Showing posts with label aaron patterson. Show all posts
Showing posts with label aaron patterson. Show all posts

Friday, May 3, 2013

What Will Happen If There Are No More Books?



The Kindle Edition of the great novel...By the time you read this Papa will have sold more than ten copies.




By now you've probably heard about the big advertisement book-idea mogul James Patterson ran in the New York Times last week. I'm not going to tear it apart sentence for sentence because other writers like JA Konrath and JE Fishman have already done a far more intelligent job of it than I can ever hope to. But one sentence in Patterson's curious rant struck home with me. He asks, "What will happen if there are no more books like these..." and then he goes on to list a whole bunch of novels that have, in part, helped shaped the 20th century as we remember it, and in a few cases, the 21st as we are presently living it.

I can only assume that when Patterson says "no more books" he means no more "paper books." Which in itself is kind of ridiculous because in my mind anyway,  a book is a book is a book (Thanks Miss Stein!), whether it's published in paper or on Kindle or Nook or papyrus or on the interior lenses of those new Do-It-All wonder glasses Google is currently perfecting--You know, the eyeglasses that will one day replace the E-Reader.

Okay, so let's, for shits and giggles, pretend that as of today, there are no more paper books. They're all gone, disappeared, library and bookstore shelves emptied of their contents. So let's take this little fantasy a step further and just for the sake of argument, let's say that Papa Hemingway is still alive and kicking at 113 years old (Not an impossible stretch considering today's abundance of centenarians and beyond...). Picture the scene: Papa comes lumbering into his writing room in the Keys (He will by now have moved back to Key West for practical and professional reasons). He's a little drunk from having downed a one too many Papa Doubles at Sloppy Joes after spending most of the day on the Gulf not fishing, but assisting with the new efforts to monitor fish populations in the wake of the 2010 BP Oil Spill.

Already he's getting hungry and smelling the wonderful dish his 7th wife Maria is cooking up in the kitchen. He wants to eat early tonight and get to bed at a decent hour so he can get up at dawn and bite the nail on his new novel which will be released not next year, but within three months of its completion as an e-book. Man, what he wouldn't give to have Max Perkins around right now, editing his work as he produces it. He recalls the days when a writer could get away with putting out one novel every five or ten years. Now he's got to put one out every six months. That's how much the reading public is devouring books these days.

Papa runs his thick hands over his beloved Remington portable, but then switches on his lap top, and waits for it to boot up. When it does he clicks onto the Amazon Sales Rank website like he always does automatically. He does this now not because he's wondering how he's performing for his publishers, but because, in this day in age, he's wondering how his publishers are performing for him. He still works with publishers, both big and small, but five or so years ago, he decided his audience was large enough that he would start his own indie label which would publish Papa books and stories exclusively. Why give the corporate bastards all the money and the rights? was his logic.

He stares at the screen, focuses on The Sun Also Rises, and feels his smile growing under his white bearded, suntanned face."Sun" is selling in the 2,000 range for Paid Kindles in the Amazon store.

"None male," he whispers in Italian to himself. "Not bad."

In fact, he goes down the list of the many novels he's published since his first book, Three Stories and Ten Poems was self-published in Paris in the early 1920s on a genuine old fashioned 19th century era printing press. All the books are ranking in the 2000 or below range, netting him a nice profit not on a semi-annual basis, but a daily basis.

He sits back in his wood and leather Cuban cigar makers chair and reflects on how much things have changed since he first started writing with pencil and paper. How the world has gone from the Carrier Pigeon in the trenches of World War I where he nearly lost his right leg, to smartphones and texts. How he used to spin ceramic disks on his phonograph but these days tunes into his own personalized Pandora digital radio now that the record stores have become more historical fact than his old neurotic buddy Scott Fitzgerald. He remembers crossing the Atlantic with his beloved Hadley on the Normandie but how he recently visited Paris via the business class of an Air France Airbus. He recalls horse drawn wagons delivering milk to his doorstep on the Left Bank and how now he can't bear milk unless it's Lactose free and bears the Whole Foods logo. He certainly recalls the days when the US Army issued cigarettes in the daily ration kits. But he was smart enough to quit that deadly habit a long time ago.

