Showing posts with label Godchild. Show all posts
Showing posts with label Godchild. Show all posts

Saturday, July 6, 2013

THE GUILTY is Born (or Jack Marconi is Back!)







  Jack is Back!


Years ago when I was writing The Innocent and Godchild for a major publisher (back then The Innocent was called As Catch Can, which never really rolled off the tongue the right way for me), I had assumed I'd be writing about Jack Marconi, former maximum security prison warden turned private detective, for the rest of my days. I was only thirty at the time.

But then my publishing deal started going south when the imprint I was with was handed its walking papers and the office was swallowed up by another imprint that didn't want to back Jack in the first place. In fact, although they honored my contract and even paid me my full advance, which was quite hefty, Jack was relegated to the broom closet. In the words of my then editor, "I'm think Marconi is done for a while." RIP, that is.

But then something miraculous happened. About three years ago my agent (now retired, but what a wonderful woman God bless her), was able to wrangle the rights back from said major pub for both Marconi books (You see, even though the publisher wasn't going to publish anymore Jack, they still insisted on holding onto the rights for the first two Marconi's for years...). How she did it, I'm still not sure. But the novels were promptly republished by StoneGate Ink. In just a single six week period, The Innocent went on to sell more than 100,000 copies while earning more then 60 four and five star reviews. I entered into the Top Ten overall Kindles on Amazon and I was blowing even the top New York Times Bestsellers out of the water. Godchild fared almost as well selling tens of thousands of copies. In the end, I'm sure said major publisher was punching itself in the head thinking, "Why oh why did I let those rights go?" Or perhaps, they should have said, "Why oh why didn't I back Jack?" Or maybe they said, "Who gives a rat's ass?"





Now The Innocent and Godchild have been bought out by Thomas & Mercer of Amazon Publishing and continue to be the gifts that keep on giving. Jack just won't quit. Which means, I've given the tough guy a new case. As always, it's loosely based on a true events.

Here's the tagline: Sometimes the recipe for true love can turn out to be the perfect poison.

Jack Marconi is back. In The Guilty, Jack finds himself investigating a local restaurateur who’s not only obsessed with the sexy, dark romance novel, Fifty Shades of Grey, he’s accused of attempting to murder his school teacher girlfriend. As the now brain-damaged young woman begins recalling events of that fateful winter night when she was allegedly pushed down the stairs of a West Albany mansion, she becomes the target of the angry foodie/sex-obsessed boyfriend once again. Only this time, he’s cooking up a plot to keep her silenced forever.

As you can see, I became a little intrigued with this popularity not only of the dark romance Fifty Shades of Grey but also with the the explosion of vampire, zombie, and fantasy lit. I wondered what it would be like if someone were to begin living the fantasy for real and if it could result in murder?

Jack Marconi is also pondering that very question in THE GUILTY.

Yup, Jack is Back, and he's as bad ass as always. You just can't keep him down. Like great poetry his message (and his actions) resonate.

Sunday, May 26, 2013

From the Jungle to the Frying Pan


You know this particular fish from some James Bond movies.


The plane ride home is a time to reflect. You've spent the better part of 48 hours, hiking, canooing, driving, over some of the most difficult jungle terrain you ever imagined on your way to an airport that's nothing more than a shack with some ceiling fans, and you look forward to going home. You stare out the porthole window of the 757 and watch the snow-capped peaks of the Andes pass you by as the plane rocks and rolls from up-drafts. The turbulence sends chills up and down your spine, but it also makes you feel somehow alive. You feel good because you've accomplished something unusual.

In the Amazon Jungle you were taunted by spider monkeys who swiftly moved in packs of 200 or more, swinging from branches only inches above your head. A family of howling monkeys growled at you while protecting their new baby. A tarantula blocked your path on a narrow trail as you and your guide tried to get back to the lodge in the dark of night. A piranha bit your finger as you pulled it in with fishing line and hook. The bite stung and drew blood. It also caused the guides to laugh out loud while shaking their heads. "Who's the silly gringo in the Indiana Jones hat?"

Now you're home to the daily grind (yes, writers live the grind too!). You went straight to the ortho surgeon from the airport only to learn that you snapped a tendon in your right foot during the many hikes through Peru's mountainous jungle and that now you need an operation that will lay you up for two months. "You didn't hear something go POP?" asked the inquisitive doctor. Not an easy thing to accept for someone who jogs and trains with weights on a daily basis. Not to mention hiking, flyfishing, drumming for my new band, etc. I can't bear the through of sitting for more than a five minutes. But like a Russian travel friend of mine likes to say, "Hey, what can you do?"

