Showing posts with label The Innocent. Show all posts
Showing posts with label The Innocent. Show all posts

Tuesday, May 23, 2017

Keeping Up the Promised Pace


This year I committed myself to putting out a piece of fiction every month. At the very least, a short story, more than likely a novella, and on occasion, a full-length novel. I've also produced another Chase Baker Boxed Set, but that doesn't count. And of course, all this is separate from the novels my traditional publishers put out on my behalf. Which means I've been a busy little bee, and so has my editorial/art team.

On Friday, the 6th Jack Marconi PI story, in this case, a novella will be released. It's called Arbor Hill and came to me in the form of a story a buddy of mine told me last month over a beer. A poor soul went on a date with a woman, a dentist mind you, who took him for $10K on his credit card. Oh, and she would not have sex with him with a condom on. Naturally she pulled the, "I think I'm pregnant" thing on him a week or two later.

Jeeze, I'm not sure if I should feel sorry for the poor sap, or slap some sense into him. Such is the dilemma Jack Marconi PI faces now that said poor soul has hired him to get his money back.

You can still pro-order this one at a very special price (on Amazon that is):

Amazon US

Amazon UK

But you can buy it now at

iBooks

Barnes & Noble

Kobo

It's a killer story and you can read it one sitting or over the course of a couple of nights.
BTW: As a hybrid writer, I can now confidently report, that I am making double and in some cases triple/quadruple the sales on my indie books than I am my traditionally published efforts. Which leaves me feeling conflicted. Do I pursue more independent opportunities with my own label, Bear Media, or stay true to hybrid authorship?

Time will tell.    
 
WWW.VINCENTZANDRI.COM


Sunday, February 5, 2017

True Lies: Real Life Prison Break Makes for Good Fiction


Is there anything more inspiring than the local news headlines when seeking out an idea for your fiction? Who doesn't like true lies? This is not to be confused with "fake news," which seems to be all the rage these days, because this ain't about politics. It's about where ideas come from. After all, if only I had a nickel for the many fans and/or interested parties who ask me, seemingly on a daily basis, "Where do you get your ideas, Vin?" 

The answers is, some shit I make up, others I rob from the headlines.

The Corruptions, now out in hardcover, eBook, and audio (Polis Books) is one of those stories I robbed from the headlines. It all began when two cons made a daring Hollywood-like escape from Dannemora Maximum Security Prison, or what's officially known in New York State Department of Corrections circles as the Clinton County Correctional Facility. It's also known as "Little Siberia" to its 3,000 or so inmates due to its location very close to the Canadian border. I've been up there and it's pretty much a castle surrounded by thick forest. Like the real Siberia, it's super freaking cold in the winter and super hot in the summer, and no one...not a soul...has escaped the joint in its 150 or so years of existence.

That is, until June of 2015 when two inmates, David Sweat and Reginald Moss, crawled their way through a steam pipe out into the Dannemora sewers. From there they popped a manhole cover, and waited for an escape vehicle that never arrived. What to do then?

Head for the woods.

What followed was a massive manhunt that lasted for days upon days, involved more law enforcement agencies, both federal and state (and Canadian), than you can shake a prison guard's baton at, and that reduced the governor of the Empire State to fits of rage and perhaps even tears...Hey, it's entirely possible. 

The story was covered on nationally and perhaps even internationally. The residents of the little town of Dannemora which surrounds the prison took up arms, and it all made for some great television and Internet watching. It was like a Hollywood picture playing out in real time. Of course, what we were all waiting for was the inevitable showdown between the cons and the police, which came weeks later during a shootout that left one of them dead, and the other wounded.

We all wondered how this kind of thing could happen in this day and age of hyper security, but deep down, despite the crimes of the perps (and they are significant), we were all sort of rooting for the bad guys. So this is the story that fascinated me enough to wrap a big fiction around it, much like I did with the first Keeper Marconi PI novel, The Innocent (Delactore and Thomas &Mercer). In this case, The Corruptions is based on the true story of the Dannemora escape, but my imagination takes over and hopefully I was able to make a fascinating story even more fascinating by imagining, what if? The Innocent has sold hundreds of thousands of units. Let's see what The Corruptions can do. Let's see if it captures the frantic spirit of two cons on the run.

Speaking of escaped cons, here's a quick joke. Two escaped cons are running down the road, when one of them spots some roadkill. "I'm freakin' starving," he says. "I'm gonna eat that." "I think I'll wait," the second con says. The first con fills his face with the roadkill, but immediately pukes. That's when the second con drops to his knees and eats the puke up off the pavement. When he's done, he stands, wipes his mouth with the back of his hand. "I was waiting for a hot meal," he says. 

