Showing posts with label The remains. Show all posts
Showing posts with label The remains. Show all posts

Saturday, February 27, 2021

Bestseller Status: It takes a Hell of a Lot of Work ...




This weekend I'll be a speaker at The Next Bestseller Workshop in New York City, or should I say, Virtual New York City, where I'll be talking about some of my bestselling books, and how they came to be. I'll also be talking about books that didn't reach bestseller status but that nonetheless sell steadily day in and day out. I'll even mention the dogs that hardly sell at all (in other words, not even my mother will buy them). Full transparency here.

At one point, I will be asked, what are two things that can potentially keep at least some of my books, or future books, in bestseller status. I've given this some thought, so here goes: 

1). Perseverance, Proliferation, Publication

 As a writer, you must always be playing the long game. This is not a get rich quick scheme, anymore than it's an overnight success story. Sure the success comes overnight, but after many nights spent without success. You also need to write a lot, depending on your genre. As a hard-boiled mystery writer for the most part, I write a lot of words everyday and I put out a lot of books and stories with a lot of different publishers, big and small. I also publish independently. This is on top of my journalistic and freelance writing endeavors. 

Each book is another chance at topping the bestseller lists and also making it to the movies or TV. The publishers you use (or don't use) can have a lot to do with bestseller status. The Amazon Imprints virtually guarantee big sales, but that's not always the case. Many of their authors don't see a lot of sales right off the bat and they are usually shown the door. Their books are also not sold at indie bookstores nor the chains. You also won't hit the New York Times bestseller list with an Amazon Imprint book. At one point I had 9 books with the Amazon Imprint, Thomas & Mercer, the largest seller of which was The Remains.  

But I've also had publishers who have literally screwed my books up. Back in 1999 I signed with a major for $250K for my novel, The Innocent, but the editor changed the title to As Catch Can, which was a big mistake. The hardcover art was botched too. In the end, the book sold very little. After I got my rights back, I changed the title back to The Innocent. It was republished by a smaller publisher who did a terrific job with new cover art, and the book sold 100K units in a single month. It stayed on the Amazon Overall Bestseller list in Kindle Books for weeks, second only to The Lincoln Lawyer which was a major movie at the time. 

I've had other publishers, one in particular whom I won't name, but who for some reason gets great press in PW and elsewhere. Said publisher not only botched the editing process to several of my titles, but provided almost no marketing. The owner then gets himself his own book deal, so now his main focus seems to be selling his own books. This might not bother other authors, but it doesn't sit right with me. A publisher's main priority should be its authors. And did I mention they never send out statements or royalty checks when they are legally obligated? A publisher like this can damage your career, at least for a while, so beware.

2). Luck

While you might be over the moon when you finally get your first book deal, you must keep in mind that success depends not only on the amount of marketing and advertising you do, it also depends an awful lot on luck. There has always been a certain amount of luck involved in the books that have done the best for me. In other words, the books that did the best were in the right place at the right time. It's an inexplicable thing, when you think about it. The books that didn't sell as well, and that should have sold well, based on the sales of similar books, can't be explained either, other than they just didn't enjoy the same luck the bestseller did. 

The point is to hang in there, keep writing like your life depends upon it, and choose your publishers carefully. It takes a hell of a lot of work, but it's better than having a real job. 

WWW.VINZANDRI.COM

 







  

Sunday, March 18, 2018

Books signings suck...



A fun place to sign: Thriller Fest in NYC. Yup that's Diane Capri and Lee Child
...unless that is, you're an angry celebrity politician like Hillary or a witty cable television news anchor like Gutfeld or Sleepy Eyes Chuck (sorry, couldn't help it). A few authors can still command a decent audience at book signings. Lee Child, and of course, JK Rowling. Maybe if you write children's books you can gather a tribe of school kids who love your books. Some romance authors maybe. EL James and all her "Shades of Grey."

I do maybe one or two signings per year, and it usually takes place in Manhattan. These are usually quiet affairs but fun nonetheless as we like to make a night of it, no matter how many people show up (or don't). I guess I'm known mostly for my eBooks, but naturally, all my work is available in print and audio too (shameless plug).

This about sums it up...

Bad book signing memory: I show up to my signing and an old dude is standing in my place at the very front of the store as you walk in. I recognize him as a local news anchor who's penned a tall-all about the local Albany news scene. The book is published by the bookstore owner. When I enter the bookshop, I'm told to "Go to the back of the store. There's a table set up for you there." This is back when an earlier edition of The Remains was published (sloppily I might add) by a small press. I sign maybe 12 books in the hour I spend there, and then I walk out, tossing my pen in the garbage.

I never went back to that store again. Why should I? Writers have power now in this the new golden era of writing and publishing. We no longer have to be bullied and trampled on by stores, publishers, or agents who think we need them more than they need us. Hit the road Jack...

But The Remains would go on to be sold to a major publisher (Thomas & Mercer at Amazon Publishing) and overall I believe it's sold 200K units over the course of its two editions. Not bad for a guy who was pushed to the back of the store not that long ago.

Even now, I can promo my books online and sell hundreds if not thousands while doing something else, like writing new fiction for instance. Because after all, I'd rather be writing than standing like a dope in the middle of a bookstore. However, that doesn't mean I don't love meeting my fans. It's just that book signings no longer need to happen at bookstores. They can happen at conferences, bars, eateries, book clubs, you name it.