Here's what I do: I have an email into my fixer. I'm already setting up the next adventure. Until that time, I have the galley proof of The Guilty (the third book in the Jack Marconi series) to get through, plus the first draft of a new Dick Moonlight novel, Moonlight Weeps. There's an article or two I will be writing, and one being published next week about my adventures in Africa from Living Ready Magazine. I'll suppose also be taking time to heal from my surgery. I'll be healing all summer long. Which also means I can't drive. Oh no, how am I going to get around?

Oh well, welcome to Vincent Zandri's real world...From the jungle to the frying pan.




  
One step backwards and I become a permanent piece of Machu Picchu history.







  


Tuesday, May 14, 2013

Lost in Time Lake Titicaca





The people here don't have clocks. They don't have watches, they don't have smartphones, and they don't have internet (as far as I can tell). They don't have any kind of device that chimes, rings, chirps, vibrates, or belts out the opening bars to some Lady Gaga song stuffed into their pockets. Thy don't need to be reminded of the time. Like one of my travel partners, Vadmir, tells me, 'In Russia, we have saying: those who are happy do not need to know what time it is." Such is the case when it comes to the Peruvian people who occupy LLachon.

A small community of maybe 2,000 residents who occupy a portion of pristine beach-side property along the north/west side of Lake Titicaca, the dark, leathery-skinned people of LLachon are as oblivious of the outside world and its turbulent troubles as an American toddler is of ObamaCare or the escalating conflict in Syria. They wear the traditional Peruvian clothing. The women dress in a half dozen skirts which are supposed to mimic the English hoop skirt of old. And the men dress very much in the old Spanish way--black trousers, white shirts, short black vest, a colorful hand woven fabric belt that holds both coca leaves and alcohol, and a fedora for a hat.

I'm currently researching the second book in my brand new Chase Baker series, so I came to this place to stay with a family who run a mountain-side farm and, at the same time, to absorb authentic Andean Peruvian culture. Considering Lake Titicaca is already about 12,000+ feet above sea level,  breathing normally is not easy. Nor is climbing the better part of a small, terraced mountain with a fifty pound pack on my back. But my house "mama," a weathered but somehow bright-eyed woman called Francesca, is already cooking for me over a wood-fired stove. A piece of farm chicken, rice, several kinds of potatos, fava beans, all washed down with tea made from coca leaves.

After lunch, I help out on the the farm, watering sheep and stacking barley. It's hard work and at times I have to remind myself that I'm standing on a mountainside in the Andes and not transported back to one of my dad's construction sites for which I was the laborer during my high school and college days. As we near the end of the barley stacking, I turn to "papa," a man who goes by the name Luciano, but whom I am already referring to as Lucky Luciano. I ask him if he hunts the property further uphill. He doesn't understand me at first, so I demonstrate by making like I'm holding a rifle with my hands, and then mouthing the sounds, "bang, bang..." He laughs and in his hunched over, been-workng-far-too-many-years-hard-labor manner, begs me to follow him back to the main house.

When we arrive, he begins to explain to Francesca about what I want. Only, he's not making like a gun with his callused hands. Instead he's making like I want to smoke. Smoke something medicinal perhaps. Something that might transport me from this world to the outer world. He's got a small chin beard and mustache and he rubs them with forefinger and thumb like he, at sixty-eight years old, is ready to do a little partying.

But then Frnacesca begins to explain to him about what I'm really asking, and suddenly his smile dissolves. Sadly, there will be no smoking tonight. Only thoughts of cooking dinner, perhaps enjoying a Peruvian beer, then going to sleep early in a one room mud brick building attached to bathroom with no running water, but only a bucket filled with water for flushing a toilet with no toilet seat attached.

Maybe I should have smoked with Lucky Luciano. Maybe if I had, I would have no more need for watches, or clocks, or smartphones. Maybe I would have seen and experienced another life outside of the life I know all to well. A life of war, poverty, and political agendas. Perhaps there is something to this more or less ancient existence on Lake Titicaca. An existence that is lost in time, but happy to be so.
 -----

 CHECK OUT THE NEW "AMAZON LOCAL" PROMO FRO THOMAS & MERCER: “Get Started on The Jack Marconi PI Series (The Innocent and Godchild) with Select Kindle Books for $1 Each.” This is a national deal for all Amazon Local’s subscribers. It runs from 5/12 to 5/22.






