Showing posts with label As Catch Can. Show all posts
Showing posts with label As Catch Can. Show all posts

Monday, September 29, 2014

In the Game



Years ago, when I was still in my mid-twenties, I wanted to die.
The train from Innsbruck to Venice

I was working at a job I hated, but it was worse than that. It was a job I'd been groomed for by my dad who, along with my mother, wanted nothing more than to see me take over their family construction business.

When I say I had been groomed for the business, I mean, I was five years old when my dad brought me on to my first construction site and had me hold the end of a tape measure while he calculated the dimensions of a building foundation he and his crew would be pouring the following day. By the time I was fourteen, I'd already been working as a laborer and even experienced my first serious accident when I stepped on a nail that was sticking up out of floor-board and I, being the newly crucified, was sent to the hospital for nail extraction and a series of tetanus shots (I would later fictionalize this incident in THE CONCRETE PEARL).

When my early twenties rolled around, and I'd graduated college, I knew I wanted to be a writer, but instead I did "the right thing," and entered into my dad's business.

I hated it.

By then, I'd graduated to project manager status which meant my job was putting out fires all day inside a four-walled office, day in and day out. I used to sit at my desk and make notes about the stories I wanted to write, and the exotic places I wanted to visit, and the people I would meet along the way. I wanted adventure, not an office job and a home in the burbs.

In Moscow working for RT...a far cry from the construction business
My reading stand was full of novels by Hemingway and when I'd read all the novels, I started on all the biographies that detailed his prodigious life, and how he managed to become the best of the best.
He did it by entering into the game in the most humble way possible. He worked on the Kansas City Star as a cub reporter.

I remember the first time I read about how Papa began his career. I sat back in my chair at the construction company, and I thought, Damnit, that's what I'm going to do, since obviously no one is going to do it for me. So I went to work for the local Times Union Newspaper on the weekends, writing sports stories as a stringer. I also started freelancing pieces for them. Pieces on fly fishing and bird hunting, and other human interest stories. I saw my first byline and I nearly wept. When the fifty dollars per story checks began arriving in the mail, I felt even more exhilarated because I was no longer a wanna-be. I was a professional. It was a magical time, but also one of great tension.

I was still very young, and still tied to my family job, and even newly married. My dad wasn't too happy about my new passion, and even seemed confused if not hurt by it. After all, he'd invested an awful lot in me over the years and now here I was spending my time and energy in a field entirely unrelated to the commercial construction business.

Cairo, tail end of Arab Spring, researching The Shroud Key
But I was happy. I was a young man who no longer wanted to die. Quite the opposite in fact. I had begun the inevitable process of springing myself from a trap I'd willingly set for myself...the same sort of trap many men and women never free themselves from until it's far too late.   

I was a real writer now, and I was in the game.

WWW.VINCENTZANDRI.COM

 

Sunday, May 11, 2014

My Openly Naked Shameless Heartbreaking Publicity Seeking Monica Lewinsky Story

"My Dearest Monica, we might have been great together..."

Monica Lewinsky, the young woman who gained infamy by becoming then President Bill Clinton's illicit Oval Office sex kitten, is back in the news. Now forty and rapidly approaching a period of her life when most women (and men) are hitting high gear in both their careers and relationships, poor Monica just can't seem to shake the stigma of the Clintons, which according to her new Vanity Fair expo, has cost her both her ability to land a job and a husband. Funny how Slick Willy hasn't seemed to suffer from the blue-dress-"I did not have sex with that woman" scandal that dominated the news for more than a year back in '98/'99 even with his having been impeached. In fact, Bill, is considered a great statesman while Hillary prepares for her 2016 White House run. Go figure!

I feel badly for Monica. While she claims that her relationship with her boss was consensual, I have trouble swallowing the legitimacy of the whole affair. Let's face it, she was twenty-three and he was old enough to be her dad and then some. To put it as frankly as possible, it was a power trip for him to bang the young hot intern, and he knew it. Maybe the scandal proved to be a real pain in the rear end for the Clintons, but by some sort of oddball twist of political irony, it might have even served to make them more famous and desirable in the public eye.