If you like a cool, relentless, cat-and-mouse thriller, you'll want to check out the newly released The Corruptions (A Keeper Marconi Thriller No. 4). Think Fargo meets The Shawshank Redemption. My thanks to the cons who dared escape those prison walls. I know they hoped to make it to the border. It didn't work out that way, but at least they gave it one hell of a shot. In doing so, they captured the imaginations of thousands of people. The Corruptions will too.

WWW.VINCENTZANDRI.COM
     

Thursday, July 2, 2015

KU.2 and More Crimes(S) News!






KU.2 is here it seems to have some authors confused.

Me included.

I get that authors are now paid for what readers read in terms of number of pages turned. But what I'm not entirely clear on is this: Is it better for a write to be producing long books now as opposed to novellas and shorts?

Common sense tells me the former as opposed to the latter. In any case, the few books I have published as purely Indie aren't doing any better or worse with the advent of this new and improved system (it's too early to tell). But my gut tells me to go wide with most of my indie books while concentrating on KDP for longer titles, like The Scream Catcher, for instance (actually, this title was recently purchased by POLIS BOOKS).

In the end, I think we should trust the experts on the matter of the new KU, so let's bring in Hugh Howey...The floor is yours Hugh...Click HERE for his latest blog, The Great KU Flip-Out of 2015

______

In other News: Richard Matt and David Sweat, the two killers who pulled off the Great Escape from Dannemora Prison in Upstate New York have finally been apprehended. Matt bought the farm after eating a bullet, and Sweat, who also got shot, is currently residing in the Albany Medical Center. 
Some predictions about this case that I got right early on: 
--They would be apprehended relatively close to the joint.
--It was an inside job.
--The tools used in the cutting of the walls, pipes, etc, were easily supplied by COs and other prison workers.
--Security would be lax at the honor block (I've been inside the Green Haven Honor Block where much of the Italian Mob resides and it smells like the best Italian restaurant you've ever eaten in).
--The end would involve a shoot out and at least one them dying.
 
One thing I got wrong: Neither man sought out an old girlfriend and/or wife. Neither had a spouse, I believe, but things being as they are inside an all male prison, I figured they would want to get laid. But then, I guess Joyce Mitchell, the prison worker indicted for aiding and abetting their escape was giving them more sex than they could handle. 

I'm in debt to these guys not only for putting on a good show, but for giving me the idea for my fourth Jack Marconi novel, THE INNOCENT (formerly AS CATCH CAN) being the first one. How ironic that after 16 years of Jack, he's back to investigating the max security breakout of a couple of killers, one of them a cop killer. Think I'll buy David Sweat some flowers.

Lot's coming up including my nominations for a Shamus Award and an ITW Award, so don't forget to check out WWW.VINCENTZANDRI.COM  for detes. 

Oh, crap, and also, I'll be signing first editions of EVERYTHING BURNS and MOONLIGHT WEEPS at ThrillerFest this Friday after my 12PM Panel, "MEET THE NOMINEES!" Hope to see you there.


 

Monday, June 8, 2015

"Little Siberia" Prison Break: A Case for Jack Marconi?

David Sweat and Richard Matt, on the lamb in Upstate NY



More than a few readers have asked me if I'm going to write about the elaborate, "Shawshank Redemption" style prison break that occurred a few days ago at the Clinton County Correctional Facility in Dennemora, NY, which is located approximately 25 miles from the Canadian border at Montreal. Dubbed, "Little Siberia" by the inmates and security guards (corrections officers) alike, the place is pretty much a frozen hellhole during the winter and a frying pan during the summer months. An escape hasn't occurred there in almost a century and a half, so you can imagine the amount of planning that went into this by two notorious murderers and cops killers.

That said, having researched and written about another elaborate maximum security prison break that took place back in 1968 at New York's Green Haven Prison in my novel, The Innocent, I might speculate on the following:


 
--Judging by the degree of sophistication that went into the breakout...the expert cuts in the walls, the steam pipes, and the overall knowledge of the joint's layout, these two criminals not only had outside and inside help, they had access to facility blueprints.

--Make no mistake, Corrections Offices and prison workers can be bought. They also are human which means it's easy to form emotional relationships with inmates. The prisoners run the show, not the other way around. That means, if the two escapees required power tools to facilitate their escape, they simply found a way to have them smuggled into the prison. Trust me, that's the easy part.

--While the Canadian border is located relatively close by...a forty five minute drive, I'm told...investigators should concentrate first on girlfriends, wives, family members, good friends and the like, before jumping to any conclusions. Sure, the obvious decision for these guys to make is to cross the border and somehow find their way out of the country. But more than likely, they want to get laid and eat a home cooked meal, not to mention down a few beers. Sounds crass and too simple to be believed, for sure, but how's that old song from the 80's go? "People are people," even if they are crazed murderers.
  