Yesterday, I told around 2K books while whooping it up in a bar for St. Patty's Day. It was a hell of a day, let me tell you. A home run kind of a day. Not all days are like that, but every now and again, you need one both for your bottom line and your head.

I love bookstores, especially those that sell rare editions. They're not going away anytime soon, or so I hope. But unlike the old days, I don't feel the need to come crawling to them in order to "move the units." When I sign live and in person, it's just more of a fun, interactive kind of thing. Bottom line: I'm happy to sign books for anyone who wants one. But it may not happen at a brick and mortar bookstore. And why should it?

WWW.VINCENTZANDRI.COM




Saturday, July 1, 2017

Pieces of Mind

Fiction isn't my only shtick. I've been writing non-fiction and essays since I first picked up a pencil. The topics I've covered over the years range from fly fishing, to travel, to architecture, to hunting, to coping with a loved one's depression. I've also written about writing.

So many books exist on the Amazon shelves dealing with how to become a bestselling author or how to game the system that it's impossible to hear yourself think over all the noise. But few books actually deal with the what it's like to be a writer, how it affects your relationships, what it's like to be alone all the time on a day to day basis, making a living by making stuff up.

My new book (errr one of my new books), Pieces of Mind: Fictional Truths & Non-Fictional Lies about Writing and the Writing Life, is one of the only ones out there that not only attacks the subject of "on writing," but that also deals with the "writing life." Here's the official product description: 
  
Brand new from New York Times and USA Today bestselling author Vincent Zandri comes a non-fiction volume that will hold special appeal for those writers, new or established, who've enjoyed books on writing by Stephen King, Charles Bukoswki, Scott Nicholson, Chris Fox, Wayne Stinnett, and more.

Featuring a brand new introduction by the author on how he willingly gave up his birthright as the heir apparent to a multi-million dollar commercial construction firm in order to pursue his writing passion, Pieces of Mind contains essays on topics as diverse as lost love, sex, divorce, coping with a child's severe depression, experiencing Carnival in Venice, to sharing a first beer with your teenage son. But every word is delivered under the umbrella of a full-time fiction writer and freelance journalist trying to make sense of the lush world that surrounds him.

You'll also find "how to" pieces on going indie, staying traditional, and even hybrid authorship. You'll discover how Zandri sold 100,000 books in a single month, and how to keep on writing when you don't even want to get out of bed in the morning. Originally featured in publications such as Conor Friedersdorf's Culture 11 Magazine, Literarily Speaking, Writer's Digest, and other now archived pieces originally written for The Vincent Zandri Vox, these essays will make you laugh, cry, cringe, and think. Most of all they will want to make you drop everything to write your own story, be it fiction, non-fiction, or a fictional truth.

From the ITW Thriller and PWA Shamus Award Winning author of the No. 1 Bestselling novels, THE REMAINS and EVERYTHING BURNS, as well as new bestsellers like THE ASHES, ORCHARD GROVE and THE EMBALMER, comes the first in a series of books ON WRITING.


If you love short, sharp vignette style essays that get right to the point, while kicking aside political correctness, you'll love Pieces of Mind.

WWW.VINCENTZANDRI.COM 

Friday, April 21, 2017

Moneysuck Or Do Facebook Ads Really Work?


Or, simply throwing your money away...
I've created a monster.
No, really...I now have something like 25 novels, novellas, and collections in print (see, I can't even keep track of the specific amount), about half of them with traditional publishers and the other under my own imprint, Bear Media. Like hungry little children, all these books need to be fed, or they will wither and die. That means, advertising. Sure, the best method for selling a book is still word of mouth, but I'm not only hoping to sell a few copies from out of my local indie bookstore, I'm selling to a global audience (Now you see why I do very few book signings). That means paid advertising like Facebook Ads.

I first heard about the possibilities of these little digital devils when I was in Italy sometime around XMas, 2015. I thought, well how hard can this be? I went to You Tube, looked at a tutorial on creating an ad set (the demographics, the budget, the copy, the image...), and I was off. Since then I've spent close to $10K on FB ads, and here's the thing: I'm not sure they work.

That said, I'm certain my books have landed millions, and I mean, millions of impressions. And quite a few clicks which I can only assume translates into sales. Or some sales at least. But for sure, I cannot attribute $10K worth of book sales to $10K worth of ads, which in the end would be a wash anyway. Taken a step further, I am most definitely not making a profit on these ads.

So why then, do I do the illogical thing and keep them going?

The answer lies in the impressions. Product recognition. What I'm hoping for is that when enough people finally recognize the novels I'm advertising, they will warm up to the idea of taking a chance on giving them a go. So I guess I can say, my investment in FB ads is more of a long-term thing. Right now, I'm the bakery that's giving away free cookies and cakes. That's not to say, I'm not learning how to optimize these ads better so that I'm not tossing money away. Numerous courses exist on creating the perfect ad, but they are expensive, and I'm not entirely sure the investment in time would be worth it.

In fact, I've been experimenting with Amazon ads as of late, and I find these effective in terms of dollars and cents (You are charged only per click, as opposed to FB ads where you spend exactly what you pledge per day). To a lesser degree in effectiveness are Book Bub ads.

