Showing posts with label the writing life. Show all posts
Showing posts with label the writing life. Show all posts

Monday, July 2, 2018

My life: one of the lucky ones...


A day at the office...



Yesterday I found myself crawling through an underground tunnel dug out of the sandy clay soil beside the Saigon River in a jungle that was once devastated by US B-52 bombers during the Vietnam War (run-on sentence). It was a surreal moment, not to mention claustrophobic and a little bit frightening (two months ago a westerner took a wrong turn in one of those tunnels and got lost for six hours...I wold have crapped myself). But the experience which culminated with my birthday made me think just how lucky an SOB I really am.

Back when I first graduated college, it was expected of me to enter into a family business that I knew in my gut wasn't for me. This isn't me knocking it. Most people would have jumped at the chance to run a big company and to enjoy all the perks that went with it, like a new car every year, a big house in the suburbs, the nice clothes, the wife's tittie job and tummy tuck, the big TVs, the pool, the backyard cookouts, the vacations in the Bahamas, the trips to Florida...The malls!!!

I saw it as a trap and a slow death. But hey, I've had those things a couple of times in my life and during each instance, I either gave it up or somehow blew it. Correction...I didn't blow it so much as it was like fitting a square peg into the round hole (cliche).




So now I live a simple but somehow (it's) complicated life of writing, playing, traveling, and challenging my body and mind and improving myself even with the creeping up of age and all the little 50K mile check-up stuff that goes along with it (run-on sentence). The parts break down but the spirit is never weak (other than a morning after too much Jamie). You get to be a certain age and the stuff that used to disappoint, sadden, cause anxiety, or just plain piss you off, now just reduces you to shaking your head slowly and whispering, "Whatever..."

Some people will never find happiness before they breathe their last (if they didn't live life to the fullest, it's on them). But although my life is far from perfect, I know that I am one of the lucky ones, precisely because I chose the very path that everyone said I would fail at miserably. And I have, at times, failed miserably, but I've also won a few rounds, thank you very much. Won big. It's just a matter of jabbing. It's inevitable you'll land a few big punches. 



So, it's my birthday (again), and after two weeks in South East Asia, I'm tired, I stink, I have to be up at 4:30 am to hop a puddle jump flight to another town in Central Vietnam (maybe the airport will have a Starbucks). I'm working on a couple of new books while I'm here and researching for another. Freespiritedness....it's always scared the hell out of my buddy's wives, which is why I don't enjoy quite the crew I once did. The husbands do what's expected of them or else face the wrath. But my way is exactly how I've always wanted to live my life and it shall remain as such until the end.

IE...Had I done what was expected of me, I would have spent my birthday inside an office, passing around pieces of stale cake to employees who could care less (check out Office Space). I would have been miserable, wondering why I allowed my life to slip away. Instead, I spent the Bday on a jungle island in the middle of the Mekong Delta. My guides surprised me with a cake which we devoured after eating a whole fish, head and all, washed down with Saigon beer. Could life get any better?

It's been a rough, but wonderful year. Unexpected blows to the gut which weren't deserved but, well, whatever... (and what goes around...again, cliche). I'm truly looking forward to a new year and all the adventures and sweet exhaustion it will bring. Listen, the grass is never greener on the other side of the street (verging on cliche, but I'm making a point here). It's only grass. I've got my work, my health, my kids, and the rest of my life. It's for me and me alone to script. And hey, all my old pals and girlfriends, you're always welcome to come along on the adventure. Or not...

Life...

I guess you could say, I'm one of the lucky ones.

WWW.VINCENTZANDRI.COM

Wednesday, May 30, 2018

Two movies that nail the writing life...


The writer upon learning his novel will not be published
I suppose I'm a sucker for movies about writers and their lives. The romantic ones are especially cool. Movies dramatizing Hemingway's romantic and prodigious life. Another four-part series details the life and dangerous times of James Bond creator, Ian Fleming. And who can forget the very sexy Henry and June? I even cowrote a teleplay about Norman Mailer with author Lee Matthew Goldberg.