Okay, some of you might have a heart attack over what I'm about to point out, but I'm gonna do it anyway since I'm primarily a hard-boiled author. It is kind of romantic these two guys were able to pull off such a skilled escape in this day and age. The brash manner and style in which they managed to pull it off and, on top of it perhaps enjoying the assistance of beautiful femme fatale working inside the joint, is something straight out of a 1930s noir novel or film. I couldn't outline it any better.

So then, will I write about this case?
I'll ask Jack Marconi, former max prison warden turned PI and get back to you.

WWW.VINCENTZANDRI.COM 


  

Sunday, April 19, 2015

Do you Plot it or Wing it?




Indy, making it up as he goes...


Do you plot, plan, outline? Or, do you just go where your characters lead you? Why?...

...Seems like a straightforward set of questions, doesn’t it. But in truth, the answer’s not so simple. On more than one occasion, I’ve overheard established authors referring to their novels as “their babies.” That said, if I were to use the baby analogy to answer the question of are you a Plotter or a By-the-seat-of-your-pants author, I might say, Like my three kids, two of them were planned out ahead of time, from conception, to gestation, to setting up the nursery, to birth, to diaper service, to weekly babysitting, and everything else required of the first full year of a little baby’s life. It took a lot of thought, time and effort, but in the end, planning things out made for a smooth and happy experience.  

The second child required a bit less planning, but still, we made sure to plan ahead to a degree where we were confident that all would turn out smoothly. But by the time we got to the last kid, well, we weren’t even sure we could get pregnant, so we just sort of winged it. When we found out we were pregnant we just sort of went with the flow, allowing things to happen naturally. After all, we’d been through it twice before and realized that sometimes over-planning can take the fun and spontaneity out of the process. After all, life is a process of discovery if nothing else. So should writing a novel.

Okay, perhaps I’m pushing the baby metaphor to the breaking point here, but by now I’m sure my motive is obvious. When I was younger and just out of writing school in the late 1990s, I didn’t have the confidence or to be perfectly frank, the skills required to write a novel by the seat of my pants. Even if my characters were strong, their voices already speaking to me, I needed to plan out every plot point, from inciting incident to first conflict, to conflict resolution, to the epilogue. Not only did creating a clear plan help me construct and flesh out my novel, it also allowed me to go on the next morning without being stuck. 




As time went on however, and I became more comfortable with the novel process, I found that I was able to write a full length, 60K word piece of work by outlining only a few chapters at a time. I found that by planning anything beyond that would take away from my protagonist’s ability to make it up as he or she went along. Because life is a lot like that isn’t it? Often times, we find ourselves adapting to unforeseen circumstances regardless of how much we attempt to stay in control. You know, someone sideswipes your new car at the intersection, or you find that your wife’s been cheating on you…Life isn’t perfectly scripted by any sense of the word. This new method of semi-outlining allowed the novel to develop organically as opposed to one that’s built by connecting the dots. 

These days, after writing 17 novels, all of which are in print, I have enough confidence to sit down at my laptop with just a shred of an idea and in turn, build a novel out of it. That’s not to say I don’t spent time jotting down notes, or little bits of story outline, or even a page-length character synopsis or two. But what I don’t require anymore is a detailed outline. In fact, I purposely avoid it. With experience comes confidence. With confidence comes the freedom to allow your story…your baby…to take itself where it will.

Monday, September 29, 2014

In the Game



Years ago, when I was still in my mid-twenties, I wanted to die.
The train from Innsbruck to Venice

I was working at a job I hated, but it was worse than that. It was a job I'd been groomed for by my dad who, along with my mother, wanted nothing more than to see me take over their family construction business.

When I say I had been groomed for the business, I mean, I was five years old when my dad brought me on to my first construction site and had me hold the end of a tape measure while he calculated the dimensions of a building foundation he and his crew would be pouring the following day. By the time I was fourteen, I'd already been working as a laborer and even experienced my first serious accident when I stepped on a nail that was sticking up out of floor-board and I, being the newly crucified, was sent to the hospital for nail extraction and a series of tetanus shots (I would later fictionalize this incident in THE CONCRETE PEARL).

When my early twenties rolled around, and I'd graduated college, I knew I wanted to be a writer, but instead I did "the right thing," and entered into my dad's business.

I hated it.

By then, I'd graduated to project manager status which meant my job was putting out fires all day inside a four-walled office, day in and day out. I used to sit at my desk and make notes about the stories I wanted to write, and the exotic places I wanted to visit, and the people I would meet along the way. I wanted adventure, not an office job and a home in the burbs.