In the end, I still believe the best way to push your books on the global market is to write more and more of them. Anyone who follows the Vox knows the mantra by now. Write. Publish. Rinse. Repeat.

But you still have to get the word out.

And this means advertising. So, if you're planning on using FB ads, make sure you spend only what you can afford, and experiment with them. Tweak them until the click rate is less than .05 per click. Anything more than that and you'll see your profits being eaten away like a cancer that thrives on healthy cells.

WWW.VINCENTZANDRI.COM
If you like what you see, follow me on Patrean
Out today and available for a very limited time at a special low price: The Chase Baker Trilogy, Volume II


Thursday, April 6, 2017

Zandri is Wide (Not in the Ass) and a First Quarter Assessment: Notes from a Hybrid...No. Whatever


That's me arm-in-arm this past Sunday with the Noir at the Bar crew NYC

You all would have heard by now that Amazon KDP kicked me out of Select apparently for violating the exclusivity agreement once in 2012, once in 2013, and again in 2014. They couldn't prove that I had violated anything by producing the "warning" emails at my request, but they said it is so and if they say it is so I guess it has to be true.

Ever get the feeling the crucifix will one day be replaced with the Amazon logo? 

It's all for the good though, because like those pesky young adults who won't leave their parent's basement, I had been depending upon Select too much as of late for my indie books, and it was time to leave the nest and go wide. Which I have. I'm everywhere except Google at present, but I'll get there too. I'm only one person, people! Maybe I should hire an assistant. Preferably a hot little brunette. Don't get me started...

Onwards. It's the end f the quarter and I'd like to do an entirely non-scientific assessment of this year thus far in sales and productivity. In other words, I'm not going to bore you with specific numbers, but instead just a general accounting of how it's been going with my traditionally published books, my Amazon Imprint Published Books (namely Thomas & Mercer), and my indie books published under my imprint Bear Media (Bear Thrills, Bear Pulp, etc.)

Okay, so the traditional side of things. The hard-cover of The Corruptions arrived in late January while I await the paperback version of Orchard Grove which came out in hard-cover in January of 2017. Both books seem to be doing well, in paper, audio, and especially e-book. Although I don't have the exact sales figure for the first part of this year, I believe we're looking at around 4-5K in sales, mostly in eBook on the back of a Book Bub, which I was fortunate to acquire (and finance). What I must stress here however, is the importance of authors doing their own marketing since leaving it up to the publisher will usually result in crickets. They just don't have the time. One of the books I have going traditionally at present is stinking up the joint which sucks, because when I was publishing it under Bear Thrills it was doing relatively well. Live and learn.

Amazon Imprint Books (Thomas & Mercer): There's been a lot of changes at the firm as of late, and every single one of the editorial and/or marketing people I started out with in 2012 are gone baby gone. Some good people have taken their place, but while last year at this time I was hitting the overall number 1 spot on the Amazon bestsellers list with The Remains (and all the residual sales that went with it), this year thus far has been kind of a yawn. Sure books like The Remains and the Jack Marconi PI novels continue to carry the bulk of the load (I have a whopping 9 books with the firm), there hasn't been a promo yet that's propelled a single title to the top 10 much less the top 100. But that doesn't mean it won't happen next week. So if I had to guess without looking the numbers up, I'm around the 3-4K sales range there.

Indie Books: In terms of full-length novels, I believe I'm somewhere around 15 now. I'm not sure how I've done it, but I've sold around 7-8K books during the first quarter, not including KDP borrows. So that's something to be proud of. The Ashes, the sequel to The Remains, is doing very well, and considering AP passed on it, saying it's too late for a sequel and therefore a "non-starter," I'm more than pleasantly surprised. Now at the same time, I've also given away more than 10K books so far this quarter and if I had to guess, that's one of the reasons for my success (remember, there are hybrid authors out there who sell way more than me, and more who sell way less, so it's all relative).

So where does this leave me? I'm making a nice living, and slowly, incrementally doing better with each new book published one way or another. Some might say I should pick a method of publishing and stick with it, but truth is, if I were to go back to being traditional exclusively, I'd have to pick up more freelance work, or maybe grab a teaching gig. So that's out of the question because I love my freedom. And I'm not ready to go entirely indie either, because I enjoy my books being in stores and libraries, and I love the trade reviews, and you're just not going to get that with indie (sorry for the run-on).

I'd like to think I'll do more books with AP, but I might be tipping the scales with 9 novels right now, plus When Shadows Come is still in the red in terms of its earning out its advance (Come on guys, let's market the hell out of this one. It was selected as a Suspense Magazine Best Book of 2016 for God's sakes...What's not to like?)

So now I'm wide and thus far I'm selling almost the equivalent of what I would have been making in page reads per day at Select. So that's a good thing. But more marketing will be needed in order to get the word out. That includes Facebook and Amazon Ads.

As for the production end of things, you'll recall in a past post that I have committed myself to writing only fiction this year (that can change), and thus far I'm putting out on average 10K new words per week, plus rewrites. So this is a full-time job to be sure. But what this means is, I not only have a new thriller for a traditional publisher to pick up, I am, at the same time, able to publish a series novel, novella, or short story at least once per month. And what's the best marketing tool for a writer? Proliferation. Or, simply writing more books. Write, publish, rinse, repeat. Word of mouth is a big help too, but you have no control over that. So if you're a writer, turn off the Twitter, and get busy. Get writing.

