers, they have offered it up for FREE for a limited time only. In turn, the book has shot to the No. 1 spot for Hardboiled Thrillers in the Free category and hit the top ten overall. It's moved something like 13000 copies in 24 hours. That's awesome, I guess. But as writers, aren't we supposed to want to sell our books for profit?

I guess the reasoning behind it all is that if readers enjoy the free copies of my work, they will then be willing to spend a little on the other books. That's what the computer program indicates anyway. I'll check my Amazon rankings for my other books like The Innocent and The Remains and see how they're doing today. Maybe my pub's strategy has paid off and the sales of those former Kindle bestsellers will be on the increase. Maybe not. Computers have been known to be wrong too, you know. Just ask the Patriots.

My newest major publisher is also far different from the publishing houses I knew only ten years ago. They're not even really a publishing house so much as a store. In fact, their computer-generated matrix marketing program virtually assures stellar sales via the Internet. And get this: as authors, we aren't discouraged from doing traditional book signings, but we aren't encouraged to do them either. With sales being fueled by the digital marketplace and the dominant form of reading being the e-Book, book signings are about to become an old fashioned method of selling your books. Book sales today are more about tagging, algirithms, social media pushes, limited-time freebies, blogging, Twittering, Facebooking, and just generally having little or no contact with real people. You just need a computer or a handheld Droid.

In a few weeks I'll speak to some young student writers enrolled in an International Journalism class at the state university. I'll talk a little about how to go about filing stories the traditional way to news agencies around the world while living or spending an extended length of time in a foreign land. But I'll rely heavily on the online opportunities and even then, I'll suggest that they not rely on getting "paid" work, but instead start their own blog in order to post their own stories in their own digital format. They can then monetize the blog while attracting a base of followers who will come to rely on them for newsworthy material, videos and photos. If they are good enough, they might get the stories out far quicker than the major media. If they are really savvy, they can Tweet their stories and U-Tube them with their Smart Phones as they happen. So you see, I'll be talking about becoming a foreign correspondent for a traditional news service, but then, this job really doesn't exist anymore. Because times are changing. The fact that you are reading this blog proves it.

Like I said at the beginning of this piece, I spent the weekend in New York with my new sig other and our daughter. Did you catch that one? "Our  daughter?" My new sig other is my old sig other, or my ex-wife. We are giving things a second chance because we still have strong feelings for one another, and hey, this is the modern world. There are numerous websites dedicated to rekindling things with the ex, and how to go about it so the odds are stacked in your favor. In short, you learn to allow your partner to play their short game so that you don't give up the big play. Or, said in another way, if you want your relationship to work this time, you no longer sweat the small things in order that you preserve the long-term goal. That is, being in love forever.

And the computer is right. We're doing fine and discovering new and great things about one another while we laugh about those small things that would have annoyed us even five years ago. Life is weird. Used to be, the more things change, the more they stay the same. But that notion doesn't exactly hold true anymore. Now I believe that the more things change, the the more things change.  

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