In Moscow working for RT...a far cry from the construction business
My reading stand was full of novels by Hemingway and when I'd read all the novels, I started on all the biographies that detailed his prodigious life, and how he managed to become the best of the best.
He did it by entering into the game in the most humble way possible. He worked on the Kansas City Star as a cub reporter.

I remember the first time I read about how Papa began his career. I sat back in my chair at the construction company, and I thought, Damnit, that's what I'm going to do, since obviously no one is going to do it for me. So I went to work for the local Times Union Newspaper on the weekends, writing sports stories as a stringer. I also started freelancing pieces for them. Pieces on fly fishing and bird hunting, and other human interest stories. I saw my first byline and I nearly wept. When the fifty dollars per story checks began arriving in the mail, I felt even more exhilarated because I was no longer a wanna-be. I was a professional. It was a magical time, but also one of great tension.

I was still very young, and still tied to my family job, and even newly married. My dad wasn't too happy about my new passion, and even seemed confused if not hurt by it. After all, he'd invested an awful lot in me over the years and now here I was spending my time and energy in a field entirely unrelated to the commercial construction business.

Cairo, tail end of Arab Spring, researching The Shroud Key
But I was happy. I was a young man who no longer wanted to die. Quite the opposite in fact. I had begun the inevitable process of springing myself from a trap I'd willingly set for myself...the same sort of trap many men and women never free themselves from until it's far too late.   

I was a real writer now, and I was in the game.

WWW.VINCENTZANDRI.COM

 

Sunday, May 11, 2014

My Openly Naked Shameless Heartbreaking Publicity Seeking Monica Lewinsky Story

"My Dearest Monica, we might have been great together..."

Monica Lewinsky, the young woman who gained infamy by becoming then President Bill Clinton's illicit Oval Office sex kitten, is back in the news. Now forty and rapidly approaching a period of her life when most women (and men) are hitting high gear in both their careers and relationships, poor Monica just can't seem to shake the stigma of the Clintons, which according to her new Vanity Fair expo, has cost her both her ability to land a job and a husband. Funny how Slick Willy hasn't seemed to suffer from the blue-dress-"I did not have sex with that woman" scandal that dominated the news for more than a year back in '98/'99 even with his having been impeached. In fact, Bill, is considered a great statesman while Hillary prepares for her 2016 White House run. Go figure!

I feel badly for Monica. While she claims that her relationship with her boss was consensual, I have trouble swallowing the legitimacy of the whole affair. Let's face it, she was twenty-three and he was old enough to be her dad and then some. To put it as frankly as possible, it was a power trip for him to bang the young hot intern, and he knew it. Maybe the scandal proved to be a real pain in the rear end for the Clintons, but by some sort of oddball twist of political irony, it might have even served to make them more famous and desirable in the public eye.

Monica and her DNA stained blue dress certainly hasn't stopped the Clinton machine from conquering new territory in DC. If anything, it has made the power duo more alluring (One can picture Slick Willy gripping a cocktail at a Dem fundraiser while Pres. Obama leans into his ear, whispering, "Come on, Billy, tell me. What was she really like?")
 
Well, I'm sick of the Clintons getting all the glory. Sick of them sucking on the publicity tit that is Monica Lewinsky. Fact is, I have my own Monica story to expose after keeping it hidden for sixteen years. That's right people, I too have enjoyed a run-in with the Black Widow of the Beltway and it happened entirely by surprise.

It all went down in the Winter of '98, which as some of you might recall, was a killer. I was a very young novelist fresh out of writing school and who had just signed his first big quarter million dollar deal with Delacorte Press (Random House) for the publication of my first big novel, THE INNOCENT (back then it was called, As Catch Can). Being young and stupid and living within close proximity to NYC up in Albany, I would often find myself in the city on weekends, not only to play drums in my then editor's band, Straw Dogs, but also to, well, party like a rock star.

It was during one of these weekends that I found myself sitting on the floor of Penn Station on a late Sunday morning, trying to stave off the ill effects of a gargantuan hangover. Armed with coffee and a double Nathan Hot Dogs value meal, I awaited the train that would cart me back up north to Albany, where I looked forward to sleeping off my weekend for twenty four hours or more.

It was snowing outside. Correction, the entire East Coast was engulfed in a major Nor'easter, and the airports were shut down, which meant that many travelers who had planned on flying upstate were quickly snatching up train tickets. I'd prepaid for a seat in what was then called Amtrak Business Class, because at the time, I had money to burn, being the promising new Norman Mailer, minus the Pulitzer talent and audience. But hey, it was fun to pretend.