Monica and her DNA stained blue dress certainly hasn't stopped the Clinton machine from conquering new territory in DC. If anything, it has made the power duo more alluring (One can picture Slick Willy gripping a cocktail at a Dem fundraiser while Pres. Obama leans into his ear, whispering, "Come on, Billy, tell me. What was she really like?")
 
Well, I'm sick of the Clintons getting all the glory. Sick of them sucking on the publicity tit that is Monica Lewinsky. Fact is, I have my own Monica story to expose after keeping it hidden for sixteen years. That's right people, I too have enjoyed a run-in with the Black Widow of the Beltway and it happened entirely by surprise.

It all went down in the Winter of '98, which as some of you might recall, was a killer. I was a very young novelist fresh out of writing school and who had just signed his first big quarter million dollar deal with Delacorte Press (Random House) for the publication of my first big novel, THE INNOCENT (back then it was called, As Catch Can). Being young and stupid and living within close proximity to NYC up in Albany, I would often find myself in the city on weekends, not only to play drums in my then editor's band, Straw Dogs, but also to, well, party like a rock star.

It was during one of these weekends that I found myself sitting on the floor of Penn Station on a late Sunday morning, trying to stave off the ill effects of a gargantuan hangover. Armed with coffee and a double Nathan Hot Dogs value meal, I awaited the train that would cart me back up north to Albany, where I looked forward to sleeping off my weekend for twenty four hours or more.

It was snowing outside. Correction, the entire East Coast was engulfed in a major Nor'easter, and the airports were shut down, which meant that many travelers who had planned on flying upstate were quickly snatching up train tickets. I'd prepaid for a seat in what was then called Amtrak Business Class, because at the time, I had money to burn, being the promising new Norman Mailer, minus the Pulitzer talent and audience. But hey, it was fun to pretend.

When the call came for my train I peeled myself up off he floor like a piece of chewed up old Juicy Fruit, and gladly barreled my way through the throngs of tourists until I found my train car down inside the steaming bowels of the station. As I located my seat inside a car that was mostly filled with Business Class passengers dressed in sharp clothing, not a single eye took notice of me, my black jeans, worn combat boots, leather coat, and Nathan's Hot Dogs. In fact, their eyes were glued to their respective copies of the New York Times Sunday Edition, which bore a headline that went something like, "CLINTON AND LEWINSKY KISSING IN AN OVAL OFFICE TREE!" Okay, I jest, but our president and his sex scandal was indeed the top news of the day. I myself might have taken a vested interest in it, were my head not ready to explode. But all I wanted was to crash in my seat, chow down my hot dogs, close my eyes, and pass out for the two hour ride north.

I wasn't seated against the window for more than a minute, the first of the two Nathan's Hot Dogs just inches from my open mouth, when a conductor interrupted me.

"Excuse me," he said. "But is this seat next to you taken?"

We both gazed down at the seat in question. The cushion didn't contain the ass end of a human being, but instead, my yellow cardboard Nathan's Hot Dog container, the already mustard-covered number two dog lying in wait.

I looked up at the tall, blue suited man and noticed two women standing directly behind him. Both women were tall, dressed expensively, and holding carry-on bags. They stared at me with wide, almost pleading dark eyes that never once blinked as the question about the empty seat lingered in the air like the aroma from my Penn Station lunch. The two women were none other than Monica Lewinsky and her mother.

I looked at them without saying a word, far longer than I should have. Because the conductor repeated the question about the seat. A little more emphatically this time.

I shook my head, dumped my first hot dog back into the container along with its partner, then picked the entire package up off the seat and gripped it in my hands. Sliding out of the seat, I faced Monica and her mom, and tried to work up a smile.

"Why don't you take both seats?" I said, knowing full well they were the only two seats left in Business Class, or perhaps the entire train.

But Monica shook her head. I recall she was wearing a black baseball cap, black acrylic stretch pants, and a snug fitting zippered jacket that accentuated her ample bosom. That very famous bosom that Bill so craved day in and day out. But I digress.