I guess lots of people think of writers lives as romantic. Days and nights filled with exotic travel, lots of booze, long dinners, lots of sex partners and divorces, and in between all that, getting some writing done. Sure, there's some of that, but in general the writer's life can be pretty dull and filled with more disappointments than successes (you only hear about the successes on FB and Twitter). Series get canceled, movie options dry up, editors leave their publishing houses making your books orphans, agents and editors hang onto books for far too long and by the time they go to make the sale, the marketing team isn't interested. And of course, there's the inevitable remaindering of titles that don't sell (which is why I love the indie publishing revolution because eBooks are forever...)

Two movies that demonstrate the more or less banal realities of the writing life are Sideways and Young Adult. Both films are labelled as comedies, but they both portray a realism about writing rarely seen in more romantic films. In the former, a down on his luck, very broke (he steals cash from his mom's underwear drawer), very divorced middle-aged writer is intent on taking his soon to be betrothed best friend to the California wine country for a week long bachelor party. Along the way we find out he's not only battling loneliness (and the torch he still carries for his remarried ex), he's got his fingers crossed that the book his agent is shopping to a small press is finally going to sell. In the latter, a newly divorced ghost writer of a canceled YA series moves back to her hometown with the intent to woo back her old boyfriend who, like in Sideways, is also remarried with a newborn kid.

Both movies portray the lonely writer's life, the excess drinking, the slovenly lifestyle and of course, the despair that can sometimes go hand in hand with this business (Yup, these are comedies, folks). At one point in YA, the main character walks into a Barnes and Nobles to buy one of her books. At first she thinks the table in the back that's devoted to the entire series is meant to promo the YA novels when in fact it's meant as a glorified clearance rack. Everything's got to go! Our protagonist is intent on signing a few copies anyway. But when the clerk insists she not sign any of the stock because then they can't return the books to the publisher, things get physical and desperate.

Welcome to the writer's reality. Isn't it hilarious?

WWW.VINCENTZANDRI.COM

Monday, December 18, 2017

Too many novels too little time...


I just woke up from a nap and found myself staring at the ceiling and going over all the projects I currently have on the boards. Coming Xmas Eve will be the collected 1st Season of The Handyman, the steamy noir thriller episodic series I brought out this Fall under my Bear Media label (Bear Noir). The pilot novel in the new Young Chase Baker YA spin-off series is set for editing and formatting come February. It's called Chase Baker and the Cross of the Last Crusade. There's the second in the new Steve Jobz PI series, The Flower Man. I'm currently editing that one, and it will be on my editor's desk sometime after Xmas. My two big stand-alones that will go the traditional publishing route, The Doctor Will Kill You Now (formerly, The Girl Who Wasn't There) and No Good to Her Dead are still in the editing mode but will be finished up in the early winter one way or another, and then both will be in the hands of my agent. There's a spy novel that I wrote last year, but haven't looked at since. That will come out in the spring. I have 8K words on a new Jack Marconi novel, Sins of the Sons, and just a moment ago, my publisher at Polis Books sent me the final proofs of The Detonator which comes out in hardcover in February. Did I mention the two short stories I'm also working on?
So why then am I blogging?
I should be working.
Think I'll take another nap...

PS. Remember, Zandri books make great "stocking stuffers..." Just go here...
WWW.VINCENTZANDRI.COM
 

Saturday, July 1, 2017

Pieces of Mind

Fiction isn't my only shtick. I've been writing non-fiction and essays since I first picked up a pencil. The topics I've covered over the years range from fly fishing, to travel, to architecture, to hunting, to coping with a loved one's depression. I've also written about writing.

So many books exist on the Amazon shelves dealing with how to become a bestselling author or how to game the system that it's impossible to hear yourself think over all the noise. But few books actually deal with the what it's like to be a writer, how it affects your relationships, what it's like to be alone all the time on a day to day basis, making a living by making stuff up.