When the call came for my train I peeled myself up off he floor like a piece of chewed up old Juicy Fruit, and gladly barreled my way through the throngs of tourists until I found my train car down inside the steaming bowels of the station. As I located my seat inside a car that was mostly filled with Business Class passengers dressed in sharp clothing, not a single eye took notice of me, my black jeans, worn combat boots, leather coat, and Nathan's Hot Dogs. In fact, their eyes were glued to their respective copies of the New York Times Sunday Edition, which bore a headline that went something like, "CLINTON AND LEWINSKY KISSING IN AN OVAL OFFICE TREE!" Okay, I jest, but our president and his sex scandal was indeed the top news of the day. I myself might have taken a vested interest in it, were my head not ready to explode. But all I wanted was to crash in my seat, chow down my hot dogs, close my eyes, and pass out for the two hour ride north.

I wasn't seated against the window for more than a minute, the first of the two Nathan's Hot Dogs just inches from my open mouth, when a conductor interrupted me.

"Excuse me," he said. "But is this seat next to you taken?"

We both gazed down at the seat in question. The cushion didn't contain the ass end of a human being, but instead, my yellow cardboard Nathan's Hot Dog container, the already mustard-covered number two dog lying in wait.

I looked up at the tall, blue suited man and noticed two women standing directly behind him. Both women were tall, dressed expensively, and holding carry-on bags. They stared at me with wide, almost pleading dark eyes that never once blinked as the question about the empty seat lingered in the air like the aroma from my Penn Station lunch. The two women were none other than Monica Lewinsky and her mother.

I looked at them without saying a word, far longer than I should have. Because the conductor repeated the question about the seat. A little more emphatically this time.

I shook my head, dumped my first hot dog back into the container along with its partner, then picked the entire package up off the seat and gripped it in my hands. Sliding out of the seat, I faced Monica and her mom, and tried to work up a smile.

"Why don't you take both seats?" I said, knowing full well they were the only two seats left in Business Class, or perhaps the entire train.

But Monica shook her head. I recall she was wearing a black baseball cap, black acrylic stretch pants, and a snug fitting zippered jacket that accentuated her ample bosom. That very famous bosom that Bill so craved day in and day out. But I digress.

"I'll sit on the floor," Monica insisted, pointing to the empty space directly behind the two empty seats that might otherwise house a handicapped person and his wheelchair. "It's no problem," she added.

I stared down at the uneaten hot dogs and considered offering one up. But then raising my head, I peered at all the people reading their Clinton Scandal newspapers, all of them oblivious to the scene taking place only inches from their faces. History was being made here. How could they not see it unfolding? Here stood not only the major player in a sex scandal that was shaking the entire world, but so was her mother. How they could miss the obvious was beyond me and my sore head.

"Why don't you take both seats for you and your daughter?" I said again to Monica's mom, at which point, she shook her head in frustration, and issued a slight, if not tearful cry. Maybe all those people were glued to their newspapers, but they wouldn't be for long. Not if Monica and her mom continued loitering in the aisle.

"Please," she said. "Don't do this."

My heart sank for this attractive, middle aged woman who seemed so stoic yet so vulnerable and hurt. Peering down at my hot dogs, I slipped back into my seat, while Monica sat down on the carpeted floor behind me and her mom took the seat beside me.

Silence ensued while the train left the station and I, no longer hungry, slipped my hot dogs under the seat in front of me. After a time, as the train began winding its way along the banks of the iced over Hudson River and the snow fell on the tress of the Hudson Valley, Monica and her mom began conversing over the seat back. They were discussing someone "who would get theirs in due time." Someone who had no doubt played an integral role in the uncovering of the Clinton/Lewinsky scandal. They spoke in hushed whispers and in a kind of mother/daughter code that, while not entirely understandable to me, wasn't completely Greek either. The two women were pissed off and I guess they had a right to be. A young life was in the process of being ruined.

After a time, Monica got up and quickly darted through the aisle to the bathroom, passing by all those travelers and their newspapers, her shapely but sizable posterior creating a slight wind that blew back the edges of the newspapers like an American Flag caught in a stiff breeze. I remember staring at her butt. Her very very very famous butt, and knowing how much Slick Willy must have enjoyed it. It was not the most unattractive sight I'd ever witnessed in my life. But then, hey, I harbor a particular fetish for meat-on-their-bones brunette girls. I'll go so far as to say that I might have even, for a split second or two, contemplated asking Monica for her phone number, knowing that she was, at present, not dating anyone. What the hell, I was young novelist on the rise and her face was plastered on every newspaper and cable news network on the planet. We might make a powerhouse team.

After Monica returned to her seat on the floor, her mom leaned into me.
Looking out the window, she said, "I've heard the Hudson Valley is like the new Hollywood."

I was taken aback by the comment.

"It is?" I said like a dummy, once more taking in the aroma of my hot dogs as they sat unattended only inches from my toes. "I mean, yah, lots movies being filmed here now. Where are you headed?"