The only thing he truly misses about the past is bookstores like Shakespeare and Company. Now there was a bookstore. But then, he was never much for book signings, and he was never fond of chain bookstores especially when they wouldn't let go of the antiquated 1930s era policy of "returns" on books that didn't move within a few weeks. Then there were the bookstores, many of them independent, high school and university, who wouldn't carry his books at all because they weren't considered "politically correct." Screw 'em, he said then, and Screw 'em, he says now.

He certainly isn't crying for the major publishers who were the first to blame him when his books weren't moving and then the first to praise themselves when they did move. Now, he entertains many forms of publishing and as a result, he's got more control of his work than ever before, and having lived his life as a rugged individualist, he couldn't be happier. Sure he misses paper books, but then he loves his new Kindle Fire. He doesn't have to travel with a trunk load of heavy books anymore, and he even gets to watch The Killers on it, the one movie based on his work which he actually likes.

He gets up from his chair, takes a glance at the book shelf that now contains photos of his family. His many wives, good and bad. His sons, his grandchildren, his great grandchildren and even a great great grandchild. He smiles wryly but proudly and he misses those who have passed before him. The curse of old age. He turns to the window, and from there he can see the sea. The eternal sea. He knows that tomorrow, the sun will also rise upon it and he will bite the nail as he has always done. That is something that never changes and he is as resolute in his calling than ever before.

"Papa!" calls the voice of Maria from below. "Before it gets cold!"

He feels a start in his heart. He knows he'd better get himself to the table before she tosses the meal out the window. But at the same time, he's thinking about a certain young woman he recently met at Sloppy Joes bar. A strawberry blond, with a figure to die for and legs that go all the way up past her shoulders. What did she call herself? A professional blogger? Not a reporter, but a blogger. Oh well, time to commit that new word to memory. For Papa, words have always held a special fascination, no matter where or how they are printed or spoken. But he's made plans with this special new strawberry blond. They are about to visit the border country where Turkey meets Syria in order to write about the civil war going on there. For Papa it will be yet another war and another book, but for the blonde, it will be her first experience in Indian country. It will be a romantic time for them both. Just like it was for he and Marty Gellhorn during the Spanish Civil War. What's old will be new again and all's fair in love and war.

"But how will I break the news to Maria?" he asks himself, feeling the pangs of worry fill his considerable stomach.

Poor old Papa. Some things just never change.




  

 

Wednesday, May 16, 2012

Michael: The New Novel by Aaron Patterson and Chris White




My buds Aaron Patterson and Chris White have asked me to spread the word about their new one, Michael ...It's on sale starting tomorrow...So hopefully you will check it out!!


Friday, February 3, 2012

Gone Fishing!





GONE FISHING!

(Back in the office next week...)


Get more Zandri novels: WWW.VINCENTZANDRI.COM

Thursday, December 15, 2011

Blue Ray Edition of Moonlight Falls, Errrrrrrr.....




Are your one of those movie fans who can't get enough of the same movie?
Do you rush out to by the Blue-ray version of your favorite flicks if only to get the extra special features like alternate endings, deleted scenes, and director commentary? When the "new" old Star Wars movies come out, did you pluck them off the shelf as soon as they arrived? Did you buy The Beatles Anthology or the MTV "Unplugged" music performance series???

Now the same "Uncut" experience is available in books.

Before you ask the obvious question: well, isn't that the same as an unedited version of a manuscript?
The answer is more no than yes. Often times novels run too long, or head in a direction that eventually the author decides not to go through multiple rewrites. Sometimes the ending is different from the one he inevitably decides to go with. More often than not, entire different points of views will get cut from the finished product.

Such is the case with my bestselling thriller, MOONLIGHT FALLS. The version published by RJBuckley in 2009 represents the sum total of a dozen drafts and edits. Also, three solid years of work. But now, two years later, I realize there is another version of that same book that is just as, and in some cases, even more exciting than what was eventually published. It's now been published by StoneGate Ink. It offers the reader about 100 new pages of material, most of it in the form of different points of view from many of the novels main characters.

As far as I know, StoneGate Ink is the first indie press to traditionally publish a novel like this, and I can bet you dollars to jelly doughnuts, it won't be the last.

Hope you check out MOONLIGHT FALLS UNCUT EDITION and see precisely what it is you are missing!

Get more Zandri novels: WWW.VINCENTZANDRI.COM

Thursday, September 1, 2011

The New Stand-Alone Thriller: SCREAM CATCHER!