For links to all my "wide ass" books and all the stores that sell them go to:
WWW.VINCENTZANDRI.COM

 

Wednesday, March 22, 2017

Amazon KDP Select Shut Me Down with No Warning!


I've been shut down.
No warnings. No hints. Nothing.
Yesterday, I received this email from Amazon KDP Select.




Hello,

Due to repeated violations of the KDP Select exclusivity requirement, the following books and the rest of your catalog will be removed from KDP Select within five days of receiving this message and you will be suspended from enrollment in KDP Select for a period of 12 months. Should you enroll books into KDP Select in the future, they will be subject to immediate removal from the program....

...You may reply to crm-exclusivity-compliance@amazon.com if you have any questions regarding this email or believe this decision has been made in error.

Best regards,
Amazon KDP
http://kdp.amazon.com


Now, I've always been a champion of KDP. I'm a hybrid author who publishes traditionally and independently. I'm also prolific, which means I write more than any one publisher can handle. I also don't believe in placing all your literary eggs in one basket. That said, I began my own imprint. Bear Media, to handle the overflow. Normally I might go wide with my indie books, publishing them at Kobo, Nook, and other online platforms. But lately I've been enjoying the KDP Select platform a little more exclusively than usual, since my page reads were on the rise. I was also taking advantage of their Kindle Countdown Deals and Free days.

All seemed to be going swimmingly until this email showed up like a bullet to the brain. The email is in the wrong. No dispute about that. I was never warned about violating any exclusivity rule. From my understanding, real scammers get three warnings before the plug gets pulled. Then, a fellow author showed me this recent blog post by Adam Dreece: Amazon.com: A Vengeful, Simple God?

It was like being smacked upside the head, because the same exact thing happened to me, without warning. It was guilt before proving my innocence.

Now I've gone to bat for Amazon in the past. Check out this article from 2014 from The New York Times and check out this video from Fox News. But when I asked my publishing partners at Amazon Publishing, the traditional arm of Amazon, they said they can't help since KDP doesn't fall under their umbrella. I guess I have no choice but to take that as gospel.

How is it that I'm nixed from KDP Select for the next 12 months? Word up is that it could be the handy work of a jealous author, or former publisher, or just some total vengeful asshole. Or hell, it could be a glitch in the Amazon AI.Not to be a conspiracy theorist, but it's interesting to note that I'm coming off a very successful Book Bub Promo on March 20. On March 21, I received the email.

But one thing is for sure, I'm not APs or KDPs top author by any means, but I have done very well, hitting the overall Top Ten on a half dozen different occasions, plus the number 1 overall spot with The Remains and Everything Burns. Like I said, I've publicly gone to bat for Amazon Publishing. And I enjoy my relationship with them. I would expect them to assist me in clearing this matter up, as soon as possible. But thus far, it's pretty much been total radio silence. That's disconcerting.

Oh, and I also learned this: never store all your eggs in one basket. Go wide, hybrid author. Go wide with Amazon KDP, Kobo, Nook, etc. Or suffer the consequences.




Like what you see here? Support the Vox at PATREAN:
WWW.VINCENTZANDRI.COM

Friday, November 25, 2016

How Far would You Go for Rabbit?


"Don't go down into the cellar, mommy..."


Okay, I know that the last thing some people can imagine is frying a cute little furry Peter Cottontail in a pan over a hot gas flame while introducing a fresh garlic, butter, chicken stock reduction, flour for thickness, rosemary, plus salt and pepper to taste, and then serving it with red wine, fried potatoes, insalata and an olive oil so fresh and green that it boasts zero transparency. But that's exactly what I crave when I arrive in Rome every fall season for my extended writing retreat in Italy.

In fact, how much do I spend just to eat coniglio (pronounced 'coneelio')? When you consider the cost of the hotel which is located in the Piazza Novona area, and the cost of taxi and train transport, and the cost of the meal itself plus a bottle of red wine, we're talking about $400+.

Point is, I could easily get off the plane in Rome and hop the train directly to Florence where I rent my apartment. That move alone would save me some dough. And naturally, this being Italy, I could no doubt enjoy coniglio up here in Tuscany as well. But there's something extra special about the recipe I enjoy at this one particular trattoria in Rome. Heck, I don't even know the name of the place, but the owner has gotten to know me by now, and whenever I arrive he smiles, shakes my hand, asks me how my writing is going, and he doesn't bother with handing me a menu. He already knows what I want.

So what does coniglio taste like?

Some of you might toss your empty beer bottles at my head, but well, it tastes sort of like the tenderest, most flavorful chicken you've ever had. It's far more bony however and it can be a challenge to get at all those tasty bits without using your fingers. It can make for a mess and if you eat coniglio the way it was meant to be eaten, the meal can take a while. You don't measure the time in minutes however, but in how long it takes for a bottle of wine to go from full to empty.

Coniglio done right...
I enjoyed my meal three nights ago and I can still taste it. What did the last poet/novelist Jim Harrison once say about a good meal? That he'd happily spend five hundred dollars on it even if his bank account is in the red. Because a good meal is not a thing to be consumed, it is a memory that lasts and lasts. I savor my memory.