"Rhinebeck," she said. "My boyfriend lives there. We need a little time to ourselves."

That bit about "a little time to ourselves" is as close as the woman came to acknowledging hers and her daughter's true identities, and despite a little more small talk, I didn't push her further. By then, all I wanted was to try and figure out a way to get Monica's phone number.

But then the train came to stop as we pulled into a station.

The Rhinecliff/Rhinebeck station.

The woman beside me exhaled a relieved breath and stood up. As she grabbed hold of her carry-on from out of the overhead rack, she issued me the nicest and most genuine of smiles.

"Thank you," she said. But I knew she wasn't thanking me for the seat so much as not blowing their cover.

That's when Monica stood and gazed at me. She looked so young and innocent in her cute baseball hat, her long dark hair pulled back tight in a ponytail. I wanted to say something to her. Something profound and promising. I wanted to ask her if she'd like to get together sometime, shoot the shit, have a beer or two. Maybe even have me ghost a tell-all book for her. I just couldn't get the words out. It was a total choke.

But then she did something I'll never forget: Before she turned to exit the car with her mother, she locked eyes with mine, and smiled.

"You're very sweet for giving up your seat," she said.

I wanted to tell her it wasn't mine to give up in the first place. But the words just wouldn't come.
She turned then and exited the train car. I watched them walk the concrete platform through the window, and for a brief moment, I thought she might turn and once more lock onto my eyes with hers as the train began to slowly roll forward. With the snow coming down in heavy flakes, it was like a scene out of Dr. Zhivago. I the broken hearted young revolutionary knowing that he was losing his young Lara forever and ever.

As the train took on speed, Monica never did look back. I pressed my right hand up against the glass and I watched her disappear from my life forever, and all that remained was the snow falling on the glass as it melted into tear-like streaks of water.

Maybe a half hour passed before I pulled my eyes away form the safety glass. Not a soul was stirring in Business Class. A few people had given up their newspapers for nap time. Some people were chatting it up, gossiping about current events, totally ignorant of what had just occurred right before their eyes. Or had I dreamt the whole thing and was only now waking up from a bizarre hungover dream?

But then I smelled just a hint of the perfume Monica's mom had been wearing and I realized they they had indeed been here for that brief time. I sat there for a while, missing them, until I remembered my Nathans. Reaching back down under the seat, I retrieved the yellow cardboard container and rested it in my lap. Picking up the first hot dog, I bit into it. It was cold, but not too cold. The hot dogs were still good. I finished every bit of them. Small reward for a young novelist who had just played a tiny role in modern political history, and had his heart broken in the process.

  WWW.VINCENTZANDRI.COM


 



 

  

Thursday, October 24, 2013

Gaming the System Goes Bye-Bye




Computers and the way they process metadata is a big topic these days. Not the least of which is the train wreck that is Obamacare and its cursed, half a billion dollar website. Then there's the NSA which it turns out, is spying on everyone from you and me to the Presidents of Germany and France. When those unmanned drones fly to Pakistan and blow people up, it's done via video-game-like computer. When Oliver Stone comes out of the woodwork demanding an end to the President's NSA policy, you know times are changing.

In my own little world of words, it appears that both Amazon and Google are no longer entertaining labels or "tags" that link lesser known authors up to far bigger names in order to game the system and trick potential book buyers into purchasing a book they would otherwise not buy. You with me here?

Let give you an example. Until recently, it was possible to write a novel and publish it with a tag such as James Patterson and/or Stephen King. By utilizing these tags your title could potentially be found listed apart from a vast sea of titles along with the relatively few titles of the more famous author. It was a cool way to get noticed. I certainly used these tags when I could, as have many of my colleagues. At one point, your publisher could even design a cover that resembled a more famous author's book. Some authors have even adopted pen names that resemble a more famous author. You put together the tags, along with the book cover, and the new pen name, and it's fairly easy to fool a customer into buying your book. Thanks metadata.

But do you really want to trick someone into buying your title?

I know I don't.

Not long ago, my friend and former Delacorte colleague Harlan Coben said that to rely on trickery or sketchy social media tactics in order to game the system, is at best, an ill-advised practice. Sure, go ahead and Facebook news of your new book or news of a sale, but to constantly be harassing people to purchase your books, is a big no-no (take it from me, I'm as guilty of this as anyone...) What he advised is this: The best way for a book to get noticed and talked about is for that book to be really something special. Something special means making your book not good or passable, but great.

As recently reported on this blog, I've managed to sell more than 40,000 copies of my novel The Remains over the past six weeks (currently I've sold around 43K). That's a lot of books. Now, in truth, I have the benefits of a major publisher working behind the scenes with a state-of-the-art marketing team. But the team isn't always pushing the book. In fact, no one is pushing the book at present and it's still selling more than one hundred copies per day in several different countries at a fairly high cost.