My new book (errr one of my new books), Pieces of Mind: Fictional Truths & Non-Fictional Lies about Writing and the Writing Life, is one of the only ones out there that not only attacks the subject of "on writing," but that also deals with the "writing life." Here's the official product description: 
  
Brand new from New York Times and USA Today bestselling author Vincent Zandri comes a non-fiction volume that will hold special appeal for those writers, new or established, who've enjoyed books on writing by Stephen King, Charles Bukoswki, Scott Nicholson, Chris Fox, Wayne Stinnett, and more.

Featuring a brand new introduction by the author on how he willingly gave up his birthright as the heir apparent to a multi-million dollar commercial construction firm in order to pursue his writing passion, Pieces of Mind contains essays on topics as diverse as lost love, sex, divorce, coping with a child's severe depression, experiencing Carnival in Venice, to sharing a first beer with your teenage son. But every word is delivered under the umbrella of a full-time fiction writer and freelance journalist trying to make sense of the lush world that surrounds him.

You'll also find "how to" pieces on going indie, staying traditional, and even hybrid authorship. You'll discover how Zandri sold 100,000 books in a single month, and how to keep on writing when you don't even want to get out of bed in the morning. Originally featured in publications such as Conor Friedersdorf's Culture 11 Magazine, Literarily Speaking, Writer's Digest, and other now archived pieces originally written for The Vincent Zandri Vox, these essays will make you laugh, cry, cringe, and think. Most of all they will want to make you drop everything to write your own story, be it fiction, non-fiction, or a fictional truth.

From the ITW Thriller and PWA Shamus Award Winning author of the No. 1 Bestselling novels, THE REMAINS and EVERYTHING BURNS, as well as new bestsellers like THE ASHES, ORCHARD GROVE and THE EMBALMER, comes the first in a series of books ON WRITING.


If you love short, sharp vignette style essays that get right to the point, while kicking aside political correctness, you'll love Pieces of Mind.

WWW.VINCENTZANDRI.COM 

Sunday, May 15, 2016

How Writing Found Me: a Fathers and Sons Story

Last evening I delivered a talk to the Upper Hudson Phi Beta Kappa society, a collection of some very talented individuals whose goal, in part, is to support the advancement of college and university-bound students. My talk was originally to be centered around my search for the authentic in many different parts of the world, and then transcribing that authenticity onto the page. But instead, when preparing the talk, I found myself instead drawn to the subject of how I came to be a writer, and how difficult if not impossible it was for me to separate myself from a family business that was supposed to be handed down to me by my father, just like it was handed down to him (in a manner of speaking) by his father.

I'm also considering writing a memoir for writers and would-be writers based in part around the subject of this talk. 

Here's the talk in its entirety (Please excuse any typos or parenthetical interjections):



The old joke goes something like this: Three men are seated at a bar sipping on mugs of beer. Suddenly, just to break the silence, one of the men puts his beer down and says, "I'm a stockbroker. This year I'll bring in around nine hundred thousand dollars." The second guy perks up, says, "I'm a lawyer. I'm gonna make four hundred K this year, easy." But then the third guys nods, drinks some beer, says, "I'm gonna be lucky to scrape together ten thousand bucks." The other two guys immediately turn to him and say in unison, "What kind of stories do you write?" 

So you can imagine the horror that painted my dad's face when, twenty-plus years ago , I told him I was giving everything up to become a writer. The problem and the horror, didn't stem from my choosing a definite direction in life necessarily (because what parent doesn't want their child to have direction?). The problem stemmed from something different. Something very personal and as ingrained as the veins of rusted iron inside a chunk of granite.
By choosing to be a writer, I was not only about to enter into a career that was financially risky at best, but to make matters worse, I was giving up something that other people my age at the time would have killed for: a successful, long established family construction business.