THIS IS HOW YOUR LIFE ENDS: NOT WITH A WHIMPER, BUT A SCREAM!

My first stand-alone thriller in the Stephen King tradition since the bestselling THE REMAINS: SCREAM CATCHER is now released by StonGate Ink in all E-Book formats...


To Order Cick here: SCREAM CATCHER


This is how your life ends: Not with a whimper, but a scream!

Jude Parish is afraid. The former violent crimes cop turned bestselling true crime author has a fear-filled demon lodged inside of him. A demon so real he can only imagine a slimy reptilian beast with scaly skin, black eyes, and razor-sharp fangs having taken up residence inside the place where his once confident and fearless soul resided.

Now, in the wake of his literary success, the ever anxious Jude is hoping to lead a quiet, peaceful life in the idyllic Adirondack vacation town of Lake George, New York with his new pregnant wife, Rosie, and Jack, his young son from a previous marriage. But when Jude becomes the accidental witness to a bizarre “kill game” in which the killer, video game designer and master of disguise, Hector “the Black Dragon” Lennox, insists on recording the screams of his victims prior to shooting them dead, the ex-cop’s life is turned upside down.

When Lennox is arrested by the L.G.P.D. and Jude is asked to act as the state’s “star witness,” he has no choice but to fight his demon-fear and take on the role. But what he doesn’t realize at the time, is that the killer’s arrest is actually the first level in what is a carefully designed and scripted first-person video kill game that will involve his entire family as “players” and “victims.”

How will the kill game end?

Like all violent video games, it will end in death. But it won’t be “Game Over” until Hector Lennox catches the screams of his tortured victims.

“If you want a novel that runs wild like a caged beast let loose, Zandri is the man.”
—(Albany)

“Sensational…masterful…brilliant.”
—New York Post

“Probably the most arresting first crime novel to break into print this season.”
—Boston Herald

“A thriller that has depth and substance, wickedness and compassion.”
—The Times-Union (Albany)

“Vincent Zandri explodes onto the scene with the debut thriller of the year. As Catch Can is gritty, fast-paced, lyrical and haunting. Don’t miss it.”
—Harlan Coben, author of The Final Detail

Wednesday, July 20, 2011

Author Steve DeWinter is One Hot Indie Author


"Don't mess with this chick!"


His name might literally mean "of Winter" but this bestselling indie author is becoming hotter and hotter with books like Inherit the Throne. I met Steve DeWinter in person at the recent ITW Thrillerfest in NYC and we hit it off smashingly as they say in Londontown. We tipped a few, cruised into the heart of Hells Kitchen for some Asian along with my girlfriend and publisher Aaron Patterson, and just generally laughed a lot at some silly stuff. Oh, did I tell you that despite his serious talent, dude's as silly as I am?

Ladies and gentlemen I'm happy to introduce to you for the very first time, Steve DeWinter:


Publishing is a lot like baseball.

There are seasoned professionals who have been playing the game for a long time and then there are the rookies who are just starting out. The same can be said for published authors.

For the sake of argument, let’s consider those authors who go through publishing houses as seasoned professionals. Now before you get your panties in a bunch, let me just say that the reason I have put authors who have signed on with traditional publishers (and a growing number of indie-publishers like StoneHouse Ink) in the professional category, is that these publishers invest in the books they publish. Money has been spent, prior to publishing the book, to ensure that all the spelling, punctuation, grammar and word usage (hear vs here) errors have been vetted and eradicated. These books are put through a rigorous editing and proofing phase before they are released for public consumption.

Now that I have qualified the professionals, I'm sure we can all guess who the rookies are? I'm not saying that a rookie author can't write a great story, but if you are the type of reader who is jarred by the occasional misspelling, and cannot enjoy a book because of it, you will want to stick with the professional authors. But here is your quandary. With online retailers like Amazon and Barnes & Noble opening up the floodgates and letting just anyone publish their eBooks for Kindle and Nook, how can you, the reader, tell the difference between the seasoned professional and the rookie?

By the editing.

There are two forms of editing that can be done for a book. There is objective editing and subjective editing. What’s the difference you might ask, editing is editing. Not quite. Objective editing is based on hard and fast rules of spelling, punctuation and grammar. As an author, you will never find yourself arguing with an editor over the spelling of a word. There is only one way a word is spelled correctly; and that is that. It is the subjective editing that pits author against editor all too often. Subjective changes (story flow, funnier dialogue, etc.) are changes that all boil down to a matter of personal taste. And these changes are not necessarily improvements, just changes.