Speaking of memory, many of you will recall my novel THE REMAINS, the story of Rebecca Underhill and her twin sister who were abducted by a madman back when they were kids, only to be victimized by him again three decades later upon his release from prison. Now Rebecca is back in the continuation of her story. It's called THE ASHES. And today is its release day. Like a great meal, a good book should be savored and it should not just pass the time, but provide you with memories as though the story on the page were one you experienced yourself. I hope you pick up your copy of THE ASHES today, and spend the weekend reading it. You won't be disappointed.

WWW.VINCENTZANDRI.COM

   

How Far would You Go for Rabbit?


"Don't go down into the cellar, mommy..."


Okay, I know that the last thing some people can imagine is frying a cute little furry Peter Cottontail in a pan over a hot gas flame while introducing a fresh garlic, butter, chicken stock reduction, flour for thickness, rosemary, plus salt and pepper to taste, and then serving it with red wine, fried potatoes, insalata and an olive oil so fresh and green that it boasts zero transparency. But that's exactly what I crave when I arrive in Rome every fall season for my extended writing retreat in Italy.

In fact, how much do I spend just to eat coniglio (pronounced 'coneelio')? When you consider the cost of the hotel which is located in the Piazza Novona area, and the cost of taxi and train transport, and the cost of the meal itself plus a bottle of red wine, we're talking about $400+.

Point is, I could easily get off the plane in Rome and hop the train directly to Florence where I rent my apartment. That move alone would save me some dough. And naturally, this being Italy, I could no doubt enjoy coniglio up here in Tuscany as well. But there's something extra special about the recipe I enjoy at this one particular trattoria in Rome. Heck, I don't even know the name of the place, but the owner has gotten to know me by now, and whenever I arrive he smiles, shakes my hand, asks me how my writing is going, and he doesn't bother with handing me a menu. He already knows what I want.

So what does coniglio taste like?

Some of you might toss your empty beer bottles at my head, but well, it tastes sort of like the tenderest, most flavorful chicken you've ever had. It's far more bony however and it can be a challenge to get at all those tasty bits without using your fingers. It can make for a mess and if you eat coniglio the way it was meant to be eaten, the meal can take a while. You don't measure the time in minutes however, but in how long it takes for a bottle of wine to go from full to empty.

Coniglio done right...
I enjoyed my meal three nights ago and I can still taste it. What did the last poet/novelist Jim Harrison once say about a good meal? That he'd happily spend five hundred dollars on it even if his bank account is in the red. Because a good meal is not a thing to be consumed, it is a memory that lasts and lasts. I savor my memory.

Speaking of memory, many of you will recall my novel THE REMAINS, the story of Rebecca Underhill and her twin sister who were abducted by a madman back when they were kids, only to be victimized by him again three decades later upon his release from prison. Now Rebecca is back in the continuation of her story. It's called THE ASHES. And today is its release day. Like a great meal, a good book should be savored and it should not just pass the time, but provide you with memories as though the story on the page were one you experienced yourself. I hope you pick up your copy of THE ASHES today, and spend the weekend reading it. You won't be disappointed.

WWW.VINCENTZANDRI.COM

   

Sunday, March 15, 2015

Hollywood Noir



A break in the filming for dinner at El Coyote
I'm not the first writer who's turned to film as another creative outlet. Countless word scribes like Norman Mailer, Sam Fuller, and Sam Shepard, have utilized the motion picture camera as an extension of their typewriters. Much of my work has been considered for film by companies like Dreamworks, George Clooney, and a bunch of others that I can't remember right now on a Sunday morning, my first steaming cup of coffee set out beside the laptop. Nothing has ever been produced, but that doesn't mean it won't be. It also doesn't mean I can't dabble in the medium on my own.

This past February, indie film maker Edward Alves asked me to write, direct, produce and star in (if you wanna call it that) a short noir piece that I could use as a promotional author trailer. It took us a few days to actually shoot the film down on Sunset Boulevard and at the close by Avalon Hotel, and many more days and nights in the production room, but here's what we came up with.


I think the film captures perfectly how I was living while writing Everything Burns...the paranoid, tense, living-on-the-edge quality of the life that flashes by day in and day out when you are writing all alone in a room with nothing but your story, and the invented people who occupy it.

Everything does indeed burn. So too does this trailer...

WWW.VINCENTZANDRI.COM


   

Thursday, December 25, 2014

Christmas: A Reflection and a Plan



For some, Christmas is a day to open presents, eat and drink a lot, and generally party it up with friends and family. This is my first holiday season home in a quite a while, so for me it's all of those things but also a time of reflection. Astrologers say that Cancers are always looking back at the past as if thirty years ago were yesterday. But today, Christmas Day, December 25, 2014, I'm looking forward.

Here's what I'm looking forward to in 2015:

--The release of my new big stand-alone thriller, Everything Burns, on Feb 1. This novel, from Thomas & Mercer, will be the first in my Albany Noir Trilogy. I am making a prediction that it hits the Top 10 for all books in Kindle right out of the gate (How about them apples Mr. Kennedy!?).

--2015 will also see the completion of the second in the Albany Trilogy, Orchard Grove, as well as my new international thriller, Lost Grace (new title pending). Scream Catcher will be republished under my own label, Bear Media, but there's a surprise in store for this project. It will published in six episodes, much like an online television series. Each piece will stand alone, but propel the overall plot of a serial killer who records the screams of his victims as they are dying with his cell phone (Where do I come up with this stuff? I don't know. I think my parents dropped me on my head when I was a baby...)