   

Friday, May 10, 2013

Lima, Peru in Real Time

My friend Poly...



Modern day flight never ceases to amaze me. I can be sharing an Eggo waffle with my daughter at eight in the morning in upstate New York, bear with an airborne lunch of rubbery beef and rice on a plane, and within a relative few  hours, be feasting a dinner of roasted chicken, fried potatoes washed down with a cold draft beer for dinner in South America. Those who prefer to sit on the couch, channel surf and bitch that life has passed them by need only go online and purchase a plane ticket to anywhere. Don't have the dough? Charge it. The days can be long, but the life is way too short.

I'm in Lima, Peru right now, a stop-over before heading south and way up into the mountain country, for which I am already taking my altitude sickness pills. Lima is a sprawling, bustling community filled with people who still resemble the illustrations of the Mayans I so vividly recall from my 1974 social studies text book at St. Ambrose Roman Catholic grammar school in Latham, New York. Back in the day when I never dreamed I would travel or write or both. You see, back then, my life had already been mapped out for me by my folks who, at the onset of my birth chiseled a future they wanted for me into my brain so that I became ... how can I put this delicately?... indoctrinated into their way of thinking (notice I didn't use the term "brainwashing").

Many years later I was able to wake up, unwash my gray matter, and take on a life of my own, a small part of which now includes my first travels in South America. What better place to start than in Peru and the Amazon jungle. Over the next few days I will be writing about my experiences in this ancient, spiritual, and in some cases, still wild place. I won't always be enjoying the luxury of internet, but I will be writing my dispatches all the same.

Last night, walking the streets of Lima, I decided to step into a bar for a quick beer. I happened to catch a Nirvana tribute band in action. In between songs they spoke Spanish and judging by their smiles, were enjoying themselves entirely. I could only imagine if Kurt Cobain were sitting on the wood stool beside me in his ratted cardigan sweater, the breeze from the overhead Casablanca fans blowing down on us. He'd probably say something like, "Far out," and then casually order another beer.

As always when I travel to new city, I'll take in a run in a little bit and get the lay of the land in double-time. I'll probably get lost. That's what life's all about. Getting lost so that when you are found, you have changed. Maybe you've become wiser, happier, more curious than ever.

  







Saturday, March 17, 2012

Florence Writer's Retreat Report




A room with a view...



Some writers apply to conferences like Bread Loaf or Yaddo where they go to get some writing done in peace and without the day to day intrusion of job, kids, bills, sig other, Facebook, or whatever life-force gets in the way of their creative muse. It's the same for musicians and visual artists too. They apply to elite artist residency programs like the Millay Colony. I've been to Bread Loaf for an extended residency and conference, but haven't applied anywhere else. The application process takes so much time and effort that, in my mind, could be better spent actually writing. Which is why I choose to create a writing retreat of my own. In this case, it's located in Florence, Italy.

I first came here during my honeymoon twenty three years ago. Then I came back with my girlfriend ten years later. And for a short time I made this a temporary home base while writing and photographing for RT and other world publications. But over the past 4 years, I've been coming here twice a year, sometimes for a month at a time, only to write fiction. Over the past year I've spent more than one hundred days in Italy. At that rate, I will become a resident. Unofficially.

The important thing is that I can escape to place where I can live cheaply yet richly in a city full of romance, classical art, architecture, the memory of Dante, and get lost in my work. I've been close to some visual artists over the past few years and for obvious reasons, it's easier for them to demonstrate the progress they are making at their artist residencies and retreats. But I can tell you this: since having arrived in Florence by way of Rome just 3 days ago, I've written nearly five thousand new words on my fifth Moonlight novel, Moonlight Sonata, and edited twenty pages of my new stand-alone literary thriller, Precious (Aziz). I've also written several design pieces for Globalspec, and reviewed a part of the galley for my novel, Permanence, which I am putting out under my own, Bear Media, label in a month or so.

So I'm working hard in Tuscany and making my time here count. There is no better place to work than in an ancient city haunted by the ghosts of artists, writers, and musicians whose memory and work belong to the ages.