All of my life up until I was 22 years old had been spent more or less in preparation to enter into a business that my grandfather and father built from the ground up (no  pun), beginning in the mid-1940s. Sure, I had other interests like music, and in particular drumming (I'd been in and out of rock bands since I was fifteen). But I also had taken to photography and writing while still in college. As much as I loved these pursuits, however, it was difficult to take them serious on any level. Because always, I understood that without question, my future…my prescribed place in life…would be standing beside my dad inside his business headquarters in Cohoes, NY.  Which for me meant that, while my friends hopped flights to Europe and Asia immediately upon graduation, I was told to report to work ASAP (I was actually given two weeks off, much of which I spent hiking in the Adirondacks). 

Like the good son, I didn’t argue with my father, nor challenge his wishes, nor toss a monkey wrench in what he considered a very deep financial and emotional investment. But that doesn’t mean I was conflicted over my career predicament from the get go. You see, even though I kept quiet about it, I knew early on that the construction business wasn't for me. Rather, I wasn't suited for it.  
First things first.
The construction business doesn’t require a degree in physics from MIT, but it does require a certain amount of engineering know-how, and engineering know-how takes math skills, of which I had zero. All my life I had trouble passing even the most basic of math courses. That right there should have been a red flag for my dad. But still, he persisted with trying to steer me towards taking over the helm of the Zandri Construction Corp. Although I “technically” had a choice in what path to take in my life’s pursuits, the choice was a very difficult one to make. If I chose not to enter into the business, then I ran the risk not only of disappointing my family, I ran the risk of ending what promised to be a three generation business legacy. Add into the mix a strong Italian heritage and the powerful concept of familia and you get the picture. Think, Godfather meets the Sopranos meets The World According to Garp.

In other words, I basically had no choice.

From the moment I started...and I mean, from the moment I punched my proverbial time card...I was like wet paper bag filled with glum sprinkled with despair. While I had spent many summers working for the business in the field as a laborer, I was now expected to work in the office as a project manager and estimator. My duties pretty much revolved around reading blueprints and trying to determine how much a prospective project would cost (You’ll remember that little math problem). Price a project too high and you risk missing out on the successful low bid. Price a project too low, and risk losing your financial shirt.

Other duties included managing the costs on existing jobs. Also expediting them. Checking up on when the carpeting, doors, and windows would arrive on site. Stuff like that. There was a lot of time spent on the phone asking for lumber prices and delivery dates. For a guy or a gal who’d just graduated Babson College or a similar trade school, whose sole interest in life was building up a business….any kind of business…it could be exciting stuff. Maybe even the most fun you could have with your clothes on. But for me…the dreamer, the would-be Ernest Hemingway or Joseph Conrad, the arm-chair traveler…the work was tedious, and as dry as work could get.

Still, I stuck it out, with the understanding that much like a bad, pre-arranged marriage, I might learn to at least like the job.


A few years went by.
By the time I turned 25, I was a Junior executive in a thriving commercial construction business. I had a house, a company vehicle,  a steady paycheck, a country club membership, one week's paid vacation, the promise of wealth, a new wife and a child on the way (did I mention I'd gotten married at the ripe old age of 24?), and had more stability than anyone could ask for.
But I was suicidal.


Then something happened that changed everything.
I'd seen somewhere that the Albany Times Union newspaper was looking for stringers to cover local high school football games on the weekends. I'd read in one of the many Ernest Hemingway biographies that I'd been devouring in my spare time, that the master started out his writing career as a cub reporter. So naturally I thought, what's good for Papa might just be the right thing for me. It might also be my ticket out of the construction business, at least inevitably.

That late summer and fall I covered every game I could, often times writing the stories in the TU newsroom on a Late Friday night or Saturday afternoon at a frantic pace. I became so proficient at the job I was offered to stay on and write basketball stories in the fall and baseball in the spring. In the meantime, I started freelancing stories on all different types of subjects for several papers. I wrote about fly fishing, bird hunting, honeymooning in Venice, book reviews, you name it. It was after collecting a portfolio of clippings that I started freelancing for some larger magazines like Hudson Valley, Game and Fish Magazine, New York Newsday, and just about any rag that would take a story.