--I'll be writing the third installment in the Chase Baker series. This one taking place, in part, in Nepal, India, and beyond, and will rely on the research trip I took to each country this past summer. (The Chase Baker series has been holding court in the Top 50 for Amazon International Thrillers in the UK for months)

--I'm currently planning another adventure for the late winter, early spring. I'm not about to divulge the location because I haven't quite decided what it will be and on which continent. Of course, funding is always a challenge, but I'll manage to scrape up the casheshe. It will be doozy I guarantee.

--On a personal note, this is also the year I hope to become a better dad, a better friend, cut down on the beer (just a little), eat healthier, become more spiritual, push aside politics, spend time in Florence, Paris, and Madrid, and in general, live the life.

Thanks to my fans who have made that "life" possible. You are the greatest gift any writer can receive for the Holidays.

Cheers and God bless!

WWW.VINCENTZANDRI.COM



Tuesday, November 25, 2014

Don't Force It, Damnit!: Choosing an Indie Publisher III (and Advice for Writers)


Mailer, the overnight sensation...


It's guaranteed to happen once a year. Some unknown author emerges from out of the dark shadows of obscurity and publishes a book that goes through the freakin' roof. The book's sales not only blow away even the most major of commercial authors (think James Patterson and Stephen King here), they could arguably outdo the Gross National Product of some small nation-states.

You, as an author, find yourself shaking your head in dismay. Not only have you never heard of this now overnight-famous author, you have been writing for years and years, published several books, and your annual sales don't even come close to this writer's weekly revenue. You look up his or her bio, and you become even more distraught. The author, the bio claims, has worked as a cook, or a video store clerk, or was on welfare until his book was published and every single reader in the world dropped what they were doing and when out to buy it. Or so it seems.

But wait, where have you gone wrong? You've done everything the right way. You started out by working at the local newspaper, then published short stories in the best literary journals, made your way through writing school, nailed a big contract, began establishing a career of steady sales, fans, and contracts. You've nailed all the Amazon lists and some of the traditional lists as well. You make a nice income and have a nice life. You've done everything right. Shouldn't you be the one with the huge blockbuster that blows the doors (or covers) off all other books published that year?
The novel that sealed the young author's fate.

If only logic had something...anything at all...to do with the publishing business. 

So what are your options? Sit down and read these books? Try and uncover their magic? Maybe you can somehow write a book just like them. Maybe you don't know it yet, but you're the author of the next A Million Little Pieces, 50 Shades of Gray, or Harry Potter. So you set your sights on writing something with a plot and characters that don't necessarily interest you, but you're sure contains the perfect recipe for the next bestseller.

Big mistake.

Back in 1998, an agent in NYC suggested I write a novel with a black man as the detective protagonist because that was the "in thing." I didn't do it. What do I know about writing from a black man's perspective? Why should it interest me? Besides, James Patterson was already doing it, and I would just seem like a copy cat. Fact is, many of these huge bestsellers are often, one-shot, one-hit-wonders. Tremendous pressure is placed on the author to duplicate not only the book, but also the sales. Usually, both fail to meet the grade established by the initial blockbuster success. Norman Mailer, who nailed one of these hits right out of the gate, witnessed the near dismantling of his career with two follow-up books that stunk up the joint, even if they were brilliantly written.

Many of the big one-time hits, however, aren't very well written. They create a hysteria not because of their value as a piece of literature, but simply because they have touched a trendy nerve. Again, referring to Mailer, he once said of these books, "The popularity of bad writing is analogous to the enjoyment of fast food." This is not to say all of these books are bad (after all, in the final analysis, even filet mignon ends up in the same porcelain God as the Big Mac). Some are brilliantly written and will stand the test of time (think Wool by Hugh Howey and Grisham's The Firm). Inevitably, the value of these novels is up to you, the reader.

But as a writer, what should you do in order to become a mega-famous, overnight sensational bestseller? As you mature, and practice your craft, you will come to realize that writing only about the things that interest you is the best and most trusted method of staying the often agonizing course of a full novel, which can take upwards of up to a year to write. In other words, don't force it, or else you'll end up like a rabid dog always chasing its tail (or in this case, tale...forgive me). Attempting to figure out why one book sells better than others is not only an inexact science, it is an absurd science devoid of logic, but chuck full of emotion. We all want to have that one book that sells a thousand or more copies per day for weeks or months. I've had the good luck of nailing a couple of these, but for every bestselling book I write, I have two or three that I can't even get my mother to buy.

The next time a relative unknown author scores a million seller right off the bat, remember, that author could have written a hundred novels before nailing his first huge success. Or, it could be his first and sadly, his only success. This is a business that just can't be controlled or trusted. The only thing you can trust is yourself to write a well as you can, as steadily as possible, and to practice the nail biting discipline day in and day out that's required of the next huge overnight sensational bestseller.