 




Sunday, September 11, 2011

Remember 9/11 Today and Then Move On With Your Life





After a divorce or a breakup or a death to someone close to you, a professional therapist will almost always suggest that you try and recall the good things about that person, then move on. Obviously you will never forget and often be reminded of the individual who at one time was very close and special to you. But now that person is gone and they are never coming back to you. The bond is broken forever. Despite the immediate and sometimes agonizing pain, the loss means one thing and one thing only: it's time to reinvent your life.

Today is 9/11, the tenth anniversary of an event that we will never nor should we ever forget, when a Mickey Mouse organization called Al Qaeda comprised primarily of murderous Islamic extremists got very, very lucky, and managed to pull off the mass murder of the century. Since that time the country and much of the world has been tossed into economic turmoil, travel by airplane has become difficult and full of security hassle, many American lives have been lost on the fields of battle in Iraq and Afghanistan, we've tolerantly learned to live with degrees of fear defined by color coded bar charts, and we've tried in every politically correct way possible to understand why Muslim Radicals might hate us so much. We've even come close on occasion to apologizing for just plain being us. Well, I'm not apologizing. I don't say "I'm sorry" to bullies and homicidal maniacs.

Other things have happened in the past ten years. Good things.
Osama, the Al Qaeda chief thug, is dead. A man who lived by the gun and died by the gun. Another thug, Saddam Hussein has been tried and hanged. We now have active counter-terrorism organizations operating both inside and outside the U.S. and in turn, we are better able to protect and defend ourselves. The internet has exploded with social media sights like Twitter and Facebook spreading messages of freedom and democracy to citizens of Egypt, Syria, Libya and elsewhere, making it just a little more difficult in this day and age for a Mafia style thug like Saddam to rule over a country of frightened people. No we didn't uncover weapons of mass destruction in his country prior to entering into the second Iraq War, but that never disguised the fact that they did in fact possess them and had used them before in the form of poison gas on innocent Kurds and had been in the process of acquiring light water for their nuclear processing plants which were being reconstructed.

But it's ten years since 9/11.
Nearly 3,000 innocent people lost their lives on that day, and we shall never forget a single one of them. While it pains my soul to try and imagine the unspeakable sorrow and horrors each of these people went through on that sunny Monday morning, these days I prefer to think about the passengers of Flight 93 bound for San Francisco who decided to re-take their hijacked plane even though it was almost certainly going to mean sacrificing their lives in the process. But somehow they knew that given the choice of being a victim or a defender, they all chose defender. They are heros and saints.

So what shall we do over the course of the next ten years?

Move on. Remember what occurred all those years ago on September 11, 2001 and move on with reconstructing your life.

No more apologies for who or what we are as Americans. We have our faults but we are a strong people whose spirit will always be one of defending the right to be free.

Be tolerant. There will be many more people of the Muslim faith moving to America who are as far removed from the murderers of 9/11 as you and I are from Charlie Manson. They just want a fair shake at living the American Dream. So part of moving on is to move on with people you might have formerly harbored a distrust for.

Be vigilant. There as many domestic terrorists at work in the United States as there are foreign terrorists who want to kill Westerners, Christians, Jews and people of color. Yup, they want to kill little children too. Let's force them out of their rat holes and put these haters behind bars.

Work harder. No one single U.S. President can bear the unspeakable burden of creating jobs for us. As Americans we've always found a way to not only to make a living, but to create new industries. Lets stop complaining, stop collecting unemployment and other "entitlements" and get the hell back to work. Now!

Fight back. It's not only probable that another terrorist attack will occur in the US, it's inevitable. And when it does, we find out the party responsible, and we don't hold back. This time we retaliate with a "police action" not with one arm tied behind our backs, but with everything we've got. We take terror to the terrorists and eliminate every single one of them in as swift a manner as possible. We send a message to the world that we will not be bullied anymore.

Most of all, we must live and re-invent ourselves as free people who love not only our country but the entire world and beyond.

Let's take today to remember the past. Let's never forget! But then let's also pick ourselves back up, dust ourselves off, and move on with life.

GET ZANDRI BOOKS: WWW.VINCENTZANDRI.COM

Saturday, June 25, 2011

High Royalty Rate Vs. Big Advance

"Get that little son of a bitch Zandri on the phone right now!!! You hear me people?!!!!"





