Showing posts with label indie books. Show all posts
Showing posts with label indie books. Show all posts

Saturday, August 17, 2019

Who can you trust anymore?



Or should I say, what can you trust these days?

If you own a smart home...if you converse with artificial intelligence in the form of Alexa or a Ring Doorbell, or a smart TV, or a smart whatever...chances are you are not being offered a service out of convenience (it's the natural inclination of human beings to take the easy, lazy way out when offered the chance, no matter the consequences), so much as you are being observed and studied.

Your personal data is being compiled, bit by bit, pixel by pixel (my coding and computer terminology might be off here, but bear with me). You are not flesh and bone to these devices. You are code. They know what you eat, drink, read, listen to, indulge in sexually, pray to or not pray to, and so much more.

One day, they will know more about you than you know about yourself. They will anticipate your every move. If for some reason, they come not to like you, or suspect the worst about you, they can work against you and at best, shut you out...imagine arriving home from work, the Ring Doorbell recognizes you, and decides to lock you out of your own castle. At worst, they will make you a slave.

You just might disappear one day, no questions asked.

Can it happen?

Maybe it already has.

I explore this very thesis in my brand new thriller, Primary Termination
Grab it at a limited time special introductory low price now. 

WWW.VINCENTZANDRI.COM

Tuesday, June 11, 2019

Luck





Yup, I'm back at Blogger. I thought the change to Wordpress would be worth it, but it turns out most of my subscribers are present on this portal, and it's like starting all over again using a new platform. So there you have it.

I read an interesting blog recently by JA Konrath, arguably one of the pioneers of the indie movement. After selling millions of books he started taking on deals (or a deal anyway) with one of the Big Five pubs, and he sort of disappeared from not only the blogosphere but also from the indie publishing community altogether (I could be entirely wrong about this, and forgive me if I am, Joe, but that's the way it appeared to me). But recently he made a return with some very interesting blogs about the state of the industry including the state of his personal publishing career.

One of his pieces spoke about how he spent a full year working on a huge project which he sent out to some of the Big Five, plus a couple Amazon Publishing imprints (like me he's been pub'd by Thomas & Mercer a bunch of times). He was surprised to find all the pubs rejected his new project. He offered up logical reasons for why this happened, but it came as a shock to me. Here's a guy who was making upwards of $800K per year, until Kindle Unlimited tore into his profits in a big way. Still, he's allegedly moved more than 3mil books (no reason not to believe him), won some awards, done major book tours, has a huge following for both his blog and his fiction, and yet he gets rejected across the board. Huh?

It gave me pause, let me tell you. That's when I proceeded to another blog that talked about what it takes to actually make it as an indie author (as a hybrid author the rules also apply to me). According to Konrath, it's not paid advertising, or relying on "How to Become a Kindle Bestseller" books (the authors are "full of shit" he says, and I tend to believe him), or social media posts that get your books noticed and eventually purchased. These things help get the word out and therefor have their place, taken in moderation. But the key, aside from hard work, consistent output, talent, and focus on one series and one genre, is pure luck.

Take it from me folks when I tell you, Mr. Konrath is spot on. I've been lucky in my career, and I've been unlucky. Generally, the bad luck comes in long streaks, with occasional breakouts of good luck. That said, the bad luck is usually a direct response to a stupid decision or decisions on my part. For instance, the past couple of years I experimented with shorter books and novellas of which I'm proud. But readers don't want short reads. They want 60K words minimum. I also delved into taboo areas like erotic noir, and those projects stunk up the joint (although the reviews were rave). I was putting out books with a medium sized crime imprint also, but it became frustrating since those titles were competing with my own. I also parted with my long time agent, thinking a new slick outfit would be just the boost I needed to get back on track.

But it was all pretty much a disaster. Over the past two years I've seen my income cut in half if not worse. What's it all mean? Going back to what works (just like coming back to Blogger). By the grace of God, my agent took me back and already, we've been making deals, and making some money too. It never really dawned on me until recently, that my agent isn't just an agent, he's a manager. There's a big difference. I also made the commitment to write thrillers and only thrillers, both stand-alone and in my numerous PI series. If I'm experimenting with anything, it's my cyberpunk book, Primary Termination, which will be out soon. A new genre yes, but trust me when I tell you the book is pure Zandri thriller, nonetheless.