WWW.VINCENTZANDRI.COM

Tuesday, November 18, 2014

per·i·pa·tet·ic man

Sam Shepard. A self-proclaimed Peripatetic Man.
per·i·pa·tet·ic
ˌperēpəˈtedik/
adjective
Constantly on the move... 
What is it about the writing life that makes us averse to spending too much time in one place, as if being tied down means total meltdown of our talent and our writing ability? I suppose there must be writers out there who like to stay home. Who enjoy the security of four walls, a fireplace, a clean bath, and three hot squares per day. But how creative are they? How productive? How happy? 
Happy...
Jim Harrison who once said, if you feel as though you're writing with 16 ounce boxing gloves on, it's time to get out of the house, sometimes for months at a time.
How happy is the Peripatetic Man? The lack of security. The four walls of a cheap motel room, the sound of paid-for sex banging against the wall that separates you from the space next door. The filthy bath with the shower drain that doesn't work. The occasional decent Denny's meal. The booze (Don't forget the booze...). The loneliness. 
There's something invigorating about always being on the move. And sad too. Chasing your own tail for the sake of a tale or two. But I'm not sure  a writer...a writer who matters after he's dead...can live any other way.
 

Monday, November 10, 2014

Inspiration (from Rome with Love)



Papa at his typewriter. The whiskey glass is a prop.



This is an essay I wrote for for Authors and Writers, but I felt it so important I'm reprinting it here...



Inspiration
by
Vincent Zandri

I’ve written 16 books at last count. No, that’s not right. I’ve published, or am about to publish my 16th novel come January of 2015. I’ve written far more than 16 (more like 22), and what’s even more amazing to me, is that most of these were written between 2009 and the present day. When you consider I wrote my first full-length novel back in 1997 as a part of my creative thesis for my MFA in Writing at Vermont College, and that in those days my goal was to write one novel per year, I have been increasing my output in direct relation to the annual increase in my age. That said, I am now writing two to three 50-60,000 word novels per year, plus a novella or two tossed in. Add to that some journalism and blogging for the The Vincent Zandri Vox, and you’re talking a ton of words on a daily basis.

A friend of mine who frequents the same bar I visit on a nightly basis when living in Florence, Italy in the Fall, always asks me the same question. “Did you write a new novel today?” Naturally, I laugh at this, but he’s not far off the mark considering the modern world of digital publishing and the demand readers (especially e-book readers) have placed on novelists to produce more and more work. My friend who, like me, will dress in black leather coat over jeans and combat boots in chilly Florence, often asks me how I can keep up such a pace.

“Where do you get your inspiration?” he asks.

Once upon a time, I would have shrugged my shoulders, and smiled dumbly.  But now I approach the question by asking another question:  “Where do you get yours?” 

The man is a professor of math and science at a local university. He’s expected to show up every day, rain or shine, to teach his students what they are paying him to learn. The inspiration required to get out of bed every morning, get dressed, and get himself to class is a moot point. If he can’t do that, he needs another line of work, or he needs to see a shrink, pronto. Inspired teaching, however, is another thing altogether. But if one is good at one’s job…if one possesses a certain degree of talent…one then uses that talent as a channel for inspiration and creativity. This is what separates a professional from an amateur. The former being one who shows up for work every day, regardless of what is going on in the world and in his life. The latter being someone who works only when, “inspired.” This kind of inspired writer usually ends up being a writing teacher in order to pay the bills.

Vincent Zandri is a professional writer.

I work everyday. Two shifts usually. The first begins immediately when I wake up. I go from about seven to ten, when I’ll break for a workout. Then I’ll clean up, have lunch and work all afternoon and quit between five or six. I do this five days a week and on Saturday, I’ll try and work half a day. I take Sundays off, unless I’m working on deadline.

Writing is my job. Sometimes I’m inspired to do it better than other times. Sometimes, inspiration never enters the equation. All too often I’ll look at what I’ve written at the end of the day and I’ll feel myself smiling because it’s not only good, it seems better than what I am capable of.

“Did I write that?” I’ll whisper to myself.

Vincent Zandri is The New York Times and USA Today Bestselling Author of The Remains, The Shroud Key, The Innocent, The Dick Moonlight PI series, and the forthcoming Everything Burns from Thomas & Mercer. He has worked as a construction laborer, a car parker, a pizza delivery man, a sports reporter, and other odd jobs. Having earned his MFA in Writing from Vermont College, he is a freelance photojournalist, a world traveler, and the author/editor of the popular blog, THE VINCENT ZANDRI VOX. He divides his time between New York and Florence, Italy.