At the same time, I'd also started writing short stories that for the most part were collecting rejections. But every now and then, I would receive an acceptance by a journal the likes of Negative Capability, or Orange County Magazine, or the University of Idaho's, Fugue. When that happened, I would feel myself levitating from the earth, flying as high as a kite with its string snapped off in a wind storm. I'd spend an entire weekend celebrating. I wasn't making a whole lot of money, but I was making something. Suddenly, I was a professional writer and I was building a career that was all my own.

You’re expecting the big BUT here right?

Then Monday morning would arrive.

Since I had a family to support, I was still employed by the Zandri Construction Company. It was a strange existence, because when I was writing, I was so very happy, so very determined, so very inspired, so optimistic about my future. But when I was working in the construction office, I was so horribly sad, depressed, and pessimistic.

There weren't enough hours in the day to do both jobs.

I would wake up at four in the morning to write my stories and then I'd put in an eight hour day or more at the construction office. My dad could see the desperation that was painting my face. Not to mention exhaustion. My coworkers could see it. There was very little peace in my life and I was not easy to be around. Something had to give.


My dad and I started to fight.

He knew how much I was retreating from the business, if not physically then mentally. My mind just wasn't in the game. But then, my head had never been in the game. Our arguments were vicious. My dad, a short but stocky, salt-and-pepper haired intense man, took my retreat personally. But, as it turns out, there was a good reason for that.

My dad, after all, was a gifted musician. A skilled trumpet player who had given up all his hopes and dreams of being full-time performer to take over what had become in the early 1960s, a failing Zandri Construction Corp. from his father.

Although the details of the agreement are sketchy to this day, my father made a promise to his father who, at the time was literally in tears over his ensuing bankruptcy, that he would not only make the business a success once more, but that he would pay back all his debtors. My dad would do whatever it took, even if it meant giving up his own personal dreams to make the most out of his God-given talent. That one decision made by my father in his mid-twenties took strength, conviction, and selflessness.

It also changed the course of his life forever.


But here's the thing: As much as I resembled him, I was not my dad.

And when it came my turn to step up to the plate, so to speak, I could not give up what now had become a dream not only to be a writer and freelance journalist, but to be a full-time novelist. I felt that if I "wrote on the side" as so many people suggested I do, that I would eventually give up the dream, succumb to the enormous demands and responsibilities of the business, grow soft in the middle, hard in the arteries, and angry, and unhappy with my middle age. In essence, what I foresaw was living a very slow death. Nobody wants to be that guy who looks at himself in the mirror at sixty and whisper, "I should have stuck to my guns. I should have lived my life while I had the chance."

So the day came finally, when I decided to make the official announcement to my dad, while he stood over a blueprint inside his corner office. "Dad,” I said, “I'm going to become a writer."

“Good luck with that,” he said. But the look on his face said, “Rest in peace.”

I applied to writing school and in late 1994 I was accepted to the MFA in Writing program at Vermont College. It was while writing and reading for two straight years that I came up with my first novel. The book that would become As Catch Can or, in its most recent form, The Innocent. That book would get sold to Delactorte Press less than a year after my graduation from writing school for a quarter of a million dollars.

That deal, which was touted in Publishers Weekly among other publications, hit my family with all the subtly of a major seismic event. I was thirty three years old. I now had money in my pocket, some pre-publication notoriety, the promise of a stellar bestselling series, and even reads from major film production companies and talent like Dreamworks, Robert DeNiro, and George Clooney. My dream was finally becoming real. I had also achieved something else. Validation. Not only for my writing, but for my convictions.

Ironically, the first person to congratulate me was my dad.