"I'll sit on the floor," Monica insisted, pointing to the empty space directly behind the two empty seats that might otherwise house a handicapped person and his wheelchair. "It's no problem," she added.

I stared down at the uneaten hot dogs and considered offering one up. But then raising my head, I peered at all the people reading their Clinton Scandal newspapers, all of them oblivious to the scene taking place only inches from their faces. History was being made here. How could they not see it unfolding? Here stood not only the major player in a sex scandal that was shaking the entire world, but so was her mother. How they could miss the obvious was beyond me and my sore head.

"Why don't you take both seats for you and your daughter?" I said again to Monica's mom, at which point, she shook her head in frustration, and issued a slight, if not tearful cry. Maybe all those people were glued to their newspapers, but they wouldn't be for long. Not if Monica and her mom continued loitering in the aisle.

"Please," she said. "Don't do this."

My heart sank for this attractive, middle aged woman who seemed so stoic yet so vulnerable and hurt. Peering down at my hot dogs, I slipped back into my seat, while Monica sat down on the carpeted floor behind me and her mom took the seat beside me.

Silence ensued while the train left the station and I, no longer hungry, slipped my hot dogs under the seat in front of me. After a time, as the train began winding its way along the banks of the iced over Hudson River and the snow fell on the tress of the Hudson Valley, Monica and her mom began conversing over the seat back. They were discussing someone "who would get theirs in due time." Someone who had no doubt played an integral role in the uncovering of the Clinton/Lewinsky scandal. They spoke in hushed whispers and in a kind of mother/daughter code that, while not entirely understandable to me, wasn't completely Greek either. The two women were pissed off and I guess they had a right to be. A young life was in the process of being ruined.

After a time, Monica got up and quickly darted through the aisle to the bathroom, passing by all those travelers and their newspapers, her shapely but sizable posterior creating a slight wind that blew back the edges of the newspapers like an American Flag caught in a stiff breeze. I remember staring at her butt. Her very very very famous butt, and knowing how much Slick Willy must have enjoyed it. It was not the most unattractive sight I'd ever witnessed in my life. But then, hey, I harbor a particular fetish for meat-on-their-bones brunette girls. I'll go so far as to say that I might have even, for a split second or two, contemplated asking Monica for her phone number, knowing that she was, at present, not dating anyone. What the hell, I was young novelist on the rise and her face was plastered on every newspaper and cable news network on the planet. We might make a powerhouse team.

After Monica returned to her seat on the floor, her mom leaned into me.
Looking out the window, she said, "I've heard the Hudson Valley is like the new Hollywood."

I was taken aback by the comment.

"It is?" I said like a dummy, once more taking in the aroma of my hot dogs as they sat unattended only inches from my toes. "I mean, yah, lots movies being filmed here now. Where are you headed?"

"Rhinebeck," she said. "My boyfriend lives there. We need a little time to ourselves."

That bit about "a little time to ourselves" is as close as the woman came to acknowledging hers and her daughter's true identities, and despite a little more small talk, I didn't push her further. By then, all I wanted was to try and figure out a way to get Monica's phone number.

But then the train came to stop as we pulled into a station.

The Rhinecliff/Rhinebeck station.

The woman beside me exhaled a relieved breath and stood up. As she grabbed hold of her carry-on from out of the overhead rack, she issued me the nicest and most genuine of smiles.

"Thank you," she said. But I knew she wasn't thanking me for the seat so much as not blowing their cover.

That's when Monica stood and gazed at me. She looked so young and innocent in her cute baseball hat, her long dark hair pulled back tight in a ponytail. I wanted to say something to her. Something profound and promising. I wanted to ask her if she'd like to get together sometime, shoot the shit, have a beer or two. Maybe even have me ghost a tell-all book for her. I just couldn't get the words out. It was a total choke.

But then she did something I'll never forget: Before she turned to exit the car with her mother, she locked eyes with mine, and smiled.

"You're very sweet for giving up your seat," she said.