Why is this title selling so well when other titles aren't?
I really can't say because, well, I just don't know.

What I do know is this: I work really hard on my novels and I think it shows. Writing a really good book is the only thing I truly have control over. Everything else is pretty much a gamble. Talent and hard work are essentials in this business, but luck is the common denominator.

Want to have more luck and increase your chances of nailing a bestseller?
Work harder.

In the end, tags, labels, and metadata that we once relied upon on for selling books will be forgotten. As authors (surviving authors) we can only adapt to the current publishing climate, taking into account both publishing and marketing trends. One thing that is never trendy: writing as well as you can.

Write a great book. The kind of book that will get people talking. The kind of book that will raise up the fine hairs on a reader's neck. Sooner or later you'll have your bestseller. And you won't have earned it through trickery. You'll have earned it the old fashioned way: through sheer talent and hard work.


 

Sunday, September 15, 2013

Sales and More Sales




Remember the good old days when your novel would be released one week and six weeks later it would be removed from the bookstore shelves in order to make space for something else? You might write one novel per year and, if you were lucky, have one novel per year released. Of course all that's changed now in the digital age where space on the virtual bookstore shelf is infinite. Now I'm writing three books per year and I'm publishing so many of them my publishers can't keep up, which means I've actually begun my own imprint to handle the overflow. How fucking cool is that?

The digital and e-book age has initiated something else that's pretty cool.

Books that might have long been forgotten in the paper and bookstore "returns" age, are now able to enjoy renewed life. Over the past two weeks I've sold more than 14,000 books in e-book, print, and audible form. The novels that are kicking ass are THE REMAINS, GODCHILD, and THE INNOCENT. What makes these novels so special? Nothing in particular, other than I consider them some of my best and most inspired work. But that's the creative Vince talking. Now for the business Vince.

Take a look at the vitals for these three releases:

 --THE INNOCENT: First publisher, Delacorte Press in 1999: Copies sold, 7,000 and change.
                                  Second publisher, StoneGate Ink in 2011: Copies sold, 100,000 and change.
                                  Third publisher, Thomas & Mercer in 2012: 10,000 and change to date...

--GODCHILD: First Publisher, Dell in 2000: Copies sold...Data Unavailable but if I had to guess
                                                                           you can count the sales using the fingers on both
                                                                           hands.
                          Second Publisher, StoneGate Ink in 2011: Copies sold, 25,000 and change.
                          Third Publisher, Thomas & Mercer in 2012: Copies sold, 8,000 and change to date
                                                                                                   and climbing...

--THE REMAINS: First Publisher, StoneHouse Ink in 2010: Copies sold, 30,000 and change.
                                Second Publisher, Thomas & Mercer in 2012: Copies sold, 15,000 and change
                                  to date...(I'm guestimating that I will move around 25K of this title by the end
                                  of the month. Maybe more.)

The numbers reflected by T&M might not look as good as those of the "Gates" YET, but you have to keep in mind that the new editions are only a year or less old. Presently, I'm averaging 3500 sales per month with the Amazon Publishing imprint (they acquired 7 titles, all of which were released in late 2012. At the end of this month, I will have easily moved well over 50K units for them). If I update this same blog exactly a year from now, I suspect that my combined numbers at T&M will measure in the hundreds of thousands. Something not possible in the purely "paper/return" days of old. My books are my greatest financial assets, and presently there is simply no better place for these assets to reside and grow than in the hands of Amazon Publishing's Thomas & Mercer imprint. Five years from now things might be entirely different, although I doubt it.

This is not to say that selling books is easier these days. It's not. In some ways, it's more difficult given the ease with which anyone can self-publish a novel. There's a lot of shit out there and it's clogging up the pipes so to speak. But if you're good at what you do, possess a degree of God given talent, and you dedicate yourself entirely to the craft and the life, you have at least a chance of breaking out. To a degree, that is.

As recently as three weeks ago I was contacted by a reporter (name not given) at The New York Times, asking me about my relationship with one of my present publishers and how it is that I am able to sell so well (this same reporter has been contacting me periodically for almost a year now). I've also been contacted by The Observer in London, the WSJ, and numerous other publications. I don't hand over much information to them which is a source of their infinite frustration, but I sense what they are looking for is "the secret." You know, what's the secret of your success? What deal have you made with the devil? What kind of tricks are you playing? What algarythms are you manipulating? (This last one really cracks me up...)