If an author has done their homework and learned the craft of writing, all they really need is an objective edit by a proofer. Someone who will check to make sure that the spelling, punctuation and grammar (the objective and unquestionable changes) is perfect in their book. Everything else is subjective.

But what if I don’t want to waste my money on a rookie author’s book filled with spelling and grammar errors, what do I do? One of the easiest ways is to read the comments written by other readers and reviewers. Don’t worry about how many stars someone gave in their rating, which is all subjective anyway, just read the comments. All the comments. Even the comments on the comments.

And here is what you are looking for: Feedback about spelling and grammar. Look for this type of feedback even in the five-star reviews. I can guarantee that if there are no mistakes, it will not be mentioned. Nobody ever puts in their review, "I was pleased to find that every word in this book was spelled correctly."

In baseball, it takes years of practice for the rookie player to become the seasoned professional.

Thank goodness publishing is not exactly like baseball.

After being dinged by reviewers early in my published career for the handful of spelling and grammar mistakes in my debut thriller, I realized I needed to elevate myself above rookie status and invest in my books. I needed to be more than self-published; I needed to be a self-publisher. By hiring a solid objective editor (a proofer), I would propel myself out of the ranks of being another rush-to-self-publish rookie and into the professional category of authors.

And do you know who really wins? My readers!

I want to write the best stories possible, but I don't want to make it hard for my readers to enjoy my books by publishing them filled with rookie mistakes.

Friday, July 8, 2011

ThrillerFest: Day 1.25

"The Mover and Shaker is again having its day!!!"






Landed in NYC late last evening, but managed to crash the opening cocktail reception on the ballroom floor of the Grand Hyatt Hotel beside Grand Central Station. Authors Steve DeWinter and Rebecca Holdsworth were already working the crowd. I bumped into...literally...Mysterious Bookstore Owner, publisher, and all around man-about-town Otto Penzler. When I said, "Hey Otto," he searched for a nametag on my person, but I hadn't yet registered. Finished the reception by chatting it up with Cosmo Editor in Chief and bestselling novelist Kate White, who hails not far from my hometown. What an awesome person.

My publisher and stud man, Aaron Patterson showed up at the hotel bar, and we downed a few while speaking about world domination for our StoneHouse/StoneGate titles. My own THE REMAINS jumped 3000% that afternoon to break the Amazon Top 100 Bestselling Kindle E-Books for the second time this year. Serendipity? Divine Providence? Freaking luck? Hard bloody work? Who knows...Probably all of the above.

Awesome steak frit and red wine at Deux Amis last evening in Hell's Kitchen.

Today, lunch with Abby Zidle of Simon and Schuster at 12:15, and from there, the Photographic Museum which is not far from here. Photo-journalism's home...

I'm hot...I'm on fire...It's my time....Or so I keep trying to convince myself...But that's just silly.
Mostly I'm just humbled by the collection of talent at this thing. Makes me want to write harder...

More to come....

Ciao Ciao
VZ

Thursday, July 7, 2011

ITW "Thrillerfest" Report No. 1

"A writer's conference...well, sort of..."





I've never been a huge fan of organized travel tours.
You know, eat when you're told, sleep when you're told, get off the bus and shop when you're told, use the bathroom when you're told.

For me, most of the fun and adventure of travel is getting lost and emersing yourself in the customs and lifestyles of the foreign destination you've landed in.

The same can be said of writers conferences.

I generally avoid them because it's one of those things where you have to be "on" all the time and subject to a schedule. You know, kind of like hanging out at the in-laws for the weekend. Anyone who's ever been married or close to me knows that I abhor schedules. I haven't had a proper job in almost two decades and when it comes to being on-time or one of the go-with-the-flow guys during the weekend college buddy get-together-on-the-golf-course, I can be relied upon about as much as the location of the next funnel cloud. I don't golf. It's too boring.

Ok, that said, I am however looking forward to this year's Thrillerfest in NYC, ITW's featured annual event of some pretty heavy hitting thriller writers. Naturally some of the attraction is NYC itself. The concrete jungle is one of my homes. I'm going to be speaking on the panel for "Foreign Destinations" at 3:00PM on Saturday, and I have a lunch set up with an editor on Friday, plus my publisher will be there, but otherwise, I will look forward to hanging at the bar with a bunch of other cool writers, and taking in some awesome restaurants, like Deux Amis on 51st street and second ave tonight.