I still remember the smile on his face when I first told him about the deal. He laughed and then he told me something I'll never forget. He said, you and I fought because you assumed I wanted you to stay in the construction business. But that's not what it was all about. I just wanted to make sure you were able to make a living for you and your family. I took him at his word, but there was a little salt to be tossed onto his sentiment.

 Of course, as successful as that first deal was, there were to be many more trials and tribulations to come. A first divorce, contracts that went unfulfilled, depleted bank accounts. But also, wonderful things too. Many of my books would sell hundreds of thousands of copies. I was able to become a freelance foreign correspondent for RT and other news services. Work that took me to Africa, Russia, Turkey, Greece, France, the Middle East, Asia, ... so many places I've lost count. I've seen the sun rise on Machu Picchu and I've seen the sun set on the pyramids in Giza. I've hiked the Amazon jungle, been bitten by piranha,  and nearly drowned last year in the Ganges. I'm able to live in Florence, Italy for part of the year and I support it all, not with paychecks from the construction company, but with royalties from my twenty-plus in-print novels.

When I started writing those first football stories for the Times Union newspaper all those years ago, I never would have dreamed that I would hit the New York Times, or USA Today bestseller lists, or that I would nail the overall No. 1 spot on the Amazon Kindle Bestseller list. I never thought for a moment I would win the ITW Thriller Award or the PWA Shamus award for the best paperback original with Moonlight Weeps.  I just wanted the chance to make a living as a writer no matter how humble.  I wanted to go my own way, forge my own path. To have a life of adventure outside of a construction office in Cohoes, New York. To be thrilled by a life that's admittedly unstable, but far more gratifying. So gratifying in fact, that even now, at 51 years old, I feel younger than I did when I felt I had no choice but to step foot into the construction office each and every morning.  

My dad stayed with his business long after I left, working seven days a week, sometimes ten or eleven hours a day even into his mid-seventies. While our relationship was strained over the years because of my career decisions, we eventually became friends again and I think he enjoyed seeing me off on my adventures. He'd often tell me to stay vigilant or to watch my back, especially if I was entering into a country that was particularly unstable at the moment.

I recall our last phone conversation together. It was well after work hours, but he was calling me from the office after everyone had gone home. He was more than a little stressed out over a job he was working on in Troy, and the hard time the architects were giving him. Young, up and coming architects schooled in contracts, digital know-how, and a particular brand of 21st century business savvy that was as far away from my dad’s philosophy of doing business with a handshake than Portland, Maine is from Portland, Oregon.   

He knew he was going to lose money on the project but that wasn't the point. They were insulting his integrity and that's what hurt the most.

"How are you doing?" he asked. "How's the new publisher?"

You see, I'd just signed a new five book deal at the time with Thomas & Mercer and it was for very good money. "Did they pay you yet?" my dad pressed. Always the worrier, he was forever looking out for my well-being.

I remember laughing and telling him that yes, I had been paid and what a joy T&M were to work with as opposed to Delactore of Dell. He also asked me about my second wife Laura. We'd become estranged over the years and divorced, but had been talking again as of late. "You two aren't done," he said. "I just know it."

“Time will tell,” I said.

We hung up then, and I never spoke with him again. The next morning he died of a heart attack while putting his work boots on.

But I can still recall the last time I saw him in person before he died. I remembered seeing something in his tired eyes. I can't quite explain it, but it was a look that exuded both pride in my achievements, and a kind of sadness. A sadness that told me maybe he too could have followed his dreams. That had he chosen to do so, his life might have turned out differently. But much like the writing life chose me whether I liked it or not, I think he felt deep down that the construction business snatched him up in its claws, for better or worse.  

My dad died a successful man, but I'm going to be perfectly honest: I’m not sure how happy he was when death struck him so very suddenly that bright December day. Even at 76 he still bore a tremendous weight on his narrow shoulders. The responsibility of carrying on the family legacy, even long after his own father had passed away.