My friends and colleagues, the cats over at StoneGate Ink, put up a post on the their FB page asking this simple question: As an author, do you prefer a high royalty rate or would you prefer a big advance?

If this were ten or even three years ago, I would have said, "Advance" without evening thinking about it. In fact, my reaction would have been more automatic then breathing. But all that has changed in the past year since having signed on with the Inkers for a 50% royalty per E-Book sold rate.

I come from that generation that for ages believed you went to writing school, then got an agent, then nailed a major contract with a legacy publisher. All of which has happened to me. In fact when I signed a contract with Herr Bertlesman worth close to a quarter million bucks back in 1999, I thought my life was set. The publisher would take the time to develop me, I would eventually sell out, and be offered a new contract every other year or so, all of which would boast more and more zeros.

But what I didn't know at the time, was that a first novel usually sells only moderately well. There are exceptions of course, but I ain't talkin' about Harry Potter here or Kitchen Confidential. I'm talking about the other 99.9% of us lucky enough to have landed a major contract or two. So when THE INNOCENT (As Catch Can), sold only so-so, and then GODCHILD its follow-up the did the same, the big boys in the Bertlesman Tower decided to pull the plug on Vincent Zandri, thriller writer. Lucky for me I was able to keep my advance without having earned it back. However, all marketing of the books ceased, what were left on the shelves were remaindered, and the bastards even hung onto my rights for eight more years, pretty much putting me out of business. In the words of my then editor: "They are preventing you from selling books!"

I had to head back to full-time freelance journalism.

Then came my new agent Janet Benrey (now retired) who beat my novel rights out of Random House. She wanted to strike up a deal with a new upstart publisher who was making its mark on the publishing world by re-publishing back-listed novels by some heavy hitters in the industry, and publishing some new novels as well. There wouldn't be an advance but the royalty rate would be staggeringly high and what was even better, the novels would come out within a couple of months instead of the usually one to two year wait.

Still, despite 5-plus tortuous years without a new contract, when Janet urged me to sign with this publisher, I honestly thought she might have been smoking a little too much of the Chinaman's pipe. But what the hell, I signed anyway.

Fast forward to a year later, and I've sold close to a couple hundred thousand E-Books, and well over 100,000 Kindle copies of THE INNOCENT alone. GODCHILD is a close second. THE REMAINS a close third. The past three months were so staggeringly good I got calls from The Wall Street Journal and USA Today ran a small piece about "Innocent's" success.

What's this mean for me?

It means the six figures I'm earning this year is real money. It means I am operating in the black. It means I am now involved in responsible publishing. It also means that there's a good chance that if Mr. B had believed in me and what I could potentially sell, instead of showing me the door after only two books, I would not only have earned the advance back, I would have made him a nice profit.

But instead the money I've earned is all mine. Sorry Random House, you had your chance. Serves you right for holding my rights hostage for 8 years!

Hmmmm, wonder if I should go for the 4 bedroom villa in Tuscany or the three bedroom with the in-ground pool? Decisions, decisions, decisions....

Sunday, June 5, 2011

Amazon Tags: The Good News & The Good News








Some of us took it on the chin last week. Us authors published by indie outfits like StoneHouse/StoneGate Ink and some of you self-pub'd authors, that is. Amazon decided to remove the tags that can lead readers to our books whenever they search for a certain type of read, be it hard-boiled or romantic suspense or a book that's a lot like James Patterson's books for that matter. Combine that with some sales reporting glitches and a summer special concocted by Amazon in which they selected 600 novels (most of which are published by the major houses in New York), discounted them to $2.99 or less to make them as attractive as indie books, and it all came together to create a major slowdown in our sales.

I did some blogging on the tag topic last week and received more comments than ever before. Tagging, although not essential for selling novels is nonetheless, a valuable tool in helping potential readers and hopefully would-be fans find your work. One of the comments by a fellow indie pub'd author was quite revealing and came as a bit of a relief. He pointed out the fact that the tags are not gone at all. They are just no longer posted beneath a particular book's product description. Which means Amazon has decided that only books that you purchase can be tagged. What this will do for them is cut down on the amount of "gaming" abuse that can occur with tags, and perhaps put a halt to what they and the the Big Six Legacy Pubs consider the worst tag of all: "Boycott $9.99" Kindles."

So, if you want to find your tags, here's what you do:
-Go to your Customer Account (not your Author Central Account)
-Scroll down to "Improve Your Recommendations"
-BAM! Your tags will appear for you in the form of books you have purchased.