This is a great year of change not only for writers but publishers, agents and marketing people also. So no doubt there will be some pretty lively discussions about our future. Things are so hot right now in the industry I wouldn't doubt it if some tempers begin to flair. But I would imagine all arguments will be friendly. Unlike visual artists, writers always seem to be in competition with one another, but organizations like ITW (and believe me, I usually stay away from organizations or any kind, including religious, academic and political) have a real benign way of bringing everyone together for a good cause and good time.

So "solidarity" is the word of the weekend at this year's ThrillerFest!!!!

More to come tomorrow when I will no doubt be nursing one of several anticipated hangovers!

Ciao Ciao for now!

Thursday, June 2, 2011

Tag Me, Tag You Blues! Or, It's the End of the Indie World as We Know It!?

"There they are, the four riders of the Big Six Apocalypse: NOOK, Kindle, Sony E-Reader, and Ipad."









Oh man, you'd think those crazy asses who predicted the world would end on May 21 actually only got the date wrong by a little over a week. This past weekend when Amazon decided to pull their tags on E-Books (you know, those descriptive words you add to a title so that browsers can find them more easily when shopping), a whole bunch of my colleagues and cohorts immediately saw the four horsemen riders of the Apocalypse shoot down from the heavens and along with it, the end to what seemed like a very profitable run in Kindle E-Book heaven.

Add to that some unexplained lackluster sales across the board, and you have legions of indie authors contemplating their final meal: Will it be meatloaf or fried chicken?

I'm of the opinion that yes, tags are important. But I'm not of the opinion that tags alone create monumental sales. What creates great sales are the tried and true 4 rules of the indie games, or any variety of publishing game for that matter:

1. Great Cover
2. Great Product Description
3. Great Price
4. Great Book

After that you add in social media marketing, a virtual tour, a trailer, and just plain writing more great books, and you have yourself a career that should earn you steady sales that will increase with time, according to how fast your tribe of loyal readers grows.

Tags are cool because I can tag another bestselling hard-boiled mystery author and she can tag mine, and when John Q. Public goes to my Amazon page for THE INNOCENT or THE REMAINS for instance, they also see her name and then perhaps we both get a sale. But there are other ways to tag on other social media sites like Crime Space and Edgey Christian Fiction and even still on Amazon, so long as there is a paper version of the novel available.

Some people believe that the loss of tags is really the result of a conspiracy between the Big 6 publishers and the chiefs at Amazon to do away with the popular indie titles. I don't believe this is the case, because one, it would probably constitute something illegal like a payoff or payola, and two, why would Amazon shoot their hugely successful indie publishing program in both its feet just to give in to a dying white elephant?

Others believe the tags will re-appear one day soon since it must be a glitch that destroyed them in the first place (such as a Lady CaCa, excuse me, GaGa, download). This is possible I guess. Some have even been reporting that sales numbers aren't showing up and that rankings are dipping on a disproportionate scale with actual sales. Now there's a fantasy I really want to believe since I too have dipped somewhat in the ranks this week.

But you know what? Sorry Charlie, that's freakin' life.
And you know what else? Don't put all your eggs in one fragile basket. Amazon is cool, but it's only one store. Chime in on some NOOK fan sites, or sell more books off your website or your publishers website. Give some E-Books away for God's sake. The point is not to be caught with your pants down in this business. A lot of people have been asking me why I'm still writing journalism, and this tag business is precisely why.

Ok, so answers...we all want answers.
Well, I don't have any, but here's what I have to offer:
My gut reaction is that the tags will never return. And that the reason Amazon has limited product descriptions for indie novels from 7 to 2 is because the indie books are proving more popular than the company would ever have believed them to be. That said, I believe they are trying to level the playing field a little to give the higher priced novels produced by the NYC legacy publishers more of a fighting chance. The biggy novels make up a huge portion of Amazon's sales, and like Obama's stimulus packages, they're trying to light a fire under some of the same old, same old mega authors . That's what I believe anyway.