But you see, my dad was a man of integrity. The kind of man we see less and less of in this new 21st century. When he made a promise, he kept it. Even with his dying breath. And now, I no longer recall our butting heads, or arguing over my path in life. Instead, I thank him for all the lessons he taught me about being a success not as a writer necessarily, but at whatever path I chose.
 

 WWW.VINCENTZANDRI.COM




Tuesday, November 18, 2014

per·i·pa·tet·ic man

Sam Shepard. A self-proclaimed Peripatetic Man.
per·i·pa·tet·ic
ˌperēpəˈtedik/
adjective
Constantly on the move... 
What is it about the writing life that makes us averse to spending too much time in one place, as if being tied down means total meltdown of our talent and our writing ability? I suppose there must be writers out there who like to stay home. Who enjoy the security of four walls, a fireplace, a clean bath, and three hot squares per day. But how creative are they? How productive? How happy? 
Happy...
Jim Harrison who once said, if you feel as though you're writing with 16 ounce boxing gloves on, it's time to get out of the house, sometimes for months at a time.
How happy is the Peripatetic Man? The lack of security. The four walls of a cheap motel room, the sound of paid-for sex banging against the wall that separates you from the space next door. The filthy bath with the shower drain that doesn't work. The occasional decent Denny's meal. The booze (Don't forget the booze...). The loneliness. 
There's something invigorating about always being on the move. And sad too. Chasing your own tail for the sake of a tale or two. But I'm not sure  a writer...a writer who matters after he's dead...can live any other way.
 

Monday, September 29, 2014

In the Game



Years ago, when I was still in my mid-twenties, I wanted to die.
The train from Innsbruck to Venice

I was working at a job I hated, but it was worse than that. It was a job I'd been groomed for by my dad who, along with my mother, wanted nothing more than to see me take over their family construction business.

When I say I had been groomed for the business, I mean, I was five years old when my dad brought me on to my first construction site and had me hold the end of a tape measure while he calculated the dimensions of a building foundation he and his crew would be pouring the following day. By the time I was fourteen, I'd already been working as a laborer and even experienced my first serious accident when I stepped on a nail that was sticking up out of floor-board and I, being the newly crucified, was sent to the hospital for nail extraction and a series of tetanus shots (I would later fictionalize this incident in THE CONCRETE PEARL).

When my early twenties rolled around, and I'd graduated college, I knew I wanted to be a writer, but instead I did "the right thing," and entered into my dad's business.

I hated it.

By then, I'd graduated to project manager status which meant my job was putting out fires all day inside a four-walled office, day in and day out. I used to sit at my desk and make notes about the stories I wanted to write, and the exotic places I wanted to visit, and the people I would meet along the way. I wanted adventure, not an office job and a home in the burbs.

In Moscow working for RT...a far cry from the construction business
My reading stand was full of novels by Hemingway and when I'd read all the novels, I started on all the biographies that detailed his prodigious life, and how he managed to become the best of the best.
He did it by entering into the game in the most humble way possible. He worked on the Kansas City Star as a cub reporter.

I remember the first time I read about how Papa began his career. I sat back in my chair at the construction company, and I thought, Damnit, that's what I'm going to do, since obviously no one is going to do it for me. So I went to work for the local Times Union Newspaper on the weekends, writing sports stories as a stringer. I also started freelancing pieces for them. Pieces on fly fishing and bird hunting, and other human interest stories. I saw my first byline and I nearly wept. When the fifty dollars per story checks began arriving in the mail, I felt even more exhilarated because I was no longer a wanna-be. I was a professional. It was a magical time, but also one of great tension.

I was still very young, and still tied to my family job, and even newly married. My dad wasn't too happy about my new passion, and even seemed confused if not hurt by it. After all, he'd invested an awful lot in me over the years and now here I was spending my time and energy in a field entirely unrelated to the commercial construction business.