I’ve written 16 books at last count. No, that’s not right. I’ve published, or am about to publish my 16th novel come January of 2015. I’ve written far more than 16 (more like 22), and what’s even more amazing to me, is that most of these were written between 2009 and the present day. When you consider I wrote my first full-length novel back in 1997 as a part of my creative thesis for my MFA in Writing at Vermont College, and that in those days my goal was to write one novel per year, I have been increasing my output in direct relation to the annual increase in my age. That said, I am now writing two to three 50-60,000 word novels per year, plus a novella or two tossed in. Add to that some journalism and blogging for the The Vincent Zandri Vox, and you’re taking a ton of words on a daily basis.
A friend of mine who frequents the same bar I visit on a nightly basis when living in Florence, Italy in the Fall, always asks me the same question. “Did you write a new novel today?” Naturally, I laugh at this, but he’s not far off the mark considering the modern world of digital publishing and the demand readers (especially e-book readers) have placed on novelists to produce more and more work. My friend who, like me, will dress in black leather coat over jeans and combat boots in chilly Florence, often asks me how I can keep up such a pace.
“Where do you get your inspiration?” he asks.
Once upon a time, I would have shrugged my shoulders, and smiled dumbly.  But now I approach the question by asking another question:  “Where do you get yours?” 
The man is a professor of math and science at a local university. He’s expected to show up every day, rain or shine, to teach his students what they are paying him to learn. The inspiration required to get out of bed every morning, get dressed, and get himself to class is a moot point. If he can’t do that, he needs another line of work, or he needs to see a shrink, pronto. Inspired teaching, however, is another thing altogether. But if one is good at one’s job…if one possesses a certain degree of talent…one then uses that talent as a channel for inspiration and creativity. This is what separates a professional from an amateur. The former being one who shows up for work every day, regardless of what is going on in the world and in his life. The latter being someone who works only when, “inspired.” This kind of inspired writer usually ends up being a writing teacher in order to pay the bills.
Vincent Zandri is a professional writer.
I work everyday. Two shifts usually. The first begins immediately when I wake up. I go from about seven to ten, when I’ll break for a workout. Then I’ll clean up, have lunch and work all afternoon and quit between five or six. I do this five days a week and on Saturday, I’ll try and work half a day. I take Sundays off, unless I’m working on deadline.
Writing is my job. Sometimes I’m inspired to do it better than other times. Sometimes, inspiration never enters the equation. All too often I’ll look at what I’ve written at the end of the day and I’ll feel myself smiling because it’s not only good, it seems better than what I am capable of.
“Did I write that?” I’ll whisper to myself.
Vincent Zandri is The New York Times and USA Today Bestselling Author of The Remains, The Shroud Key, The Innocent, The Dick Moonlight PI series, and the forthcoming Everything Burns from Thomas & Mercer. He has worked as a construction laborer, a car parker, a pizza delivery man, a sports reporter, and other odd jobs. Having earned his MFA in Writing from Vermont College, he is a freelance photojournalist, a world traveler, and the author/editor of the popular blog, THE VINCENT ZANDRI VOX. He divides his time between New York and Florence, Italy.
- See more at: http://www.writersandauthors.info/2014/11/inspiration.html#sthash.LGA0xdfq.dpuf
I’ve written 16 books at last count. No, that’s not right. I’ve published, or am about to publish my 16th novel come January of 2015. I’ve written far more than 16 (more like 22), and what’s even more amazing to me, is that most of these were written between 2009 and the present day. When you consider I wrote my first full-length novel back in 1997 as a part of my creative thesis for my MFA in Writing at Vermont College, and that in those days my goal was to write one novel per year, I have been increasing my output in direct relation to the annual increase in my age. That said, I am now writing two to three 50-60,000 word novels per year, plus a novella or two tossed in. Add to that some journalism and blogging for the The Vincent Zandri Vox, and you’re taking a ton of words on a daily basis.
A friend of mine who frequents the same bar I visit on a nightly basis when living in Florence, Italy in the Fall, always asks me the same question. “Did you write a new novel today?” Naturally, I laugh at this, but he’s not far off the mark considering the modern world of digital publishing and the demand readers (especially e-book readers) have placed on novelists to produce more and more work. My friend who, like me, will dress in black leather coat over jeans and combat boots in chilly Florence, often asks me how I can keep up such a pace.
“Where do you get your inspiration?” he asks.
Once upon a time, I would have shrugged my shoulders, and smiled dumbly.  But now I approach the question by asking another question:  “Where do you get yours?” 
The man is a professor of math and science at a local university. He’s expected to show up every day, rain or shine, to teach his students what they are paying him to learn. The inspiration required to get out of bed every morning, get dressed, and get himself to class is a moot point. If he can’t do that, he needs another line of work, or he needs to see a shrink, pronto. Inspired teaching, however, is another thing altogether. But if one is good at one’s job…if one possesses a certain degree of talent…one then uses that talent as a channel for inspiration and creativity. This is what separates a professional from an amateur. The former being one who shows up for work every day, regardless of what is going on in the world and in his life. The latter being someone who works only when, “inspired.” This kind of inspired writer usually ends up being a writing teacher in order to pay the bills.
Vincent Zandri is a professional writer.
I work everyday. Two shifts usually. The first begins immediately when I wake up. I go from about seven to ten, when I’ll break for a workout. Then I’ll clean up, have lunch and work all afternoon and quit between five or six. I do this five days a week and on Saturday, I’ll try and work half a day. I take Sundays off, unless I’m working on deadline.
Writing is my job. Sometimes I’m inspired to do it better than other times. Sometimes, inspiration never enters the equation. All too often I’ll look at what I’ve written at the end of the day and I’ll feel myself smiling because it’s not only good, it seems better than what I am capable of.
“Did I write that?” I’ll whisper to myself.
Vincent Zandri is The New York Times and USA Today Bestselling Author of The Remains, The Shroud Key, The Innocent, The Dick Moonlight PI series, and the forthcoming Everything Burns from Thomas & Mercer. He has worked as a construction laborer, a car parker, a pizza delivery man, a sports reporter, and other odd jobs. Having earned his MFA in Writing from Vermont College, he is a freelance photojournalist, a world traveler, and the author/editor of the popular blog, THE VINCENT ZANDRI VOX. He divides his time between New York and Florence, Italy.
- See more at: http://www.writersandauthors.info/2014/11/inspiration.html#sthash.LGA0xdfq.dpuf