I've also decided to pick up some freelance work again...something I'd always enjoyed but got away from over the past couple years. Lastly, I'm not going to put out one book per month (even though I can pretty much write a book per month). Instead, I'm going to stagger my publications (the indie ones anyway), every two to three months. Taken altogether, this is turning out to be a far better year than than the three previous years. My goal (and as Joe points out, it's important to have goals, not reliance on hopes since you have no control over the latter), is to head back into six figure territory this year. Not an unrealistic goal by any means. Chip has already secured me a "nice" offer for a two book deal (more on this coming later), but we're waiting to see what the other interested pubs say. We've done some non-fiction stuff together, and we have solid movie interest in at least two of my projects. That's a huge step up from the big nothing of last year.

All this involves a lot of hard work, but it also involves luck. I was smart to make the adjustment back to what works. I was lucky I realized it before it was too late.

WWW.VINCENTZANDRI.COM





  

     

Sunday, April 1, 2018

Writing short stories isn't worth the effort...



...I hate to disagree with the premise of the title, but in truth, they are still very much worth it. Many authors have discounted shorter works, or what's known in indie/hybrid world as "short reads," altogether since they make squat when it comes to Kindle Select/Unlimited. But I still write and publish short stories for a variety of reasons, not all of them having to do with making actual cash.

 Presently I have maybe a half-dozen short stories for sale under my own label, Bear Pulp. These include Dog Day Moonlight, Pathological, and Bingo Night. All of them not only sell a few copies every month, the majority of them also appeared in various magazines and journals, or were a part of an anthology published by the likes of Down & Out Books. These little devils are a great little marketing tool and also provide a nice creative outlet between novels and novellas.

Still think you can't make money with them?

Let's do the maths (as the Brits like to say).

Setting aside the 50 bucks or so you might receive as payment from a journal for the privilege of publishing your story, say you have 10 stories for sale on KDP. If you price them at $2.99, you make $2.09 per copy sold (I always add a substantial free sample from a novel just to offer up a little more value for the reader and to further market my longer stuff). Say you sell five copies of each throughout the month. That's $10.45 per story, or a total of $104.50 for the month. Doesn't sound like a whole lot, but multiply that times 12, and you get $1,254. That, my author friend, pays the rent for the month (depending upon where you live). 

This is a numbers game. Write 20 stories and you can easily double that $1,254. Write 30 stories, and, well, do the maths again. Some authors like Dean Wesley Smith, who is a strong proponent of the no-luck/no-big-ass-promos-required method of indie/hybrid publishing success, has maybe 400 short stories published. An old timer like Harlan Ellison has 1,200 and counting. Both writers are millionaires.

Admittedly, I spend most of my time writing novels and novellas. But short stories most definitely have their place in my canon. By creating short story collections, like my Pathological: Collected Short Reads of Sex, Lies, and Murder, I'm also able to create a book-length product that can also generate lots of reads on Kindle Unlimited. Make the collection available in paper, eBook, and audible and you begin to realize the enormous possibilities short stories still offer up in this new century.

WWW.VINCENTZANDRI.COM
 

     

Sunday, December 3, 2017

Thrillers now available to a far wider audience inculiding Kobo, Ibooks, Nook and more...





Just a quick note to let everyone know that my novels Arbor Hill (Jack Marconi PI) and the bestselling The Shroud Key (A Chase Baker Thriller No. 1) are now available on all platforms, from Nook to Ibooks and more thanks to Draft2Digital.

Towards the end of January, all of my indie books will once more be available on a wide basis. Having experimented with utilizing KDP Select as the primary means of publishing my indie books, I'm now realizing it's a mistake to work with only one distributor when there are now so many more avenues out there for pushing my particular brand of over the top killer fiction.

So stay tuned.

For now here's some links:

Arbor Hill

https://www.books2read.com/u/4DAdN7

The Shroud Key

https://www.books2read.com/u/b5OQ8O

These are universal links so you only need to click once to find the store you prefer. And of course you can always still purchase from Amazon as always.


WWW.VINCENTZANDRI.COM