But here's what else I believe:
That tags or no tags, the most popular indie authors (and my publishing house has at least three of these authors...) will realize a 20% to 30% decline in sales this month, but that decline will be short-lived as other ways to tag and to market will inevitably put these players back on top. If nothing else, these top players will once more reach the top by simply following the aforementioned golden rules. They will also write new material, unaffected by one store's attempt at leveling a playing field that truly isn't meant to stay level.


Yo, grab up the new Concrete Pearl, the first in a new series starring the sexy and brassy Spike Harrison!!!!!

WWW.VINCENTZANDRI.COM

Sunday, February 20, 2011

GODCHILD! A Thriller for the Broken Hearted!

"Papa, before he became 'Papa," and not long after suffering his first of many broken hearts, all of which he would attempt to mend through his writing and his psychiatrist, Smith Corona."



Have you ever purposely set out to write a novel based upon your own broken heart?

I understand what it is to find solace in writing. I know what it is to find peace and escape. But at times, I also find writing better than even the best therapy session with the most expensive shrink in town.

What did Ernest Hemingway refer to as the name of his psychiatrist?
Smith Corona.

When I set out to write GODCHILD in early 2000, I not only wanted to pick up the story of Jack Marconi and where it left off in the THE INNOCENT, I somehow wanted to exorcise the demons that had been tormenting my soul for more than a year. Since the success of the sale of THE INNOCENT under a Random House imprint (It was published under the title, AS CATCH CAN), I'd been able to buy a new house and support myself and my family while writing full-time. The problems came about when my then wife decided that my writing was not just a means of employment and passion for her husband, but serious competition for her attention.

Said wife hired a personal trainer to help chisel out a new body and she eventually started sleeping with the personal trainer. Of course a tortured separation followed and divorce became immanent. Now instead of having the world by the horns, I was suddenly faced with living apart from my kids.

What did the cheating spouse get out of all this: Naturally she got the house, the kids, the friends, the money, ...the whole works. Because in New York State, doesn't matter who cheats on who. It's the one making the money who's got to pay.

So I found myself living in two room apartment, with no money, yearning for my kids, angry as all hell at my now ex-wife, and desperately dependent upon the success of my next novel, which would become GODCHILD. But sometimes, it's desperate, if not broken-hearted circumstances that can bring out the best in us as writers, and just plain human beings. So, in the opening pages of the manuscript, when I found my character Jack Marconi gripping his trusted 1918 Colt .45, emptying an entire clip into the rows and rows of booze stacked on the shelves of his favorite bar, tears streaming down his face, his fiance now having left him, I knew I had discovered a story that didn't mirror my own necessarily, but that did reflect my state of scary mind. A state of mind that had not only been shattered, but was dangerously close to doing something entirely stupid.

But then, that's the good thing about writing stories: you can live vicariously through your characters. You can suffer with them, do desperate and stupid things with them, you can love and lose with them, you can grow with them. But most of all, you can heal with them. I think by writing GODCHILD, I not only learned how to deal with a broken heart. I learned how to move on from it.

GODCHILD... a newly released novel from StoneGate Ink. A story for the broken hearted that takes place where THE INNOCENT leaves off....Check out the product description and some reviews below:

"A classic detective tale."
--The Record (Troy, NY)

"[Zandri] demonstrates an uncanny knack for exposition, introducing new characters and narrative possibilities with the confidence of an old pro....Zandri does a superb job creating interlocking puzzle pieces."
--San Diego Union-Tribune

"This is a tough, stylish, heartbreaking car accident of a book: You don't want to look but you can't look away. Zandri's a terrific writer and he tells a terrific story."
--Don Winslow, author of The Death and Life of Bobby Z

"Satisfying."
--Kirkus Reviews

-- Review

Product Description

He wanted justice, truth, revenge...whichever came first.

Prison-warden-turned-P.I. Jack "Keeper" Marconi understands the criminal mind. And he knows what it takes to break a man. His own life came apart the day a black Buick broadsided his car--and his wife died horrifically in the seat beside him.

Years later, on the eve of his second marriage, Marconi catches a split-second glimpse of the driver who killed his wife. Suddenly hurtled back into the past, he is determined to take one last shot at hunting him down. That is, until he is offered a job he can't refuse: to bust a beautiful woman out of a hellish Mexican prison. Now Keeper's chase through Mexico follows a trail of bodies and lies back home: to the truth about a woman on the run, to a man sitting behind the wheel of a black Buick, and to a story that someone will kill to bury....