I wanted to tell her it wasn't mine to give up in the first place. But the words just wouldn't come.
She turned then and exited the train car. I watched them walk the concrete platform through the window, and for a brief moment, I thought she might turn and once more lock onto my eyes with hers as the train began to slowly roll forward. With the snow coming down in heavy flakes, it was like a scene out of Dr. Zhivago. I the broken hearted young revolutionary knowing that he was losing his young Lara forever and ever.

As the train took on speed, Monica never did look back. I pressed my right hand up against the glass and I watched her disappear from my life forever, and all that remained was the snow falling on the glass as it melted into tear-like streaks of water.

Maybe a half hour passed before I pulled my eyes away form the safety glass. Not a soul was stirring in Business Class. A few people had given up their newspapers for nap time. Some people were chatting it up, gossiping about current events, totally ignorant of what had just occurred right before their eyes. Or had I dreamt the whole thing and was only now waking up from a bizarre hungover dream?

But then I smelled just a hint of the perfume Monica's mom had been wearing and I realized they they had indeed been here for that brief time. I sat there for a while, missing them, until I remembered my Nathans. Reaching back down under the seat, I retrieved the yellow cardboard container and rested it in my lap. Picking up the first hot dog, I bit into it. It was cold, but not too cold. The hot dogs were still good. I finished every bit of them. Small reward for a young novelist who had just played a tiny role in modern political history, and had his heart broken in the process.

  WWW.VINCENTZANDRI.COM


 



 

  

Sunday, September 15, 2013

Sales and More Sales




Remember the good old days when your novel would be released one week and six weeks later it would be removed from the bookstore shelves in order to make space for something else? You might write one novel per year and, if you were lucky, have one novel per year released. Of course all that's changed now in the digital age where space on the virtual bookstore shelf is infinite. Now I'm writing three books per year and I'm publishing so many of them my publishers can't keep up, which means I've actually begun my own imprint to handle the overflow. How fucking cool is that?

The digital and e-book age has initiated something else that's pretty cool.

Books that might have long been forgotten in the paper and bookstore "returns" age, are now able to enjoy renewed life. Over the past two weeks I've sold more than 14,000 books in e-book, print, and audible form. The novels that are kicking ass are THE REMAINS, GODCHILD, and THE INNOCENT. What makes these novels so special? Nothing in particular, other than I consider them some of my best and most inspired work. But that's the creative Vince talking. Now for the business Vince.

Take a look at the vitals for these three releases:

 --THE INNOCENT: First publisher, Delacorte Press in 1999: Copies sold, 7,000 and change.
                                  Second publisher, StoneGate Ink in 2011: Copies sold, 100,000 and change.
                                  Third publisher, Thomas & Mercer in 2012: 10,000 and change to date...

--GODCHILD: First Publisher, Dell in 2000: Copies sold...Data Unavailable but if I had to guess
                                                                           you can count the sales using the fingers on both
                                                                           hands.
                          Second Publisher, StoneGate Ink in 2011: Copies sold, 25,000 and change.
                          Third Publisher, Thomas & Mercer in 2012: Copies sold, 8,000 and change to date
                                                                                                   and climbing...

--THE REMAINS: First Publisher, StoneHouse Ink in 2010: Copies sold, 30,000 and change.
                                Second Publisher, Thomas & Mercer in 2012: Copies sold, 15,000 and change
                                  to date...(I'm guestimating that I will move around 25K of this title by the end
                                  of the month. Maybe more.)

The numbers reflected by T&M might not look as good as those of the "Gates" YET, but you have to keep in mind that the new editions are only a year or less old. Presently, I'm averaging 3500 sales per month with the Amazon Publishing imprint (they acquired 7 titles, all of which were released in late 2012. At the end of this month, I will have easily moved well over 50K units for them). If I update this same blog exactly a year from now, I suspect that my combined numbers at T&M will measure in the hundreds of thousands. Something not possible in the purely "paper/return" days of old. My books are my greatest financial assets, and presently there is simply no better place for these assets to reside and grow than in the hands of Amazon Publishing's Thomas & Mercer imprint. Five years from now things might be entirely different, although I doubt it.