So that's it, for now.
Word on the street from some of my other blog readers is that Amazon Support has promised that the tags are to return to the main Kindle E-Book pages and that what's happened is in fact, a glitch in the system. But considering the timing of the "600 Kindle Titles Special," I don't know if I'm buying it.

The good news is that all games aside, the indie titles are slowly gaining back the ground they lost last week, and even re-entering the "Movers and Shakers" list. Which means that no matter what kind of battles the head honchos of the Big Six and stores like Amazon decide to wage against us indies, the overall war will be won by us.

Why?

Because we can offer great work for an affordable price and we can do it forever and ever, Amen.

To buy Zandri's Top 100 Bestselling Kindle E-Books like THE INNOCENT and GODCHILD (both only $.99 for a limited time) head on over to WWW.VINCENTZANDRI.COM or click on the title.

Thursday, June 2, 2011

Tag Me, Tag You Blues! Or, It's the End of the Indie World as We Know It!?

"There they are, the four riders of the Big Six Apocalypse: NOOK, Kindle, Sony E-Reader, and Ipad."









Oh man, you'd think those crazy asses who predicted the world would end on May 21 actually only got the date wrong by a little over a week. This past weekend when Amazon decided to pull their tags on E-Books (you know, those descriptive words you add to a title so that browsers can find them more easily when shopping), a whole bunch of my colleagues and cohorts immediately saw the four horsemen riders of the Apocalypse shoot down from the heavens and along with it, the end to what seemed like a very profitable run in Kindle E-Book heaven.

Add to that some unexplained lackluster sales across the board, and you have legions of indie authors contemplating their final meal: Will it be meatloaf or fried chicken?

I'm of the opinion that yes, tags are important. But I'm not of the opinion that tags alone create monumental sales. What creates great sales are the tried and true 4 rules of the indie games, or any variety of publishing game for that matter:

1. Great Cover
2. Great Product Description
3. Great Price
4. Great Book

After that you add in social media marketing, a virtual tour, a trailer, and just plain writing more great books, and you have yourself a career that should earn you steady sales that will increase with time, according to how fast your tribe of loyal readers grows.

Tags are cool because I can tag another bestselling hard-boiled mystery author and she can tag mine, and when John Q. Public goes to my Amazon page for THE INNOCENT or THE REMAINS for instance, they also see her name and then perhaps we both get a sale. But there are other ways to tag on other social media sites like Crime Space and Edgey Christian Fiction and even still on Amazon, so long as there is a paper version of the novel available.

Some people believe that the loss of tags is really the result of a conspiracy between the Big 6 publishers and the chiefs at Amazon to do away with the popular indie titles. I don't believe this is the case, because one, it would probably constitute something illegal like a payoff or payola, and two, why would Amazon shoot their hugely successful indie publishing program in both its feet just to give in to a dying white elephant?

Others believe the tags will re-appear one day soon since it must be a glitch that destroyed them in the first place (such as a Lady CaCa, excuse me, GaGa, download). This is possible I guess. Some have even been reporting that sales numbers aren't showing up and that rankings are dipping on a disproportionate scale with actual sales. Now there's a fantasy I really want to believe since I too have dipped somewhat in the ranks this week.

But you know what? Sorry Charlie, that's freakin' life.
And you know what else? Don't put all your eggs in one fragile basket. Amazon is cool, but it's only one store. Chime in on some NOOK fan sites, or sell more books off your website or your publishers website. Give some E-Books away for God's sake. The point is not to be caught with your pants down in this business. A lot of people have been asking me why I'm still writing journalism, and this tag business is precisely why.

Ok, so answers...we all want answers.
Well, I don't have any, but here's what I have to offer:
My gut reaction is that the tags will never return. And that the reason Amazon has limited product descriptions for indie novels from 7 to 2 is because the indie books are proving more popular than the company would ever have believed them to be. That said, I believe they are trying to level the playing field a little to give the higher priced novels produced by the NYC legacy publishers more of a fighting chance. The biggy novels make up a huge portion of Amazon's sales, and like Obama's stimulus packages, they're trying to light a fire under some of the same old, same old mega authors . That's what I believe anyway.