Cairo, tail end of Arab Spring, researching The Shroud Key
But I was happy. I was a young man who no longer wanted to die. Quite the opposite in fact. I had begun the inevitable process of springing myself from a trap I'd willingly set for myself...the same sort of trap many men and women never free themselves from until it's far too late.   

I was a real writer now, and I was in the game.

WWW.VINCENTZANDRI.COM

 

Sunday, June 23, 2013

Are Authors A-holes?




My friend, author Elyse Press Major, emailed me this morning with a question: "Do you think 'Author' is derived from 'self-obsessed a-hole?'"

The question made me grin, but it also got me thinking. I can recall my first editor at Delacorte confiding in me over a smoke. "Writers are assholes," he said. I recall my dad showing up at my graduation from my MFA in Writing program at Vermont College and his first encounter with one of the more miserable, stuck up, can't-be-bothered-with-the-common-folk members of the faculty, and him whispering to me, "Who the hell is that asshole?" I certainly recall my first wife screaming at me while I was trying to write at the dining room table: "You're a f'n asshole!" Certainly some of my now fired agents have filed me away under A for ... well you know what. And when some of my novels became Amazon Bestsellers and I started selling more books in a week than that other Albany writer William Kennedy might sell in a year, my head got a little inflated and I most definitely started acting like an asshole.

Today, I'm not always selling more books than Mr. Kennedy and my first wife and I are friends again. I've learned my lesson and deflated my head a little (My apologies to Mr. Kennedy and to anyone else I offended along the way...You know who you are). I still require more alone time than the average bear since I'm always working on multiple projects, and I suppose that might make me a bit of an asshole, but it can't be helped.

So the answer to your question, Elyse, is yes and no. Authors sometimes can't help being a-holes but they don't always have to be a-holes. It's important that we learn the distinction. 



  

Tuesday, May 29, 2012

Got What It Takes To Be A Writer?




Last evening I watched a new movie presented by HBO called Hemingway and Gellhorn. It offered a fascinating but sadly cliched view into the life of two of the 20th century's greatest writers. Both were portrayed as hard drinking, whiskey bottle by the side of their typewriter, bombs blasting in their bedroom, always traveling to exotic locales, wild sex with every sentence individuals. Like their novels, much of this is made up. But then, in some ways Hemingway and Gellhorn lived up to this over romanticized image.

Giving credit where credit is due, the literary couple were more than what was presented on the silver screen (or LCD TV in this case).

In reality they both struggled over their writing, and painstakingly wrote their articles, stories and novels, often wrestling with every word. Hemingway would produce on average no more than 250 new words a day and in the prime of his life, took three straight years off from writing altogether. That's how hard it was for him.

Martha would write alone, sometimes for three or four solid hours a day. Then she would toss it all out and start over the next morning. Like her lover, she possessed a very fine built-in shit detector and in this, she was her own worst critic.

Truth is, they never drank booze while they wrote. They didn't get hammered the night before and wake up fresh and write like the words were simply bleeding out them. This is the stuff of Hollywood. This is romance. This is pure bullshit.

The truth about Hemingway and Gellhorn:

Their writing came first.
It came before love.
It came before war.
It came before partnership.
It came before car payments and mortgages.
It came before children.
It came before health and sickness.
It came before leaky roofs and broken refrigerators.
It came before school PTA meetings and dinner with the neighbors.
It came before birthdays, anniversaries, funerals and graduations.
It came before Christmas.
It came before fun.
It came before happiness and sadness.
It came before God.

This is why fifty years after Hemingway's death and fourteen years after Gellhorn's (both of them by suicide), Hollywood is making movies about the couple. Because they were the best at what they did. And to be the best, you must make tremendous sacrifices.

Being a writer is not about being available to the world. It's about locking yourself away, at a great distance if need be, in order to work. Work alone, with yourself, without interruption. It's selfish and it is painstakingly hard work. In Hemingway's words, it is like "biting the nail."

Do you have what it takes to be a great writer?


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