This is not to say that selling books is easier these days. It's not. In some ways, it's more difficult given the ease with which anyone can self-publish a novel. There's a lot of shit out there and it's clogging up the pipes so to speak. But if you're good at what you do, possess a degree of God given talent, and you dedicate yourself entirely to the craft and the life, you have at least a chance of breaking out. To a degree, that is.

As recently as three weeks ago I was contacted by a reporter (name not given) at The New York Times, asking me about my relationship with one of my present publishers and how it is that I am able to sell so well (this same reporter has been contacting me periodically for almost a year now). I've also been contacted by The Observer in London, the WSJ, and numerous other publications. I don't hand over much information to them which is a source of their infinite frustration, but I sense what they are looking for is "the secret." You know, what's the secret of your success? What deal have you made with the devil? What kind of tricks are you playing? What algarythms are you manipulating? (This last one really cracks me up...)

The truth is that there are no manipulations and there are no tricks. The most I can reveal is that now and again, my publishers might run a special. But this sales tactic is no different from any bookstore or chain of bookstores offering my books at a discounted price for a certain period of time. The point is to move units and it's purely a decision made by the pencil pushers on the "Retail" side of the building. You want to find me, I'm down the hall in the "Talent."

And don't take my word for it. There are a lot of other authors moving more units than I am, JA Konrath, Blake Crouch, Sean Chercover among them. Just this past weekend, Aaron Patterson moved something like 10K units of his novel Sweet Dreams. The book is five years old.   

This week my very first published novel, Permanence (Northwest 1995) will go on special now that it's been re-released in e-Book format. Back in the 90's it sold less than 500 copies and from that point on, was forgotten entirely, despite its stellar reviews. I'll make a prediction, come this time next week, Permanence will have sold at least 3500 units over the period of a couple of days. I can't guarantee that kind of success, but based on experience, I think I can stand up in public and make that prediction. 3,500 units sold in just a couple of days. That will be more sales than I collectively earned from 1995 - 1999.

Who misses the good old days? 
Not me.

WWW.VINCENTZANDRI.COM





Sunday, April 14, 2013

Gone, Baby, Gone

Remember the record store?


In the wake of Writer's Guild Pres Scott Turow's death of the great American author rant printed this past week in the NY Times, I thought I would take a roll call of those professionals and professional organizations whom I had the pleasure of working with back when I was first published by one of the Big 6 Mega-Houses more than ten years ago now.

--The agent...GONE
--The acquiring editor...GONE
--The acquiring editor's boss (the editor-in-chief so to speak)...GONE
--My marketing manager...GONE
--The office in the Bertlesman building...GONE
--The imprint...GONE
--The independent bookstore where I did my first signing..GONE
--The major chain bookstore where I did my second signing...GONE
--The other major chain bookstore where I did my third signing...GONE
--The other, less popular major chain book/CD/DVDs store where I did my fourth signing...GONE
--The post office from where I used to snail mail my queries and manuscripts...GONE
--The book page in the local newspaper...GONE

...Okay you get the point...I'm sure there are a few people and things I've missed here, but when you look at the evidence in bulleted fashion you begin to understand the ever changing nature of this business and why authors such as Mr. Turow (and he is a great author for certain), who more or less cling to tradition, are a bit glum about the future.

But be it the climate, geography, society, technology, the orbit of the earth around the sun, or simply the recipe of Coca Cola, things change. Existence is not static. It's always moving one way or another. We don't read off of cave walls anymore. We have Kindles for that.  

Some of the people I've worked with, published with, played with, laughed with, gotten gloriously drunk with, even played music with along the way were pretty great, and many have moved on to greener pastures, mostly in other industries. I'm greatful for the opportunities extended to me back then. Only one person I know of remains an editor at a big house. So you see, as writers, we must always be flexible and willing to adapt. Or, in the words of a fellow author, we must find ways to survive.

I'm an American author and I've survived and then some.

I'm still here. Gonna be here for a while longer.