But here's what else I believe:
That tags or no tags, the most popular indie authors (and my publishing house has at least three of these authors...) will realize a 20% to 30% decline in sales this month, but that decline will be short-lived as other ways to tag and to market will inevitably put these players back on top. If nothing else, these top players will once more reach the top by simply following the aforementioned golden rules. They will also write new material, unaffected by one store's attempt at leveling a playing field that truly isn't meant to stay level.


Yo, grab up the new Concrete Pearl, the first in a new series starring the sexy and brassy Spike Harrison!!!!!

WWW.VINCENTZANDRI.COM

Sunday, February 20, 2011

GODCHILD! A Thriller for the Broken Hearted!

"Papa, before he became 'Papa," and not long after suffering his first of many broken hearts, all of which he would attempt to mend through his writing and his psychiatrist, Smith Corona."



Have you ever purposely set out to write a novel based upon your own broken heart?

I understand what it is to find solace in writing. I know what it is to find peace and escape. But at times, I also find writing better than even the best therapy session with the most expensive shrink in town.

What did Ernest Hemingway refer to as the name of his psychiatrist?
Smith Corona.

When I set out to write GODCHILD in early 2000, I not only wanted to pick up the story of Jack Marconi and where it left off in the THE INNOCENT, I somehow wanted to exorcise the demons that had been tormenting my soul for more than a year. Since the success of the sale of THE INNOCENT under a Random House imprint (It was published under the title, AS CATCH CAN), I'd been able to buy a new house and support myself and my family while writing full-time. The problems came about when my then wife decided that my writing was not just a means of employment and passion for her husband, but serious competition for her attention.

Said wife hired a personal trainer to help chisel out a new body and she eventually started sleeping with the personal trainer. Of course a tortured separation followed and divorce became immanent. Now instead of having the world by the horns, I was suddenly faced with living apart from my kids.

What did the cheating spouse get out of all this: Naturally she got the house, the kids, the friends, the money, ...the whole works. Because in New York State, doesn't matter who cheats on who. It's the one making the money who's got to pay.

So I found myself living in two room apartment, with no money, yearning for my kids, angry as all hell at my now ex-wife, and desperately dependent upon the success of my next novel, which would become GODCHILD. But sometimes, it's desperate, if not broken-hearted circumstances that can bring out the best in us as writers, and just plain human beings. So, in the opening pages of the manuscript, when I found my character Jack Marconi gripping his trusted 1918 Colt .45, emptying an entire clip into the rows and rows of booze stacked on the shelves of his favorite bar, tears streaming down his face, his fiance now having left him, I knew I had discovered a story that didn't mirror my own necessarily, but that did reflect my state of scary mind. A state of mind that had not only been shattered, but was dangerously close to doing something entirely stupid.

But then, that's the good thing about writing stories: you can live vicariously through your characters. You can suffer with them, do desperate and stupid things with them, you can love and lose with them, you can grow with them. But most of all, you can heal with them. I think by writing GODCHILD, I not only learned how to deal with a broken heart. I learned how to move on from it.

GODCHILD... a newly released novel from StoneGate Ink. A story for the broken hearted that takes place where THE INNOCENT leaves off....Check out the product description and some reviews below:

"A classic detective tale."
--The Record (Troy, NY)

"[Zandri] demonstrates an uncanny knack for exposition, introducing new characters and narrative possibilities with the confidence of an old pro....Zandri does a superb job creating interlocking puzzle pieces."
--San Diego Union-Tribune

"This is a tough, stylish, heartbreaking car accident of a book: You don't want to look but you can't look away. Zandri's a terrific writer and he tells a terrific story."
--Don Winslow, author of The Death and Life of Bobby Z

"Satisfying."
--Kirkus Reviews

-- Review

Product Description

He wanted justice, truth, revenge...whichever came first.

Prison-warden-turned-P.I. Jack "Keeper" Marconi understands the criminal mind. And he knows what it takes to break a man. His own life came apart the day a black Buick broadsided his car--and his wife died horrifically in the seat beside him.

Years later, on the eve of his second marriage, Marconi catches a split-second glimpse of the driver who killed his wife. Suddenly hurtled back into the past, he is determined to take one last shot at hunting him down. That is, until he is offered a job he can't refuse: to bust a beautiful woman out of a hellish Mexican prison. Now Keeper's chase through Mexico follows a trail of bodies and lies back home: to the truth about a woman on the run, to a man sitting behind the wheel of a black Buick, and to a story that someone will kill to bury....