The truth is that there are no manipulations and there are no tricks. The most I can reveal is that now and again, my publishers might run a special. But this sales tactic is no different from any bookstore or chain of bookstores offering my books at a discounted price for a certain period of time. The point is to move units and it's purely a decision made by the pencil pushers on the "Retail" side of the building. You want to find me, I'm down the hall in the "Talent."

And don't take my word for it. There are a lot of other authors moving more units than I am, JA Konrath, Blake Crouch, Sean Chercover among them. Just this past weekend, Aaron Patterson moved something like 10K units of his novel Sweet Dreams. The book is five years old.   

This week my very first published novel, Permanence (Northwest 1995) will go on special now that it's been re-released in e-Book format. Back in the 90's it sold less than 500 copies and from that point on, was forgotten entirely, despite its stellar reviews. I'll make a prediction, come this time next week, Permanence will have sold at least 3500 units over the period of a couple of days. I can't guarantee that kind of success, but based on experience, I think I can stand up in public and make that prediction. 3,500 units sold in just a couple of days. That will be more sales than I collectively earned from 1995 - 1999.

Who misses the good old days? 
Not me.

WWW.VINCENTZANDRI.COM





Sunday, September 8, 2013

THE SHROUD KEY is Released and More News!



I just finished writing and distributing my newsletter for those subscribed fans and friends. But since so many of you aren't subscribed I thought I would put it out as a blog. So here goes: 


 
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Author Photo by Jessica Painter


Hello All,

Just a quick update on from my part of the globe now that the Fall season is upon us (Yes, the summer flew by). I have some good news regarding the Thomas & Mercer edition of THE REMAINS. This month it's an "Editor's Pick" at Amazon and has been enjoying a stay in the Top 300 Kindle books for more than a week now. In the UK it reached the Top 10 and is still in the Top 50. The T&M editions of THE INNOCENT and GODCHILD have also been enjoying a nice revival (If you recall, THE INNOCENT was once published under the title, AS CATCH CAN by Delacorte Press).

I'm also excited to announce that the third in the Marconi series, THE GUILTY (StoneGate Ink), has been an Amazon Hot New Release in Hard-Boiled Mystery since it's release one month ago. Also look for the fifth in the Dick Moonlight PI series, MOONLIGHT SONATA, which is also being released by StoneGate Ink.

On the foreign end of things, I've just signed with MEME PUBLISHERS in Paris and Milan. Meme will be handling the foreign translations of all the Moonlight and Marconi novels, plus THE REMAINS and THE SHROUD KEY (see below). MOONLIGHT FALLS is he first to be translated into both Italian and French. It will be available in Europe in Spring 2014.


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This month is also special in that my newest novel in a brand new series featuring Renaissance man, Chase Baker, has now officially been released in e-book (trade paper to follow). It's called THE SHROUD KEY. Here's what the novel is all about:

Chase Baker is not only a true Renaissance Man, he’s a man who knows how to find trouble. A part-time resident of Florence, Italy, his resume reads like a modern day Da Vinci or Casanova. Writer, private investigator, tour guide, historian, treasure hunter, adventurer, and even archaeological sandhog, Chase is also a prolific lover. Unfortunately for him, his dangerous liaisons all too often make him the target of a jealous husband. Now, at the direct request of the Florence police, he finds himself on the trail of an archaeologist by the name of Dr. Andre Manion who’s gone missing from his teaching post at the American University. But having worked for the archaeologist several years ago as a sandhog on a secret but failed dig just outside the Great Pyramids in the Giza Plateau, Chase smells a renewed opportunity to uncover what just might be the most prized archaeological treasure in the world: The mortal remains of Jesus. But how will Chase Baker go about finding both the archaeologist and the Jesus Remains? With the help of Manion’s beautiful ex-wife, Chase will manage to secure an up-close and personal examination of the Shroud of Turin, not only to view the famous image of the crucified Christ, but to unlock the relic’s greatest secret which is none other than a map, or a key, detailing the precise location of Jesus’s body. Fans of Dan Brown, Clive Cussler and JR Rain will find The Shroud Key an irresistible adventure.  

In terms of appearances, I'll be hanging out at Bouchercon the weekend of September 19-22 which is happening this year at Albany's Empire State Plaza. I'll be a part of a cool panel on Friday morning

9:00-9:55AM-Friday
Room 1

Worse Comes to Worst-tragedy as entertainment
Art Taylor (M), Joe Clifford, Nik Korpon, F. Paul Wilson, Johnny Shaw, Lee Thompson, Vincent Zandri

Please stop by!

Here's hoping this finds you well. As always I appreciate your support and friendship. I look forward to seeing you many of you soon.

Cheers,
Vince

WWW.VINCENTZANDRI.COM

VINCENT ZANDRI, NOIR AUTHOR
vazandri@aol.com
Find me at www.vincentzandri.com
Author Photo by Jessica Painter